Cabin Fever (2003)

"On the surface, Cabin Fever might seem like just another ripoff of the Michigan-made cult classic The Evil Dead, but it has a style and sense of humor entirely its own."

Calendar Girls (2003)

"A refreshing lark, made all the more enjoyable by a cast of fine actors."

Camp (2003)

"Fame may seem silly in retrospect, but Camp, with its dippy dialogue and characters revealing even less complexity than the ones from 42nd Street, arrives silly."

El Cantante (2007)

"Lavoe was a gifted and original singer and song interpreter, but this film is unlikely to spread the word."

Captain Corelli's Mandolin (2001)

"Cruz probably doesn't have more than 40 lines of dialogue in the entire film, but she makes every word, every gesture, every held-back tear matter."

Capturing the Friedmans (2003)

"An experience you will never forget."

Casa de los Babys (2003)

"If most of the characters seem underdeveloped, they are also convincing and interesting."

The Case of the Grinning Cat (2006)

"[Director] Marker may be windy, but he also enjoys the wisdom that comes with age. His masterful command of the camera shows that he can lecture and entertain at the same time."

Cast Away (2000)

"If you've seen the trailer or the commercials, you know the story, but that doesn't mean you've seen the movie."

Catch a Fire (2006)

"Thanks to its incisive script and the excellent performances of Luke and Robbins, its primary characters are not just black and white, literally or figuratively, but instead are shaded and multidimensional, battling demons and conflicted as hell."

Catch Me If You Can (2002)

"Mindful in many ways of Spielberg's very first feature, the good-natured fugitives-on-the run drama The Sugarland Express."

Caterina in the Big City (2005)

"Caterina in the City is a coming-of-age story, of course, but its adult characters are also well rendered."

Catwoman (2004)

"Catwoman isn't really bad enough to be one of those awful movies we can't resist, nor is it incompetent enough to be the female Daredevil."

The Cell (2000)

"[Singh's] inability to make us feel anything is more shocking than anything in the movie."

Cet Amour-La (2002)

"Like its subject, Cet Amour-La has a knack for making you focus on the beauty beneath the imperfections."

Chaos (2003)

Click here to see the review.

Charlie and the Chocolate Factory (2005)

"While the first Chocolate Factory was a color-mad eye-popper, this is something better: a carefully conceived and imaginatively created eye-opener."

Charlie's Angels (2000)

"I guess I'm just supposed to sit back and enjoy it, but somehow I feel exploited."

Charlotte Gray (2001)

"If this is melodrama, it's melodrama of a superior rank, and I salute it."

Chasing Liberty (2004)

"No more than a series of postcard backdrops."

Cheaper by the Dozen (2003)

"A bad sitcom expanded to 98 excruciatingly unfunny minutes of family chaos, with Martin suffering every possible indignity and stain that can be inflicted on a good-guy daddy."

Cherish (2002)

"[Taylor] takes us on a ride that's consistently surprising, easy to watch -- but, oh, so dumb."

Chicken Little (2005)

"The originality and brightness of Chicken Little resides in its characters, whose names may be familiar from children's books, but whose personalities are unique."

China: The Panda Adventure

"[Young] occasionally mines the IMAX cliches ... but more often he delivers unforgettable images of China."

Chopper (2001)

"Compelling and funny even when it is indiscriminately splattering blood."