Tomato 4/4 |
Caché (2005) |
"... a mesmerizing and unnerving thriller, one with a sharp political bite." |
Randy Myers |
Splat C- |
Candy (2006) |
"...Our time with Candy and Dan, though tediously long, feels superficial." |
Mary F. Pols |
Tomato B+ |
Capitalism: A Love Story (2009) |
"Love him or hate him, liberal filmmaker Michael Moore is something of a modern-day Howard Beale, urging us to get outraged over injustices he perceives to be perpetrated by conservatives." |
Randy Myers |
Tomato 4/4 |
Capote (2005) |
"Not only does Hoffman deserve great praise, but also the movie itself, an assured first feature for filmmaker Miller." |
Randy Myers |
Splat |
Captain Corelli's Mandolin (2001) |
"de Bernieres' book has been bastardized, softened into something more palatable for audiences to handle and thus drained of its energy." |
Mary F. Pols |
Tomato 4/4 |
Capturing the Friedmans (2003) |
"An extraordinary rendering of an extraordinary story." |
Mary F. Pols |
Tomato B |
Caramel (2008) |
"I were to seek out one of these mystical fictional salons, I'd book at the one in Caramel over those in Steel Magnolias or Beauty Shop." |
Mary F. Pols |
Tomato 3.5/4 |
Cars (2006) |
"The script is unfailingly witty, the animation is breathtaking and clever -- the cast of voice actors is spirited and funny, and the direction as accomplished as any film you're likely to see this year." |
Randy Myers |
Tomato 3/4 |
Casa de los Babys (2003) |
"Sayles does what he does best, opening a window onto a slice of life so believable, you'd swear the movie was a documentary if you didn't know better." |
Mary F. Pols |
Tomato |
Cast Away (2000) |
"Movies that are supposed to be about the 'journeys of the heart' very rarely have real heart. Cast Away is a major exception." |
Mary F. Pols |
Tomato 3/4 |
Catch a Fire (2006) |
"Under the direction of Phillip Noyce, Catch a Fire becomes a suspenseful tale of one man's radicalization and eventual journey through hatred to forgiveness." |
Robert W. Butler |
Tomato 4/4 |
Catch Me If You Can (2002) |
"Full of fun and verve, with ample battery power supplied by its handy helmsman." |
Mary F. Pols |
Tomato |
Cats & Dogs (2001) |
"I doubt I'll be as pleasantly and heartily amused by any other movie this summer." |
Mary F. Pols |
Splat C- |
Catwoman (2004) |
"After Gothika and now her turn in this Catwoman, it seems like Berry's career may be headed toward the litter box." |
Mary F. Pols |
Tomato B- |
The Celestine Prophecy (2006) |
"Celestine functions both as a thriller and a spiritual film." |
Randy Myers |
Tomato |
The Cell (2000) |
"It's innovative, well-acted and wonderfully weird." |
Mary F. Pols |
Tomato B+ |
Cellular (2004) |
"Schlocky and shallow, but it's also the most invigoratingly fun, swift-moving and seamlessly plotted action movie to come along since Speed." |
Mary F. Pols |
Tomato |
The Center of the World (2001) |
"Interesting and provocative." |
Mary F. Pols |
Splat D |
Cet Amour-La (2002) |
"Dayan never makes the love story accessible to us, never makes us understand what there is between this couple." |
Mary F. Pols |
Tomato 3.5/4 |
Changing Lanes (2002) |
"A film that dares to probe, intelligently, into some of those most essential, difficult American issues: race and class." |
Mary F. Pols |
Tomato 3.5/4 |
Charlie and the Chocolate Factory (2005) |
"The Wilder film is like Hershey's milk chocolate, while Burton's film is like a chunk of Scharffen Berger." |
Mary F. Pols |
Tomato B- |
Charlie Wilson's War (2007) |
" Crile's book is a detailed, cautionary tale. Nichols and Sorkin's version isn't completely without reflection, but it mostly dodges the ugly in favor of personality." |
Mary F. Pols |
Tomato |
Charlie's Angels (2000) |
"It is truly an absurd movie, but so buoyant that it really does rise to heights: heights of silly charm and sweet camp." |
Mary F. Pols |
Splat C+ |
Charlie's Angels: Full Throttle (2003) |
"The girls are essentially Barbie dolls who do stunts." |
Mary F. Pols |
Splat |
Charlotte Gray (2001) |
"Beautiful but dull." |
Mary F. Pols |
Splat C |
Chasing Liberty (2004) |
"It's all very Roman Holiday, except that Moore isn't Audrey Hepburn and these two actors don't have a lot of natural chemistry between them." |
Mary F. Pols |
Tomato 2.5/4 |
Cherish (2002) |
