- |
Baby Mama (2008) |
"The Baby Mama Tina Fey Interview: On primaries, what types of sex roles she prefers if only they'd ask, and wanting your money back if you hate this movie." |
Prairie Miller |
- |
Baby Mama (2008) |
"Austin Powers screen mastermind Michael McCullers is the guy behind this sorta same-sex parenting satire, as SNL's Tina Fey and Amy Poehler do an extreme odd couple for laughs duet, ripping into the burgeoning baby consumer industry." |
Prairie Miller |
- |
Babylon A.D. (2008) |
"More murky travelogue and hi-tech apocalyptic tall tale than crystal ball thriller terror ride, Babylon AD and its own destiny appear lurching toward Babylon DVD, prophetically much sooner than later." |
Prairie Miller |
Tomato |
Bad Guy (2001) |
"After the experience of this down and dirty South Korean psychological thriller, park benches may never quite seem the same." |
Prairie Miller |
Splat |
Bad Guy (2001) |
"After the experience of this down and dirty South Korean psychological thriller, park benches may never quite seem the same." |
Prairie Miller |
Tomato |
Bad Santa (2003) |
"With Christmas mischief like this, who needs Halloween." |
Prairie Miller |
Tomato |
Balls of Fury (2007) |
"Balls Of Fury sweeps across the screen with delightfully wacko one liners per second, locked solidly into the genius premise of ping pong as a girlie game morphed into superjock rivalry between ferocious, sweaty he-men." |
Prairie Miller |
- |
Bananas (1971) |
"Woody Allen: 'You can look at a film of Kurosawa's and a film of mine, and see the difference. One is a work of art, and even my best film is just a good film.'" |
Prairie Miller |
Tomato |
The Banger Sisters (2002) |
"A wild, wicked and sad, before and after homage to rock groupies and how they age far from gracefully." |
Prairie Miller |
- |
Bangkok Dangerous (2008) |
"A toxic blend of hitman midlife crisis, homicidal existential angst and a little surprise sex tourism on the side, this arty assassin fare is held together by sheer force of personality grim reaper guru Cage, no matter how cranky the guy can be." |
Prairie Miller |
- |
The Bank Job (2008) |
"Donaldson spins an intricate web of toxic layers of elaborate subterfuge and deceit that keeps both the thieves and audience on their collective toes." |
Prairie Miller |
- |
The Bank Job (2008) |
"These heady high jinks ultimately deflate as a gritty collection of assembled journalistic details, with little solid dramatic scrutiny of dirty politics or shadowy personalities." |
Prairie Miller |
Tomato |
Basic (2003) |
"Best described as military noir, Basic reunites John Travolta and Samuel L. Jackson in a kind of Pulp Fiction with rain and fatigues, plus a chaser of Rashomon on the side." |
Prairie Miller |
Tomato |
Basic (2003) |
"Best described as military noir, Basic reunites John Travolta and Samuel L. Jackson in a kind of Pulp Fiction with rain and fatigues, plus a chaser of Rashomon on the side." |
Prairie Miller |
Splat |
Batman Begins (2005) |
"A fragmented tale with a disconnect between sulking mood pieces and hi-tech urban warfare, whose logic always seems to be beside the point." |
Prairie Miller |
Splat |
Batman Begins (2005) |
"A fragmented tale with a disconnect between sulking mood pieces and hi-tech urban warfare, whose logic always seems to be beside the point." |
Prairie Miller |
- |
Be Cool (2005) |
"Uma Thurman Interview" |
Prairie Miller |
- |
Be Kind Rewind (2008) |
"Jack Black Interview: On Going Blonde, Diving Into Garbage, And Doing The Full Moon Drama Ass On Screen." |
Prairie Miller |
Tomato |
The Beat That My Heart Skipped (2005) |
"A gritty urban romance that touches on the various fascinating ways that music and psychological states of mind interact or clash in a dissonant and chaotic modern world." |
Prairie Miller |
Tomato |
The Beat That My Heart Skipped (2005) |
"A gritty urban romance that touches on the various fascinating ways that music and psychological states of mind interact or clash in a dissonant and chaotic modern world." |
Prairie Miller |
Tomato |
Beauty Shop (2004) |
"The film is as much about makeover time when it comes to sex and race stereotyping, as it is about dealing with everybody's bad hair day." |
Prairie Miller |
Tomato |
Beauty Shop (2004) |
"The film is as much about makeover time when it comes to sex and race stereotyping, as it is about dealing with everybody's bad hair day." |
Prairie Miller |
- |
Bee Movie (2007) |
"Jerry Seinfeld as a disgruntled brainy animated bee just not into cultivating hives, could end up as the weirdest concept out there this season, or perhaps throughout time." |
Prairie Miller |
- |
Before Sunset (2004) |
"Ethan Hawke Interview" |
Prairie Miller |
- |
Before the Devil Knows You're Dead (2007) |
"Sorry Sid, but I liked you a whole lot better when you stood for a few important things, like outrage against oppression and injustice, rather than conceding to these forces and wallowing in them." |
Prairie Miller |
Tomato |
The Believer (2002) |
"The controversy surrounding the movie is equally symptomatic of an advancing singular, dominant and entrenched permitted voice in U.S. filmmaking." |
