Splat C+ |
Anna and the King (1999) |
"It's great to look at, but the unforgiving precision doesn't allow the images to advance the story or tell you details about characters or situations." |
Chuck Rudolph |
Splat C- |
The Anniversary Party (2001) |
"What crashes Party's potentially freewheeling sense of merriment is the choice by Cumming and Leigh to shoot it in DV." |
Chuck Rudolph |
Splat C |
The Anniversary Party (2001) |
"It feels like watered-down Robert Altman when it is intended to be a bitter, stiff drink." |
Jason Clark |
Tomato A- |
Another Day in Paradise (1998) |
"It had the richness of character and gripping narrative drive that director Larry Clark’s first feature Kids did not have." |
Jason Clark |
Splat short |
Antitrust (2001) |
"About five years behind schedule in anticipating and satirizing the stranglehold computer developers wield over the technology industry." |
Chuck Rudolph |
Splat F |
Antitrust (2001) |
"This movie bypasses no suspense cliché in existence." |
Jason Clark |
Tomato A- |
Any Given Sunday (1999) |
"Taken as a whole, Any Given Sunday is probably the most purely enjoyable movie that Stone has ever made." |
Chuck Rudolph |
Splat |
Any Given Sunday (1999) |
"Oliver Stone’s take on the world of pro football scores a few field goals, but is extremely short of a touchdown." |
Jason Clark |
Splat C+ |
Anywhere But Here (1999) |
"The movie doesn't feel authentic, it's relationships are drawn in erratic, TV movie-like strokes." |
Jason Clark |
Tomato B |
Anywhere But Here (1999) |
Click here to see the review. |
Rob Morlino |
Tomato C |
Apocalypse Now (1979) |
"An amazing, singular film experience." |
Chuck Rudolph |
Splat |
Apocalypse Now Redux (2001) |
"[The] additions only attempt to clarify what was already evident in the original cut" |
Chuck Rudolph |
Tomato B+ |
Arlington Road (1999) |
"Builds at a snowball pitch: slow at first, and then bigger and tighter and faster, so you don't even realize what's happening until it overwhelms you." |
Chuck Rudolph |
Splat C+ |
Arlington Road (1999) |
"It never really gets inside us, mostly due to its overheated direction and endless Hitchcockian references." |
Jason Clark |
Splat C- |
The Art of War (2000) |
"All [The Art of War] forgets to throw in is a single original idea that might warrant the 2 hours this movie zaps from your life." |
Chuck Rudolph |
Splat short |
The Astronaut's Wife (1999) |
"By turns dumb, boring, and ludicrous." |
Chuck Rudolph |
Tomato B- |
The Astronaut's Wife (1999) |
Click here to see the review. |
Joshua Vasquez |
Tomato short |
At First Sight (1998) |
"The two leads have never been more appealing." |
Chuck Rudolph |
Splat D |
Atlantis: The Lost Empire (2001) |
Click here to see the review. |
Joshua Vasquez |
Tomato A |
Audition (2001) |
"The violence of the finale poses troubling questions about self-denial, male dread, and cathartic suffering." |
Jeremiah Kipp |
Splat D |
Austin Powers in Goldmember (2002) |
"Goldmember has none of the visual wit of the previous pictures, and it looks as though Jay Roach directed the film from the back of a taxicab." |
Jason Clark |
Tomato B |
Austin Powers: The Spy Who Shagged Me (1999) |
Click here to see the review. |
David Nemetz |
Tomato |
Auto Focus (2002) |
"Effective but too-tepid biopic" |
Jason Clark |
Tomato short |
Autumn in New York (2000) |
"Just what it promises to be: a Love Story-style romance." |
Chuck Rudolph |
Splat D- |
Autumn in New York (2000) |
Click here to see the review. |
Rob Morlino |
Splat C- |
Autumn Tale (1998) |
Click here to see the review. |
David Nemetz |
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