Splat D |
The Machinist (2004) |
"A pretentious, sadistic film." |
Mary F. Pols |
Tomato |
Made (2001) |
"Ricky is stunningly and admirably aggravating." |
Mary F. Pols |
Tomato 3/4 |
Maelström (2002) |
"The main story ... is compelling enough, but it's difficult to shrug off the annoyance of that chatty fish." |
Mary F. Pols |
Tomato 3.5/4 |
The Magdalene Sisters (2003) |
"Mullan has created an emotionally real story, one that has moments of agony and desperation but ultimately, thankfully, enough triumph to make the harrowing experience of watching it endurable." |
Mary F. Pols |
Splat 2/4 |
Maid in Manhattan (2002) |
"With an ending this weak, it's enough to make you forget there was anything charming about Maid in Manhattan in the first place." |
Mary F. Pols |
Tomato |
The Majestic (2001) |
"There's a germ of something genuine under all the imitation, and the movie works, despite itself." |
Mary F. Pols |
Tomato 3/4 |
Man Push Cart (2006) |
"Man Push Cart is likely too slow to pull in much of an audience, but that's a shame, because it has so much empathy for the plight of the lonely." |
Mary F. Pols |
Tomato |
The Man Who Wasn't There (2001) |
"Leave it to the Coen brothers to both pay homage to film noir and turn it on its end." |
Mary F. Pols |
Tomato B+ |
The Manchurian Candidate (2004) |
"[Demme's] got a cast that can actually go toe to toe with Frankenheimer's: Denzel Washington, Meryl Streep and Liev Schreiber." |
Mary F. Pols |
Tomato 3.5/4 |
March of the Penguins (2005) |
"Makes you feel like a child again -- curious, excited and enraptured by a story that has nothing to do with humans." |
Mary F. Pols |
Tomato B |
Margot at the Wedding (2007) |
"No matter how awful you might think your parents or siblings, Baumbach can write a character that makes them look like angels." |
Mary F. Pols |
Tomato A- |
Maria Full of Grace (2004) |
"Compelling and highly accomplished." |
Mary F. Pols |
Tomato B- |
Marie Antoinette (2006) |
"This is her weakest movie to date, and yet as a reflection of Coppola's intriguing quality as a filmmaker, there's something about it that makes you wonder what the test of time will do to this Marie Antoinette." |
Mary F. Pols |
Splat C+ |
Martian Child (2007) |
"It's hard to take this look at foster care and adoption seriously." |
Mary F. Pols |
Tomato A- |
Master and Commander: The Far Side of the World (2003) |
"Manages to combine compelling, naturalistic action with a stirring and unusually tender portrait of friendship between men." |
Mary F. Pols |
Tomato 3/4 |
Match Point (2005) |
"Welcome back, Woody." |
Randy Myers |
Tomato B- |
Matchstick Men (2003) |
"Matchstick Men may not measure up to that classic, but for those of us who have begun to dread the sight of Cage's name on a movie poster, it offers new hope." |
Mary F. Pols |
Splat C+ |
The Matrix Reloaded (2003) |
"Often feels like the Matrix Overloaded." |
Mary F. Pols |
Tomato 3/4 |
Me and You and Everyone We Know (2005) |
"Refreshingly weird romance." |
Mary F. Pols |
Tomato 3/4 |
Me Without You (2002) |
"Goldbacher is right on in the way she captures the fear and need involved in such a relationship." |
Mary F. Pols |
Tomato B+ |
Mean Creek (2004) |
"One of the most subtle, evocative explorations of childhood and adolescent relationships since Stand By Me." |
Mary F. Pols |
Tomato |
Meet the Parents (2000) |
"There's hardly anything surprising about Meet the Parents, except that it's much funnier than you might expect." |
Mary F. Pols |
Tomato 3/4 |
Melinda and Melinda (2005) |
"As a foil to hold it altogether, Mitchell is surprisingly effective." |
Mary F. Pols |
Tomato |
Memento (2001) |
"A calculated, well-told gimmick, and not much more." |
Mary F. Pols |
Tomato B |
The Memory of a Killer (2005) |
"Decleir does a fine job wavering between being confused and being a sort of James Bond for the senior set. But there's nothing deep or meaningful evoked here." |
Mary F. Pols |
Tomato 3/4 |
Men in Black II (2002) |