Prairie Miller |
Tomato |
Below (2002) |
"What rounds out the taut WWII terror tale is a more contemporary spin on the paranoia and dehumanization that are the byproducts of war." |
Prairie Miller |
- |
Beowulf (2007) |
"The Angelina Jolie Interview" |
Prairie Miller |
Splat |
Better Housekeeping (2002) |
"Idiotic but at times close to cuddly redneck rogues and foul mouthed bimbos populate this white trash purgatory somewhere between cartoon noir and soap farce." |
Prairie Miller |
Tomato |
Bewitched (1983) |
"Nora Ephron and sister Delia have cooked up a satisfyingly sassy blend of wit and playful charm that stands comfortably on its own, and without having to fall back on the usual chases, crashes and digital supporting cast." |
Prairie Miller |
Tomato |
Bewitched (1983) |
"Nora Ephron and sister Delia have cooked up a satisfyingly sassy blend of wit and playful charm that stands comfortably on its own, and without having to fall back on the usual chases, crashes and digital supporting cast." |
Prairie Miller |
Splat |
Beyond the Sea (2004) |
"A two hour shoulder shrugger for those too young to even know who Bobby Darin is, and what all this fuss is about." |
Prairie Miller |
Splat |
Beyond the Sea (2004) |
"A two hour shoulder shrugger for those too young to even know who Bobby Darin is, and what all this fuss is about." |
Prairie Miller |
- |
Big Brother 3 (2003) |
"Long Island Woman: The Julie Chen Interview" |
Prairie Miller |
Splat |
Big Fish (2003) |
"The taming by Hollywood of divinely weird and edgy imaginations like Tim Burton, is pretty much a fish out of water experience." |
Prairie Miller |
- |
Black Book (2007) |
"While gleefully turning all prior war movie stereotypes on their heads, Verhoeven opts for the bizarre theory that ravishing designing women and lots of sex can change the course of world history. Who let this man out of Hollywood." |
Prairie Miller |
Tomato |
Black Sheep (2007) |
"Sheep are supposed to have a particular knack for putting you to sleep, at least when counted, but Jonathan King's cannibalistic farm animal horror satire Black Sheep could keep you awake nights instead." |
Prairie Miller |
Tomato |
Black Sheep (2007) |
"Sheep are supposed to have a particular knack for putting you to sleep, at least when counted, but Jonathan King's cannibalistic farm animal horror satire Black Sheep could keep you awake nights instead." |
Prairie Miller |
Splat |
Black Snake Moan (2007) |
" Feels about as authentic as the radiator in that semi-tropical countryside, where the only steamy stuff one can imagine being generated, is from that temptress in heat chained up to it." |
Prairie Miller |
Splat |
Black Snake Moan (2007) |
"Feels about as authentic as the radiator in that semi-tropical countryside, where the only steamy stuff one can imagine being generated, is from that temptress in heat chained up to it." |
Prairie Miller |
Splat |
Blade: Trinity (2004) |
"The film adds nothing much that's new to the annals of creative killing in movies. Just run of the mill mass carnage dressed up to project sexiness and swagger." |
Prairie Miller |
Splat |
Blade: Trinity (2004) |
"The film adds nothing much that's new to the annals of creative killing in movies. Just run of the mill mass carnage dressed up to project sexiness and swagger." |
Prairie Miller |
- |
Blindness (2008) |
"A stunning masterpiece, enriched by the enormously talented Moore who conveys with startling assurance, the excruciating pain of human awareness and consciousness, that sight can ironically bring." |
Prairie Miller |
Tomato |
Bloody Sunday (2002) |
"The audience is placed right in the center of events in a multi-sensual, horrific 'you are there' virtual reality of social protest that grabs you and never lets go." |
Prairie Miller |
- |
Body of Lies (2008) |
"The Leonardo DiCaprio Body Of Lies Interview: On hand doubles, bull filters, and doing feelings for months in movies." |
Prairie Miller |
- |
Body of Lies (2008) |
"The macho swagger of these US espionage interlopers around the planet has all the finesse of a wrestling ring, while imperialism is made to come off as really sexy. Body Of Lies: An Amman Gangster." |
Prairie Miller |
Tomato |
Bolt (2008) |
"A frisky addition to that collection of man's best friend movies, with a generous portion of one-joke-fits-all humor to captivate kid and adult audiences alike." |
Prairie Miller |
Tomato |
The Bothersome Man (2007) |
"Combines the despair native to somber Nordic sensibility with that similarly stultifying manufactured artificial fake bliss known as present day commercialism." |
Prairie Miller |
Tomato |
The Bourne Supremacy (2004) |
"With a rash of movies about resentful operatives or foot soldiers who can't tell whom to fear more, the enemy or their own leaders, they may be telling us something" |
Prairie Miller |
- |
The Bourne Ultimatum (2007) |
"In this era of elaborate, futuristic anti-terrorist operations, it's apparently gadget accessorized couch potato sleuthing all the way." |
Prairie Miller |
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