Tomato |
Fahrenheit 9/11 (2004) |
"If all the world is truly a stage, then leftie bad boy Michael Moore is chief scavenger of the behind-the-scenes skeletons in the storage closet." |
Prairie Miller |
Tomato |
Fahrenheit 9/11 (2004) |
"If all the world is truly a stage, then leftie bad boy Michael Moore is chief scavenger of the behind-the-scenes skeletons in the storage closet." |
Prairie Miller |
Tomato |
Far From Heaven (2002) |
"Censorship dictated the Hollywood product of the time, reflecting only the most idealized notion of U.S. society, with all sorts of skeletons shoved decisively into their closets." |
Prairie Miller |
Tomato |
Fay Grim (2007) |
"Hartley should stick to what he knows best - the wacky and eccentric, sometimes annoying but exceedingly touching lives of the blue collar world where he grew up, in an extended family of Long Island iron workers." |
Prairie Miller |
Splat |
Fear X (2003) |
"A Middle American psychological crime thriller agreat portion of which plays out none too rationally inside its protagonist's head." |
Prairie Miller |
Tomato |
Fear X (2003) |
"A Middle American psychological crime thriller agreat portion of which plays out none too rationally inside its protagonist's head." |
Prairie Miller |
- |
Felon (2008) |
"Dorff, who was last spotted as a scary sexual sadist in Shadowboxer, gives a mesmerizing performance evolving from stunned civilian to brutalized inmate and dangerous prison thug, then transforming into a tested man who rediscovers his own humanity." |
Prairie Miller |
Tomato |
Festival Express (2004) |
"Festival Express would have scored more of an impact, had it digressed a little down the roads not taken, to mull issues touching on the enduring classic rock echo that serves as musical and also social legacy." |
Prairie Miller |
Tomato |
Festival Express (2004) |
"Both drive-thru snapshot travelogue of nomad alternative culture, and one-of-a-kind caught moments of intimate jam sessions.
" |
Prairie Miller |
- |
Fever Pitch (2005) |
"Drew Barrymore Interview" |
Prairie Miller |
Splat |
Fido (2007) |
"A satirical spoof of the 1950s, in a bold but limited attempt to take a second, more irreverent look at what truly was going on back then." |
Prairie Miller |
- |
Fierce People (2007) |
"A deliciously dark, cutting satire crafted as subversive re-narration of traditional Eurocentric racist anthropology normally defining Third World tribes as savages rather than, say, America's rich and famous." |
Prairie Miller |
Tomato |
The Fighting Temptations (2003) |
"Down-home, good-natured sense of humor, but a sitcom-ish sentimentality often veering between Sunday sermonizing and silliness." |
Prairie Miller |
Tomato |
The Fighting Temptations (2003) |
"Down-home, good-natured sense of humor, but a sitcom-ish sentimentality often veering between Sunday sermonizing and silliness." |
Prairie Miller |
Tomato |
Final Destination (2000) |
"If you can overlook logic and the sizable loopholes in the story (including the ending), Final Destination will offer an entertaining couple of hours." |
Melissa J. Perenson |
- |
Fired Up (2009) |
"Foul mouthed football players turned cheerleaders, with all the elegance of a sledgehammer, come off as far too horny for high school. Earplugs, please. Not to mention a too much information, accidental promo for home schooling. Hose this one down." |
Prairie Miller |
Tomato |
Firehouse Dog (2007) |
"Banged up and minus his nifty fur pompadour, canine lady harem and gourmet dog chow, Rex eventually gets picked up and inducted into firehouse mascot service." |
Prairie Miller |
Tomato |
Firehouse Dog (2007) |
"Strictly a man, boy and beast male buddy movie for kids." |
Prairie Miller |
Splat |
Flanders (2006) |
"Dumont's latest sexually voyeuristic, low IQ take on the denizens of farm country." |
Prairie Miller |
Tomato |
A Fond Kiss (2004) |
"With Loach's Romeo and Juliet in a post-9/11 world, his dramatic focus on an increasingly nomadic planet is both spare and blistering." |
Prairie Miller |
Tomato |
A Fond Kiss (2004) |
"With Loach's Romeo and Juliet in a post-9/11 world, his dramatic focus on an increasingly nomadic planet is both spare and blistering." |
Prairie Miller |
- |
The Forbidden Kingdom (2008) |
"Kung fu fever and fluff mix it up with hordes of floating knights in shining armor with bad attitude, and just a little heavy on the dressing, courtesy of the costume department." |
Prairie Miller |
- |
Forgetting Sarah Marshall (2008) |
"Forgetting Sarah Marshall: The Kristen Bell Interview" |
Prairie Miller |
Tomato |
The Forgotten (2004) |
"Lurking beneath is an equally creepy sense of latent antagonism now, between Mom and the State when it comes to possession rights over human offspring." |
Prairie Miller |
Tomato |
The Forgotten (2004) |
"Lurking beneath is an equally creepy sense of latent antagonism now, between Mom and the State when it comes to possession rights over human offspring." |
Prairie Miller |
Tomato |
Four Brothers (2005) |
"Adds a uniquely repugnant concept to the notion of dysfunctional, in what seems like a warped underlying fraternal creed of, a family that preys together stays together." |
Prairie Miller |
Splat |
Four Brothers (2005) |
"Adds a uniquely repugnant concept to the notion of dysfunctional, in what seems like a warped underlying fraternal creed of, a family that preys together stays together." |
Prairie Miller |
Splat |
The Four Feathers (2002) |
"In this epic sweep from dusty, bloodied dunes to dainty British drawing rooms, little light is shed on wars, and what can be done about them." |
Prairie Miller |
Splat |
The Four Feathers (2002) |
"In this epic sweep from dusty, bloodied dunes to dainty British drawing rooms, little light is shed on wars, and what can be done about them." |
Prairie Miller |
Splat |
Four Lane Highway (2005) |
"The film seems preoccupied with figuring out whether it's a delayed development coming of age mood piece, or a college romance turned offbeat road movie." |
Prairie Miller |
Tomato |
Fracture (2007) |
""In this high IQ thriller, Hopkins exudes elegant menace as a kind of toxic vapor, encircling and neutralizing lesser minds that he leaves scattered about him in a perplexed daze."" |
Prairie Miller |
Tomato |
Fracture (2007) |
"In this high IQ thriller, Hopkins exudes elegant menace as a kind of toxic vapor, encircling and neutralizing lesser minds that he leaves scattered about him in a perplexed daze." |
Prairie Miller |
Tomato |
Freaky Friday (2003) |
"Curtis slinks back toward adolescence, then grooves on it as the regenerated hormones start kicking in." |
Prairie Miller |
- |
Fred Claus (2007) |
"Vince Vaughn Interview: On being Fred Claus, and his very personal X-rated Xmas wish list." |
Prairie Miller |
Splat |
Friday After Next (2002) |
"A South Central LA comedy with more of the flavor of Halloween, the film is more about ghetto strife that's just too agitated to, well, pause for Claus." |
Prairie Miller |
- |
Full Grown Men (2008) |
"This whimsically crafted tale that manages to be simultaneously silly, surreal and wise beyond years, is a combo memory lane, reverse time travel road movie and thirtysomething boy bonding satire, plus flaky storytelling in the extreme." |
Prairie Miller |
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