"As off-putting and mysteriously endearing as its heroine." |
Mary F. Pols |
Splat 2.5/4 |
Chicken Little (2005) |
"Sad to say, Little's magical spell goes poof halfway through." |
Randy Myers |
Tomato A |
Children of Men (2006) |
"The film is a triumph of direction, a collection of long takes so carefully planned out that it seems as if Cuaron had very little work to do in the editing room." |
Mary F. Pols |
Splat |
Chill Factor (1999) |
"Chill Factor is just the kind of failed action picture one expects to see during these final days of August." |
Karen Hershenson |
Splat |
Chocolat (2000) |
"A sweet if rather tedious fable about acceptance and tolerance. It's treacle, not chocolate." |
Mary F. Pols |
Tomato B |
The Chorus (2005) |
"It's one of those tasteful, sweetly sentimental movies that may grate on the more jaded members of the audience, but will likely leave many a moviegoer with a moist eye and a warm glow." |
Mary F. Pols |
Splat D |
Christmas with the Kranks (2004) |
"False, littered with lame slapstick, and leaving the impression that director Joe Roth ... threw it together in about two weeks." |
Mary F. Pols |
Tomato 3.5/4 |
The Chronicles of Narnia: The Lion, The Witch, and the Wardrobe (2005) |
"The Chronicles of Narnia so vividly captures the magic of the book that Harry Potter might just want to watch his back." |
Randy Myers |
Splat D- |
Chronicles of Riddick (2004) |
"The movie veers between looking like a video game and a shaving commercial." |
Mary F. Pols |
Tomato 3.5/4 |
Cinderella Man (2005) |
"Most directors shy away from the Time That Oscar Voters Forget. Ron Howard must be getting bolder." |
Mary F. Pols |
Tomato 3/4 |
City of Ghosts (2003) |
"Dillon found something that captivated him more than being just a movie star, and flawed though these results may be, they were certainly worth his time." |
Mary F. Pols |
Tomato 2.5/4 |
Civic Duty (2007) |
"Civic Duty does engage and get your pulse racing." |
Mary F. Pols |
Tomato |
The Claim (2001) |
"A quirky epic that deserves to be a classic." |
Mary F. Pols |
Tomato B |
The Clearing (2004) |
"Brugge ... builds the tension slowly and carefully, until we find ourselves, like Eileen, in the dark woods longing for everything to be all right." |
Mary F. Pols |
Splat 2.5/4 |
Clerks II (2006) |
"As long as all easily offended souls stay away from Clerks II, everyone ought to be happy." |
Mary F. Pols |
Splat C- |
Click (2006) |
"Why Click fails to click is because of a crass, uncertain script, which wavers between an unfunny Saturday Night Live skit and a Lifetime Channel movie. Only once, near the end, did I care about his plight. But then, maybe it was heartburn." |
Randy Myers |
Tomato 3/4 |
Coach Carter (2005) |
"Fairly standard sports-movie fare but well-acted, suitably gritty, lightly comic in the right places and sweet without being saccharine." |
Mary F. Pols |
Splat C |
Code 46 (2004) |
"The heavy-handed love story is marked for failure by its dependence on a tired romantic theme and a pair of mismatched leads." |
Mary F. Pols |
Splat C- |
Cold Creek Manor (2003) |
"There are virtually no surprises in the suspense thriller Cold Creek Manor, except that such a predictable script would attract such a solid cast and a director, Mike Figgis, who isn't known for his mainstream tastes." |
Mary F. Pols |
Tomato B |
Cold Mountain (2003) |
"You walk out thinking of it not as a romance, but rather a film about the ferocious desire to survive, how love of place can feed that instinct, and how dire circumstances can inspire people to form unorthodox families." |
Mary F. Pols |
Splat 2/4 |
Collateral (2004) |
"Collateral stretches the bounds of coincidence, physical survival and the allure of a cabbie beyond all belief." |
Mary F. Pols |
Splat |
Collateral Damage (2002) |
"A piece of revenge porn." |
Mary F. Pols |
Tomato 3.5/4 |
Colma: The Musical (2007) |
"Utterly original and unforgettable. It features 13 musical numbers written by H.P. Mendoza, all of them smart and fun and some of them so catchy you can't get them out of your head." |
Mary F. Pols |
Tomato 2.5/4 |
Color Me Kubrick (2007) |
"[Kubrick] might dismiss as trite the message that proximity to celebrity is so intoxicating, it stupefies. But one hopes he'd relish the cheerful audacity of the caper and its telling." |
Mary F. Pols |