Tomato |
L.I.E. (2001) |
"It's disturbing, to say the least, but it also has a curious appeal." |
Mary F. Pols |
Tomato 4/4 |
La Vie En Rose (2007) |
"What's truly uncanny is the way Cotillard makes you feel as though you are seeing a life not just recreated, but lived. She portrays Piaf as a willful, pathetic, substance-abusing diva, who is also charming, touching and tragically vulnerable." |
Mary F. Pols |
Tomato B- |
Ladies in Lavender (2005) |
"What it says about loneliness and the lost opportunities of youth is worthy of our attention, even as films like this begin to seem musty and well-worn." |
Mary F. Pols |
Tomato 3/4 |
Lady in the Water (2006) |
"It is a lovely, sincere movie with a nice message about believing in both otherworldly magic and the more mundane power of a community." |
Mary F. Pols |
Tomato 4/4 |
Lagaan (2001) |
"It's not so much a movie as an experience, an exhilarating dip into different cultural waters to a place where lovers actually call each other 'beloved' and no one laughs." |
Mary F. Pols |
Tomato 3/4 |
The Lake House (2006) |
"The Lake House is the type of movie you hear friends groan about Hollywood not making anymore. It's an old-fashioned romance that scoffs at today's frantic pacing, leisurely seducing us with its heartfelt story about the timeless value of love." |
Randy Myers |
Splat |
Lara Croft: Tomb Raider (2001) |
"The movie version of her 'life' is just a jumble of every Indiana Jones and James Bond movie ever made." |
Mary F. Pols |
Tomato 3/4 |
Last Holiday (2006) |
"Really what Holiday is about is Latifah." |
Randy Myers |
Tomato 3/4 |
The Last Kiss (2002) |
"It's seething with truth." |
Mary F. Pols |
Splat 2.5/4 |
The Last Kiss (2006) |
"If The Last Kiss were truly honest, it might make a statement about young people compromising and settling." |
Mary F. Pols |
Tomato 3/4 |
The Last Mimzy (2007) |
"The film is less geared toward the politics of today than it is to bigger questions of humanity, and thus, it hinges on the young actors, and how well they carry that dramatic weight. Both are very capable." |
Mary F. Pols |
Tomato 3/4 |
The Last Samurai (2003) |
"Based loosely on the real story of Saigo Takamori, Katsumoto is a fictional character, but Watanabe, a Japanese film and television star, makes us believe in him." |
Mary F. Pols |
Splat 1.5/4 |
Laurel Canyon (2003) |
"Vacuous, elitist." |
Mary F. Pols |
Splat 2/4 |
Layer Cake (2005) |
"Features a plot anyone over 16 has seen at least a dozen times, with slick but completely unoriginal directing by Matthew Vaughn." |
Mary F. Pols |
Splat D |
The League of Extraordinary Gentlemen (2003) |
"Bad special effects would be survivable if the characters were captivating." |
Mary F. Pols |
Tomato |
Legally Blonde (2001) |
"As usual, [Witherspoon's] a joy to watch ... although the movie itself leaves something to be desired." |
Mary F. Pols |
Tomato B- |
Legally Blonde 2: Red, White and Blonde (2003) |
"Never underestimate Witherspoon. She's an actress who takes a potentially irritating character like Elle and renders her impossible not to care about." |
Mary F. Pols |
Splat |
The Legend of Bagger Vance (1999) |
"If it's such a feel-good movie, why does it feel so bad?" |
Mary F. Pols |
Splat 2/4 |
The Legend of Zorro (2005) |
"There's no swash, no buckle to The Legend of Zorro, just a whole lot of dysfunction between Antonio Banderas and Catherine Zeta-Jones." |
Randy Myers |
Tomato B- |
Lemony Snicket's A Series of Unfortunate Events (2004) |
"The movie looks fantastic, Victorian Gothic by way of Edward Gorey, with just the right element of storybook fantasy." |
Mary F. Pols |
Tomato |
Liam (2001) |
"Borrows gives the most touching performance by a child in a movie since Victoire Thivisol's title role in the 1996 movie Ponette." |
Mary F. Pols |
Tomato 2.5/4 |
The Libertine (2005) |
"Depp achieves one of his mightiest feats, rescuing the overly theatrical Libertine from itself." |
Randy Myers |
Splat C- |
The Life Aquatic With Steve Zissou (2004) |
"The visuals are all there -- if films got prizes for best poster, this one would be a shoo-in. But story, heart and purpose all seem to be lost at sea." |
