Splat 1/5 |
Cannibal! The Musical (1996) |
"Parker and Stone's satirical whims cannot seem to find an appropriate place in a live-action setting." |
Chuck Rudolph |
Tomato 4/5 |
Cape Fear (1962) |
"A classic revenge thriller." |
Chuck Rudolph |
Splat C- |
Captain Corelli's Mandolin (2001) |
"Will only be remembered as another entry in the line of weak and unconvincing performances by Nicolas Cage." |
Joe McGovern |
Tomato A |
Cast Away (2000) |
"Hanks has little besides his body at his disposal, and the actor still creates one of the most poignant and tragic characters ever committed to celluloid." |
Chuck Rudolph |
Splat C- |
The Cat's Meow (2002) |
"There is virtually no looseness or excitement in the writing or filmmaking, and even less research or complexity." |
Joe McGovern |
Splat D- |
The Caveman's Valentine (2001) |
"The cinematic equivalent of the most unstimulating and predictable shrink session ever recorded." |
Joe McGovern |
Splat D |
Cecil B. Demented (2000) |
Click here to see the review. |
Joe McGovern |
Splat short |
Celebrity (1998) |
"Nothing that hasn't been said a million times before." |
Chuck Rudolph |
Tomato A- |
The Cell (2000) |
Click here to see the review. |
Joshua Vasquez |
Tomato B |
The Center of the World (2001) |
"The no-holds-barred performances complement the unexpected pathos of the plot trajectory." |
Joe McGovern |
Tomato B |
Center Stage (2000) |
"[Hytner's] widescreen direction of the many dance sequences has a snap to it the likes of which hasn't been seen in studio musical filmmaking for years." |
Chuck Rudolph |
Tomato B+ |
Changing Lanes (2002) |
"There’s something to be said for a studio-produced film that never bothers to hand viewers a suitcase full of easy answers." |
Chuck Rudolph |
Tomato A- |
Charlie's Angels (2000) |
"For me the film treads the very fine line between stylish and overkill but never crosses over to the latter side." |
Rob Morlino |
Splat D- |
Chelsea Walls (2002) |
"Confirms the nagging suspicion that Ethan Hawke would be even worse behind the camera than he is in front of it." |
Chuck Rudolph |
Tomato B |
Chi-hwa-seon (2002) |
"An undeniably robust and sporadically entertaining film." |
Chuck Rudolph |
Tomato short |
Chicken Run (2000) |
"Certainly worth seeing, but more for the things (hopefully) to come rather than for the matters at hand." |
Chuck Rudolph |
Tomato B+ |
Chicken Run (2000) |
Click here to see the review. |
Joshua Vasquez |
Splat C |
Chocolat (2000) |
"It has been nipped, tucked, and tested fundamentally for an audience of approximately six-thousand -- the members of the Academy of Motion Pictures Arts and Sciences." |
Joe McGovern |
Splat C- |
Chopper (2001) |
"As the film quickly loses perspective of Chopper Read's alleged crimes and lifestyle, it begins to slowly glorify him as an icon of self-made celebrity." |
Chuck Rudolph |
Splat C- |
Chuck & Buck (2000) |
No article available. |
Jason Clark |
Splat short |
The Cider House Rules (1999) |
"Registers so little that you might as well be watching a blank screen." |
Chuck Rudolph |
Tomato 7/10 |
The Cider House Rules (1999) |
Click here to see the review. |
Joe McGovern |
Splat C |
The Circle (2001) |
Click here to see the review. |
Jason Clark |
Splat C- |
City by the Sea (2002) |
"A standard police-oriented drama that, were it not for De Niro’s participation, would have likely wound up a TNT Original." |
Chuck Rudolph |
Tomato short |
The Claim (2001) |
"Invites comparison to the structural denseness and poetic leanings of Altman’s all-time masterpiece McCabe and Mrs. Miller." |
Chuck Rudolph |
Tomato A- |
The Claim (2001) |
"Indelible as it is beautiful, The Claim is the historical saga of the year." |
Joe McGovern |
Tomato B- |
The Closet (2001) |
"A rather silly affair, but what gives it some distinction is that it actually has some bite." |
Jason Clark |
Tomato |
Code Unknown (2001) |
"A truly absorbing drama." |
Jason Clark |
Tomato A |
Code Unknown (2001) |
"Near-revolutionary in its juxtaposition of technique and emotion, Code Unknown possesses an awesome power that caused me to simultaneously reflect on the unknowable and swoon." |
Joe McGovern |
Tomato 8/10 |
The Color of Paradise (1999) |
Click here to see the review. |
Joe McGovern |
Tomato 3/5 |
The Color Purple (1985) |
No article available. |
Chuck Rudolph |
Splat C- |
Coming Soon (1999) |
"Scarcely funny or interesting, much less shocking or provocative." |
Chuck Rudolph |
Tomato B+ |
Company Man (2001) |
"Company Man is one of the year's early treasures." |
Chuck Rudolph |
Splat F |
The Contender (2000) |
Click here to see the review. |
Joshua Vasquez |
Splat 2/5 |
Cookie (1989) |
No article available. |
Jason Clark |
Splat short |
The Corruptor (1999) |
"A memo to Chow Yun-Fat: Get back to Hong Kong on the double!" |
Chuck Rudolph |
Splat 2/5 |
The Cotton Club (1984) |
"Ambitious, but like many post-Apocalypse Coppola films, it doesn't quite hit the mark." |
Chuck Rudolph |
Tomato B |
Cotton Mary (2000) |
"There's a definite thrill to be gained from watching elements of genre trash invade such a film." |
Chuck Rudolph |
Splat C |
The Count of Monte Cristo (2002) |
"A handsome production in search of some energy." |
Chuck Rudolph |
Splat |
The Count of Monte Cristo (2002) |
"This feature is about as necessary as a hole in the head" |
Jason Clark |
Tomato B- |
Coyote Ugly (2000) |
"With all of its contrivances, clichés, and preponderance, Coyote Ugly might have well been taking place on Mars." |
Chuck Rudolph |
Splat |
CQ (2002) |
"Lumbering, misguided mess" |
Jason Clark |
Splat short |
Cradle Will Rock (1999) |
"You’ll be hard-pressed to find a film as bloated and self-important as Tim Robbins’ Cradle Will Rock, easily one of the worst movies in recent memory." |
Chuck Rudolph |
Splat C |
Cradle Will Rock (1999) |
Click here to see the review. |
Joshua Vasquez |
Splat 4/10 |
Crazy in Alabama (1999) |
Click here to see the review. |
Joe McGovern |
Tomato short |
Crazy/Beautiful (2001) |
"Dunst is so luminescent that it’s impossible not to feel for her character every step of the way." |
Chuck Rudolph |
Splat D |
Crazy/Beautiful (2001) |
"A work of paint-by-numbers vapidity that veers dangerously close to being offensive." |
Joshua Vasquez |
Splat D+ |
Crime and Punishment in Suburbia (2000) |
"A story so stupid and contrived that old Dostoyevsky might have somersaulted in his grave by now." |
Jason Clark |
Splat C+ |
The Crimson Rivers (2001) |
"It’s a reminder that foreign films can be just as casually exploitive as American films." |
Chuck Rudolph |
Tomato 3/5 |
Critters 2 - The Main Course (1988) |
"Almost as good as the first film, it's alone worth seeing for the return of Terrence Mann as the funniest intergalactic bounty hunter in the history of cinema." |
Chuck Rudolph |
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