I Am David (2004)

"Feig's neorealist approach to the look of the film might work better if he didn't fill it with so many coincidences and melodramatic flourishes."

I Am Sam (2002)

"Wears its heart on its sleeve but keeps its brains in its pocket."

I Capture the Castle (2003)

"Dollops on the usual romantic, family and class conflicts with a very heavy ladle, which pretty much smothers the whimsical mood Fywell strains so hard to attain."

I Heart Huckabees (2004)

"You have to give everyone involved credit for mounting a joke that, if not of Dadaist proportions, should prove pretty funny to everyone except the rubes who wander in expecting to see something they can comprehend."

I Like Killing Flies (2006)

"The security-camera visuals and intrusive button microphone jutting into the frame give the movie an appealing fly-on-the-wall quality, successfully capturing the old Shopsin's experience for posterity."

I Spy (2002)

"If you're looking for nostalgia, you're in the wrong place."

I Want Someone to Eat Cheese With (2007)

"Cheese is such a small, endearing and well-observed piece -- sort of Curb Your Enthusiasm without the excruciating bits."

I'll Believe You (2007)

"Cult movies have been made with a lot less, but this one, harmless enough, doesn't have enough originality or personality to get it off the ground."

I'm Not Scared (2004)

"An Italian drama that restores the overused phrase 'loss of innocence' to something meaningful and memorable."

I, Robot (2004)

"Director Alex Proyas lays on the Tomorrowland awe of shiny metallics, techno-worship and fascist efficiency that make the future look like a nice place to visit."

Ice Age: The Meltdown (2006)

"There's something disheartening about the way the writers and director have to give so much of the dialogue double meaning, all literal for the kiddies and full of double-entendres and pop culture references for the parents."

Ice Princess (2005)

"Likable but poorly crafted."

Idle Hands (1999)

"A teen comedy even more wasted than its bleary-eyed heroes."

Igby Goes Down (2002)

"The kid is a bit of a twit."

The Illusionist (2006)

"Underneath its hocus-pocus is a compelling story, very well told."

Imagine Me & You (2006)

"Parker never gets in hugging distance of the clever wittiness of Love Actually, and the screenplay makes its featherweight American predecessor Kissing Jessica Stein seem like Edward Albee."

Impostor (2001)

"Looks like a nifty little sci-fi film noir but is actually a noisy mess."

The In Crowd (2000)

"So generic are the actors that you'll likely have trouble telling the dark-haired, handsome guys apart."

In Her Shoes (2005)

"It would be a terrible shame if half the population didn't see it because the film was labeled unjustly."

In Praise of Love (2001)

"Godard ceased being a voice in the wilderness and became a voice in the wind, howling against demons that refused even to acknowledge his protests."

In the Cut (2003)

"More of a curiosity than a full-fledged movie."

In the Shadow of the Moon (2007)

"It's a well-timed tribute to American initiative and courage..."

In This World (2003)

"Passionate but precise filmmaking that reduces impossibly enormous concepts to intimate, personal drama."

An Inconvenient Truth (2006)

"Communicates the dangers of ignoring global warning with credible urgency in a way news coverage of conferences and TV news segments have never been able to do."

The Independent (2001)

"While [Stiller] and everyone else look like they're having a great time working on a shoestring, their movie too often retells the same joke."