Mary F. Pols |
Tomato |
Life as a House (2001) |
"Kline is steadfastly great, rising above the schmaltz to lay bare both George's fear and his quiet resignation." |
Mary F. Pols |
Splat 2.5/4 |
Life or Something Like It (2002) |
"There's little potential for surprise or much creativity within this old formula." |
Mary F. Pols |
Tomato A |
Little Children (2006) |
"The real force of the movie is its compassion, which is so all encompassing as to be almost religious in nature. Field doesn't turn away from anyone's flaws, and he's always multidimensional in his viewpoint." |
Mary F. Pols |
Tomato 3.5/4 |
Little Miss Sunshine (2006) |
"So winning, it's easy to forgive it for its too-sunny outlook on dysfunction." |
Mary F. Pols |
Splat |
Little Nicky (2000) |
"This is what your children will want to see this weekend. Don't let them." |
Mary F. Pols |
Tomato 4/4 |
The Lives of Others (2006) |
"This is an elegant film that deserves to be a classic -- and an Oscar winner." |
Mary F. Pols |
Tomato B |
The Lizzie McGuire Movie (2003) |
"The movie is sweet and fun and so much like the Gidget movies I grew up with that I fully expected Moondoggie to show up with his surfboard." |
Mary F. Pols |
Tomato 2.5/4 |
Lonesome Jim (2006) |
"Yes, it all sounds quirky like most 'back-home' movies do, yet all of it rings true." |
Randy Myers |
Splat 1.5/4 |
Looking for Comedy in the Muslim World (2006) |
"Looking for Comedy takes a smart premise and then clubs the comic and satirical possibilities out of it." |
Randy Myers |
Tomato 3.5/4 |
The Lookout (2007) |
"A pulse-quickening thriller, but what makes it such an interesting and memorable movie is that it is also a thought piece about what happens when personal brilliance vanishes forever." |
Mary F. Pols |
Tomato |
The Lord of the Rings: The Fellowship of the Ring (2001) |
"Jackson's vision of Middle-earth is worthy of Tolkien, and there's probably no better compliment one could pay the film." |
Mary F. Pols |
Tomato A |
The Lord of the Rings: The Return of the King (2003) |
"Peter Jackson had truly taken me to the place J.R.R. Tolkien created." |
Mary F. Pols |
Tomato 3.5/4 |
The Lord of the Rings: The Two Towers (2002) |
"As in Fellowship, the actors are all vivid realizations of Tolkien's characters, and there is not a weak note in the cast." |
Mary F. Pols |
Tomato |
Loser (2000) |
"Such an agreeable movie that the Biggs-as-loser premise works." |
Mary F. Pols |
Splat |
Lost Souls (2000) |
"Its examination of our current cynical age of faithlessness is betrayed by largely rote directorship and its own occasional knee-jerk reflexes of horror cinema." |
Vera H-C Chan |
Splat 1.5/4 |
A Lot Like Love (2005) |
"As usual with romantic comedies, the premise keeping these two apart grows tired by the second half and absolutely limp by the conclusion." |
Mary F. Pols |
Tomato B- |
Love Actually (2003) |
"If you missed Four Weddings or Notting Hill, there's a good chance Love Actually will seem refreshing and delightful." |
Mary F. Pols |
Tomato B- |
Love in the Time of Cholera (2007) |
"There is sweet whimsy here." |
Mary F. Pols |
Splat .5/4 |
A Love Song for Bobby Long (2004) |
"In the earnest A Love Song for Bobby Long, [Travolta] is a veritable cinematic pollutant." |
Mary F. Pols |
Tomato 3/4 |
Lovely & Amazing (2002) |
"Stuffed with enough moments of bitter humor and agonizing truthfulness to be worthy, despite its too-slender framework." |
Mary F. Pols |
Splat 2.5/4 |
Lower City (2006) |
"Machado asks us to believe in the love between Karinna, Deco and Naldinho without ever making us feel anything but the tug of their sexual attraction." |
Mary F. Pols |
Splat 2.5/4 |
Lucky # Slevin (2006) |
"Lucky Number Slevin smacks of so much smugness that you want to go up to the screen and slap it." |
Randy Myers |
Tomato |
Lucky Numbers (1999) |
"A rather snappy comedy." |
Mary F. Pols |
Tomato B+ |
Lust, Caution (2007) |
"Oscar-winning director Ang Lee's new film, Lust, Caution, is such a challenging, defiant film that you leave it feeling slapped around, but at the same time exhilarated by Lee's boldness." |
Mary F. Pols |