"There is much to relish about Men in Black II. The movie has a solid, contemporary American sense of humor, which is to say, cynical on topics ranging from global warming to the vagaries of the postal system." |
Mary F. Pols |
Tomato |
The Mexican (2001) |
"So the story has a few flaws and its share of violence, but this Roberts-Pitt comedy will still leave you smiling." |
Mary F. Pols |
Tomato 2.5/4 |
Miami Vice (2006) |
"The most visually exciting movie to come along this year." |
Mary F. Pols |
Splat C+ |
A Mighty Wind (2003) |
"Chances are you will laugh throughout the movie, but if you've seen Guest's other movies, you may feel, as I did, that there's something dutiful about your chuckles." |
Mary F. Pols |
Tomato B+ |
Million Dollar Baby (2004) |
"Solid, well-acted and has a twist that makes it undeniably moving." |
Mary F. Pols |
Tomato 3.5/4 |
Minority Report (2002) |
"It's a festival of cool, from its virtual this and virtual that to its black-clad, angst-ridden hero." |
Mary F. Pols |
Tomato B+ |
Miracle (2004) |
"Russell gives an assured, intelligent performance that anchors the film." |
Mary F. Pols |
Splat |
Miss Congeniality (2000) |
"Bullock knows how to showcase her vulnerability, but unfortunately she can't compensate for plot implausibilities that don't have to be implausible, or clichés that don't have to be clichéd." |
Vera H-C Chan |
Tomato B |
Miss Pettigrew Lives for a Day (2008) |
"It sparkles mostly because of McDormand and her two main co-stars, Amy Adams and Shirley Henderson, a lesser-known actress from Scotland who just about steals the show." |
Mary F. Pols |
Tomato B |
The Missing (2003) |
"Solid, serviceable, well-acted entertainment." |
Mary F. Pols |
Splat |
Mission to Mars (2000) |
"They don't waste words in the space program, and I won't waste any more here. Let's call this one mission: improbable." |
Karen Hershenson |
Tomato |
Mission: Impossible II (2000) |
"Entertaining in its own wacky way." |
Karen Hershenson |
Tomato 3.5/4 |
Mission: Impossible III (2006) |
"It's a hip action cocktail with a whole lot of kick." |
Randy Myers |
Splat C+ |
Mona Lisa Smile (2003) |
"It offers only a tepid sort of inspiration." |
Mary F. Pols |
Tomato 3.5/4 |
Monsoon Wedding (2002) |
"Thoroughly satisfying, subtle, steamy and as evenly balanced between serious and joyous as the best weddings actually are." |
Mary F. Pols |
Tomato |
Monster's Ball (2001) |
"It's a bleak and beautiful movie, and while the rain never stops, it does ease up, offering one of the most delicately redemptive stories we've seen since Dead Man Walking." |
Mary F. Pols |
Splat 1.5/4 |
Monster-in-Law (2005) |
"If there is any reason to watch Monster-in-Law -- a chore best reserved for a day when the flu has rendered you incapable of the ability to discriminate between good and bad -- it is to see Fonda acting again after all these years." |
Mary F. Pols |
Tomato |
Monsters, Inc. (2001) |
"The animation has to take a back seat because what's happening emotionally is by its very nature more engaging." |
Mary F. Pols |
Tomato 3/4 |
Moonlight Mile (2002) |
"A thoughtful, careful look at grieving." |
Mary F. Pols |
Tomato 3/4 |
Morvern Callar (2002) |
"There was time on that second round to see the subtleties of Ramsay's portrait of grief." |
Mary F. Pols |
Tomato A |
The Motorcycle Diaries (2004) |
"It's the coming-of-age story of friends on a road trip, a lushly photographed travelogue through South America, and, finally, a mesmerizingly subtle and lyrical exploration of political awakening." |
Mary F. Pols |
Splat |
Moulin Rouge (2001) |
"It leaves you feeling as worn-out as a grandmother at a rave." |
Mary F. Pols |
Splat 1.5/4 |
Mr. Deeds (2002) |
"Comically flat and flawed on many levels." |
Mary F. Pols |
Tomato |
Mulholland Dr. (2001) |
"Lynch brilliantly captures two elusive themes, the shifting character of dreams and the way something unsettling always lurks behind L.A.'s flowers and sunshine." |
Mary F. Pols |
Splat |
The Mummy Returns (2001) |
"Confusing, loud, violent and so bloated with special effects that you want to crawl into a dark hole when it finally draws to a close after two long hours." |
Mary F. Pols |