Tomato A |
E.T. The Extra-Terrestrial (1982) |
"There is hope for the movies, even if that means that the best film currently playing in theaters in 2002 happens to be one of the greatest films to emerge in 1982, or any year." |
Jeremiah Kipp |
Splat short |
East Is East (1999) |
"Like watching This Boy's Life with a laugh track superimposed." |
Chuck Rudolph |
Tomato B+ |
Edge of Seventeen (1998) |
Click here to see the review. |
Jason Clark |
Splat C+ |
EdTV (1999) |
"Diverting but ultimately toothless and innocuous." |
Jason Clark |
Tomato B- |
Eight Legged Freaks (2002) |
"Eight Legged Freaks has an indulgent charm." |
Joshua Vasquez |
Splat F |
Election (1999) |
"Exposes the dullards who praise it as the very suckers who promote the divisions among people under the pretense of virtuous, moral insight." |
Chuck Rudolph |
Splat short |
Elizabeth (1998) |
"Junkyard filth masquerading as an important history lesson." |
Chuck Rudolph |
Splat C+ |
Elling (2002) |
"Suffers from a case of too-easy digestion." |
Chuck Rudolph |
Splat short |
The Emperor and the Assassin (1999) |
"Works so hard at being big and important that it all but shuts out small gesture." |
Chuck Rudolph |
Tomato B- |
The Emperor and the Assassin (1999) |
Click here to see the review. |
Rob Morlino |
Tomato B+ |
The Emperor's New Groove (2000) |
Click here to see the review. |
Rob Morlino |
Splat C |
End of Days (1999) |
"Predominantly a failure, and the finger points to Peter Hyams, who helms this monolith with little grace or subtlety." |
Chuck Rudolph |
Splat C- |
The End of the Affair (1999) |
"Meant to evoke the echoes of passionate romance, yet all it arouses is a need to take a nap." |
Chuck Rudolph |
Tomato B- |
Enemy at the Gates (2001) |
"Throughout the movie I could imagine Annaud, metaphorically speaking, on the brink of shooting himself and his movie in the head. It was nice that he only would up shooting himself, and Enemy at the Gates, in the foot." |
Chuck Rudolph |
Tomato B+ |
Enigma (2002) |
"Manages to be diverting while never falling into a morass of battlefield clichés." |
Chuck Rudolph |
Splat |
Enigma (2002) |
"a History Channel pageant masquerading as a full-blooded film" |
Jason Clark |
Splat D- |
Enough (2002) |
"Pity the masses of tired and poor women who will flock to Jennifer Lopez's latest loud blast of self-empowerment." |
Joe McGovern |
Splat F |
Erin Brockovich (2000) |
"It is not a movie, but a collection of scenes that serve one purpose only: to justify Julia Roberts as a movie star." |
Chuck Rudolph |
Tomato A- |
Eureka (2001) |
"Not simply one of a kind; it is a near-miracle." |
Joe McGovern |
Splat D |
An Everlasting Piece (2000) |
"Makes feeble attempts to milk whatever silliness it can out of the IRA, violence, hatred, and other likewise charming subjects." |
Chuck Rudolph |
Splat C |
Everything Put Together (2001) |
"Moving down the list: Suburban dread? Check. Social statement about medical incompetence? Check. Shot on hand-held digital video? Check." |
Jeremiah Kipp |
Splat D |
Evolution (2001) |
"An exercise in overwhelming mediocrity." |
Rob Morlino |
Tomato 4/5 |
Executive Decision (1996) |
No article available. |
Chuck Rudolph |
Splat short |
Exit Wounds (2001) |
"May have helped the Buddha-like Seagal get back on the right path, career-wise, but I ask everyone--is that really a good thing?" |
Chuck Rudolph |
Tomato B- |
The Exorcist: The Version You've Never Seen (2000) |
"While still a flawed work, this 'new' Exorcist is at least a more polished, interesting film." |
Joshua Vasquez |
Splat D- |
Eye of the Beholder (1999) |
"The film is almost delusional in the way it believes that it's resembling sensual thought." |
Chuck Rudolph |
Tomato B+ |
The Eyes of Tammy Faye (2000) |
Click here to see the review. |
Joe McGovern |
Splat C- |
Eyes Wide Shut (1999) |
"Kubrick's legacy has finally come to a close, his adieu as predictably turgid as the rest of his oeuvre." |
Chuck Rudolph |
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