Tomato 3/5 |
S.F.W. (1994) |
No article available. |
Bill Chambers |
Splat 1/4 |
S.W.A.T. (2003) |
"It doesn't even stink in any meaningful way, completely forgotten before it's even over." |
Walter Chaw |
Tomato 3.5/4 |
S1m0ne (2002) |
"The picture's fascinating byways are littered with trenchant satirical jabs at the peculiar egocentricities of the acting breed." |
Walter Chaw |
Tomato 3.5/4 |
S21: The Khmer Rouge Killing Machine (2004) |
"oddly liquid" |
Walter Chaw |
Tomato 3/5 |
Sabrina (1954) |
No article available. |
Walter Chaw |
Tomato 3/4 |
The Saddest Music in the World (2004) |
"Maddin frustrated and self-immolating, forced to toil in a medium he sees only the death of and for an audience he disdains." |
Walter Chaw |
Tomato 3/4 |
Safe Conduct (2002) |
"The best didacticism is one carried by a strong sense of humanism, and Bertrand Tavernier's oft-brilliant Safe Conduct ("Laissez-passer") wears its heart on its sleeve." |
Walter Chaw |
Tomato 2.5/4 |
The Safety of Objects (2003) |
"The film is so energetic (a plus) that its body is often ahead of its brain. Still, the movie isn't so sappy that we're forced to resist it." |
Bill Chambers |
Tomato 2.5/4 |
The Safety of Objects (2003) |
"Deserving of notice if only for a few exceptional performances and some very fine editing work and cinematography." |
Walter Chaw |
Splat 1.5/4 |
Sahara (2005) |
"A blockbuster played by action figures and written by children." |
Walter Chaw |
- |
Saint Monica (2002) |
Click here to see the review. |
|
- |
Salton Sea (2002) |
Click here to see the review. |
|
Splat 0.5/4 |
Sam and Joe (2003) |
"Amateurish and lit like a hospital ward." |
Walter Chaw |
Tomato 4/4 |
The Same River Twice (2003) |
"An elegy, an allegory, and one hell of a beautiful film." |
Walter Chaw |
- |
The Sandlot (1993) |
Click here to see the review. |
Bill Chambers |
Splat 1/4 |
The Sandlot (1993) |
"Its messages of anti-bullying, befriending losers, and pretending the fat kid stuffing Ho-hos into his mouth doesn't make you sick are as timeless as they are trite." |
Walter Chaw |
Splat 0.5/4 |
The Sandlot 2 (2005) |
"A caricaturist would draw stink lines emanating from this direct-to-video stillbirth." |
Walter Chaw |
Splat 0.5/4 |
The Sandpiper (1965) |
"Take a snapshot of Taylor next to her wooden likeness and you'd need a caption to distinguish between the two." |
Walter Chaw |
Splat 1/4 |
The Santa Clause (1994) |
"[Director] John Pasquin brings to it a heavy-handedness more appropriate to the subject matter of, say, his telefilm Don't Touch My Daughter." |
Bill Chambers |
Splat 0/4 |
The Santa Clause 2 (2002) |
"Raises the question once again of why, in our society, movies are the only arena in which "it's for children" means that the product is demonstrably worse." |
Walter Chaw |
Splat 1/4 |
The Santa Clause 3: The Escape Clause (2006) |
"You look at a movie like this and wonder how some screenwriters can have the temerity to go on strike" |
Bill Chambers |
Tomato 2.5/4 |
Saraband (2005) |
"The message is the medium." |
Walter Chaw |
Splat 0.5/4 |
Sarah Silverman: Jesus is Magic (2005) |
"Lame." |
Walter Chaw |
Tomato 3.5/4 |
Satellite (2006) |
"A fairy tale about love: aren't they all." |
Walter Chaw |
Splat 2/4 |
Satin Rouge (2002) |
"an essentially awkward version of the lightweight female empowerment picture we've been watching for decades" |
Walter Chaw |
Tomato 5/5 |
