Tomato 3/4 |
Factotum (2006) |
"The movie, like its hero, has a deadpan, low-key humor, and once you understand that it's not going to show us the cycle of recovery or Hank's big break into the world of publishing, it's just a pleasure to sit back and see what comes out of Hank's mouth." |
Mary F. Pols |
Tomato B+ |
Fahrenheit 9/11 (2004) |
"It is passionate, clever, scathing, funny, snarky, brutal, sad, glib and at times superficial." |
Mary F. Pols |
Splat 2/4 |
Failure to Launch (2006) |
"The two TV writers have taken a premise ripe with potential for laughter and social commentary and turned into a hackneyed sitcom." |
Randy Myers |
Splat |
The Family Man (2000) |
"It's pleasant enough stuff, but Lord knows, we've seen it all before." |
Mary F. Pols |
Splat 2/4 |
The Fantastic Four: Rise of the Silver Surfer (2007) |
"As superhero experiences go, Fantastic Four: Rise of the Silver Surfer is mundane. It's not funny enough to be a spoof, but it's also not deep enough to hold any intrigue." |
Mary F. Pols |
Tomato 4/4 |
Far From Heaven (2002) |
"Haynes stays rapturously within the visual, stylistic and conversational confines of these old movies, but continually blows their plots open." |
Mary F. Pols |
Tomato 3/4 |
Fast Food Nation (2006) |
"Though eye-opening, it's as non-threatening as any film involving sexual coercion, grotesque factory accidents and conveyor belts loaded with cow kidneys could be." |
Mary F. Pols |
Tomato 3/4 |
The Fast Runner (2002) |
"Remarkable in many ways." |
Mary F. Pols |
Splat 2/4 |
Fat Albert (2004) |
"As a general rule, television shows do not make for good movies, and Saturday morning cartoons typically fare even worse in the transfer to the big screen. Fat Albert is no exception, but it's not in the Garfield category." |
Peter Debruge |
Splat |
Fat Girl (2001) |
"You are left with a sense of wonder at Breillat's need to punish and inflict pain on both her characters and her audience." |
Mary F. Pols |
Tomato B+ |
Fellini I'm a Born Liar (2003) |
"Offers us a close-up look at a director who was foremost a visual master, capable of creating the kind of unsettling images that haunt you forever." |
Mary F. Pols |
Tomato 3/4 |
Fever Pitch (2005) |
"If you are a Red Sox fan (guilty), then you will, of course, see Fever Pitch through rose-colored glasses. But sports euphoria aside, as romantic comedies go, this one is pretty sweet and entertaining." |
Mary F. Pols |
Splat D |
Fierce People (2007) |
"Desperate, manipulative." |
Mary F. Pols |
Splat |
Final Fantasy: The Spirits Within (2001) |
"The movie feels -- surprise -- hollow and lifeless." |
Mary F. Pols |
Tomato |
Finding Forrester (2000) |
"Sean Connery's finest acting in years." |
Mary F. Pols |
Tomato 4/4 |
Finding Nemo (2003) |
"There wasn't one element I didn't love about this captivating movie." |
Mary F. Pols |
Tomato 3/4 |
Finding Neverland (2004) |
"Finding Neverland is as relentlessly fanciful as Peter Pan itself." |
Mary F. Pols |
Splat 2/4 |
Flannel Pajamas (2006) |
"Maybe Lipsky's been too direct in his screenplay; he makes us feel like informed witnesses to their relationship rather than participants. Which means, we spend most of the movie thinking, just break up already, please." |
Mary F. Pols |
Splat |
The Flintstones in Viva Rock Vegas (2000) |
"The new Flintstones movie is bad. Prehistorically bad. Neolithically bad. Bad enough that you should take your youngsters and run in the opposite direction to My Dog Skip." |
Karen Hershenson |
Tomato B- |
The Flower of Evil (2003) |
"An elegant, gracefully made movie, but it unreels with something of the same dull sense of preordainment." |
Mary F. Pols |
Splat 2/4 |
Flyboys (2006) |
"Flyboys is schlock. It's structure is predictable: comic moments, followed by an action sequence -- good from a distance, but as soon as we're too close to the pilots, everyone just looks ridiculous." |
Mary F. Pols |
Tomato B |
Flying: Confessions of a Free Woman (2007) |
"I'd mark how effective Flying is by the fact that I'm under no obligation to watch the rest of the series, but I'm eager to do so." |
Mary F. Pols |
Tomato B+ |
The Fog of War (2003) |
"Filled with worthy, sometimes chilling, lessons from JFK and LBJ's former secretary of defense about warfare and humanity." |
Mary F. Pols |
Tomato B- |
Fool's Gold (2008) |
"McConaughey makes an amiable enough fool, and the sunny, spirited Hudson is just as Gold(ie) as ever. For a mainstream February release, this one isn't so bad." |
Mary F. Pols |
Tomato 3/4 |
For Your Consideration (2006) |
"As those of us who actually follow these entertainment industry sagas head into the real life awards season, it's a pleasure to have For Your Consideration arrive just now to remind us what nonsense it all is." |
Mary F. Pols |
Tomato B- |
The Forgotten (2004) |
"Won't linger in the memory banks for long, but Julianne Moore's ability to dazzle will." |
Mary F. Pols |
Splat 2/4 |
The Fountain (2006) |
"A ponderous movie rather than a profound one." |
Mary F. Pols |
Splat 2.5/4 |
The Four Feathers (2002) |
"A movie of ridiculous transitions and logistical leaps that no amount of pretty scenery can whitewash." |
Mary F. Pols |
Tomato B+ |
Freaky Friday (2003) |
"The ideal remake -- funny, good-hearted and loaded with genuine charms of its own." |
Mary F. Pols |
Splat D- |
Fred Claus (2007) |
"Award winners like Giamatti, Kathy Bates, Miranda Richardson, Kevin Spacey and Rachel Weisz struggle valiantly to elevate the material, but it's hopeless." |
Mary F. Pols |
Tomato B |
Freedomland (2005) |
"Therein lies the difference with this taut film; it acts like a conventional thriller, but becomes much more complex as it unravels its complicated, uncomfortable truth." |
Randy Myers |
Tomato 3/4 |
Friday Night (2003) |
"Denis' metaphors are obvious, but no less engaging for their lack of subtlety." |
Mary F. Pols |
Tomato B- |
Friday Night Lights (2004) |
"The saddest sports movie since Hoop Dreams." |
Mary F. Pols |
Tomato 3.5/4 |
Friends With Money (2006) |
"Observant and compassionate in its depiction of what life is like for its strong-willed female characters." |
Randy Myers |
Splat |
From Hell (2001) |
"Ties the story up in such neat knots that our darkest factory, the imagination, has no wiggle room at all." |
Mary F. Pols |
Splat 1/4 |
Full Frontal (2002) |
"Meaningless, infantile and grotesquely self-indulgent." |
Mary F. Pols |
Tomato B- |
Funny Games (2008) |
"While I admire the film's tone, acting (Pitt in particular is divinely nasty) and general irreverence, I don't feel I need the spanking." |
Mary F. Pols |
Splat C |
Funny People (2009) |
"Funny People comes across tentative and disjointed, with the filmmaker at the helm lacking the confidence to be truly daring." |
Randy Myers |
Splat C+ |
Fur: An Imaginary Portrait of Diane Arbus (2006) |
"Does it have to be a man that turns her into an artist? Sure he's just a metaphor, but it's still an absurd and insulting suggestion." |
Mary F. Pols |