Waiting (2000)

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Waiting... (2005)

"It lays out a hearty, all-you-can-laugh buffet, served by some very fresh, in both senses of the word, waitstaff."

Walk the Line (2005)

"Walk the Line isn't a bad movie. It's just a shallow and superficial one."

The Walker (2007)

"This is no masterpiece, but a fine-tuned little thriller packed with meticulously chosen details of character and place."

Wallace & Gromit: The Curse of the Were-Rabbit (2005)

"Curse is a thoroughly entertaining romp that one hopes will make W&G feel as at home here as Bart and Homer."

The War Tapes (2006)

"The film is one of the most urgent and immediate nonfiction works we may ever see."

The Warrior (2005)

"It is hardly the most original story, but Kapadia, the British-born son of Indian immigrants, infuses it so much with stately resonance and spiritual reverence, that it never seems remotely shopworn, much less laborious."

The Watcher (2000)

"We can't ignore the lack of anything resembling substance or purpose in The Watcher."

The Water Horse: Legend of the Deep (2007)

"You can't deny the solid performances, the meticulous period detail and, most importantly, the way it refuses to talk down to young audiences."

The Way of the Gun (2000)

"You will either be endlessly entertained by its over-the-top outrageousness or be repulsed and offended that anyone could be entertained."

We Don't Live Here Anymore (2004)

"It's an honest, revealing and provocative look at the sort of people we think we know, but in reality, rarely do."

We Were Soldiers (2002)

"It is something of a tribute to Wallace the director that the shamelessness of Wallace the screenwriter doesn't sabotage this mission altogether."

The Weather Man (2005)

"Cage's performance will undoubtedly be dismissed by some as sad-sack, but those who look deeper should see it as movingly soulful, and very precise."

The Wedding Date (2005)

"Even if we could buy the contrived setup (right: Debra Messing needs to buy a date), there is no thought to fleshing out the characters."

The Wedding March (1928)

"One of the most eccentric and fascinating vanity projects in the history of film."

The Weight of Water (2002)

"A boring, pretentious muddle that uses a sensational, real-life 19th-Century crime as a metaphor for -- well, I'm not exactly sure what -- and has all the dramatic weight of a raindrop."

Welcome to Mooseport (2004)

"To say that Welcome to Mooseport plays like a lost episode of TV's Northern Exposure does not do justice to that show."

Whale Rider (2003)

"A whopping good yarn."

What the Bleep Do We Know? (2004)

"Sometimes What the #$*! Do We Know!? has the corny, ham-handed feel of an old 16mm educational movie, but I'm not sure how intentional this is."

What's The Worst That Could Happen? (2001)

"While good casting can't turn a bad script into a great movie, sometimes it can elevate a mediocre script into a watchable, passable movie, which is the case with What's the Worst that Could Happen?"

When Brendan Met Trudy (2001)

"Flits along on its sheer love for movies, injecting a screwball playfulness that feels like a breath of fresh air."

Where the Heart Is (2000)

"It appears to have been cobbled together from all the story lines the network sponsors wouldn't approve."

Where The Truth Lies (2005)

"A mystery-inside- a-mystery that mostly just drives around in search of a nonexistent address and hits dead ends."

White Chicks (2004)

"A moronic version of better gender-bending films."

White Noise (2005)

"Tune it out."