Saturday Night & Sunday Morning (1960) |
No article available. |
Walter Chaw |
Tomato 3/4 |
Savage Island (2003) |
"A statement about man, culture, and how they don't often make 'em like they used to." |
Walter Chaw |
Tomato 2.5/4 |
The Savages (2007) |
"A fine middlebrow addition to the end-of-year sweepstakes, as good as expected, as bad as feared, and gone without a ripple." |
Walter Chaw |
Tomato 3.5/4 |
Save The Green Planet! (2005) |
"Wrapped up in all this madness is an affecting human core." |
Walter Chaw |
Splat 0.5/4 |
Saved! (2004) |
"Guilty of every single sin for which it skewers its cardboard Christian villains." |
Walter Chaw |
Splat 2/4 |
Saving Face (2005) |
"Something of a neo-Jane Austen." |
Walter Chaw |
- |
Saving Face (2005) |
"An interview with Joan Chen and Alice Wu." |
Walter Chaw |
Tomato 3.5/4 |
Saving Private Ryan (1998) |
"...Features the strongest character interactions of any Spielberg work post-Jaws" |
Bill Chambers |
Splat 2/4 |
Saw (2004) |
"Though the film does work marginally well as a satire of modern serial killer thrillers and their Byzantine games of cat-and-mouse, I have a hunch that's the zeitgeist's doing" |
Bill Chambers |
Splat 1/4 |
Saw (2004) |
"A bad film badly written, badly performed, badly scored, and most of all, badly directed, Saw's a mess, a waste of flesh. And I don't mean that in a good way." |
Walter Chaw |
- |
Say Anything (1989) |
Click here to see the review. |
|
Tomato 2.5/4 |
Say Anything (1989) |
""...A post-John Hughes innovator as a teen flick that ducks both Afterschool Special-isms and crass humour..."" |
Bill Chambers |
Splat 1/4 |
Say It Isn't So (2001) |
"It's a powerfully boring misfire of a movie that you find yourself feeling sorry for by the end" |
Walter Chaw |
Splat 1/4 |
Say It Isn't So (2001) |
"It's a powerfully boring misfire of a movie that you find yourself feeling sorry for by the end" |
Walter Chaw |
Splat 1/4 |
Scanners (1981) |
"The film is awkward and, at its worst, listless and meandering." |
Walter Chaw |
- |
Scanners (1981) |
"An interview with David Cronenberg." |
Walter Chaw |
Tomato 2.5/4 |
Scarface (1983) |
"At a certain point, Scarface sheds its moralistic pretense and becomes a slick come-on to impressionable youth" |
Bill Chambers |
Splat 0/4 |
Scary Movie 3 (2003) |
"The picture doesn't even respect the movies it mocks enough to understand what it is about them that fails." |
Walter Chaw |
Tomato 2.5/4 |
Schindler's List (1993) |
"Spielberg is such a filmmaking savant that it's hard to tell where the cinema ends and the protection of his sanity begins in Schindler's List" |
Bill Chambers |
Splat 2/5 |
School Daze (1987) |
No article available. |
Walter Chaw |
Splat 2/4 |
School of Rock (2003) |
"With guys like Linklater and White at the helm, anonymity is a tremendous disappointment, and that disappointment is really something like a compliment." |
Walter Chaw |
Splat 1.5/4 |
The Science of Sleep (2006) |
"More exhausting than illuminating." |
Walter Chaw |
- |
Scooby-Doo - The Movie (2002) |
Click here to see the review. |
|
Splat 2/4 |
Scooby-Doo - The Movie (2002) |
"Pleases that segment of the audience perversely delighted by the subversive corruption of other people's children." |
Walter Chaw |
Splat 2/5 |
Scooby-Doo and the Cyber Chase (2001) |
No article available. |
Bill Chambers |
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