Splat C+ |
The Family Man (2000) |
"It isn't nearly serious (or entertaining) enough to even beg for comparison to its forebearers." |
Chuck Rudolph |
Tomato B- |
Fantasia 2000 (1999) |
Click here to see the review. |
Joshua Vasquez |
Tomato B |
The Fantasticks (1995) |
"The musical scenes in The Fantasticks crackle with intimacy." |
Chuck Rudolph |
Tomato |
Far From Heaven (2002) |
"His three lead performers are our equivalent of acting heaven, with Moore, Quaid and Haysbert beautifully suggesting depths of heartbreak and regret without ever threatening to veer into parody" |
Jason Clark |
Tomato A |
Far From Heaven (2002) |
"Haynes uses the antiquated style without winking, and begs questions of whether a modern filmmaker can actually recreate Sirk without reinventing it in the process. Fused through Haynes’s modern sensibility it becomes something Other." |
Jeremiah Kipp |
Splat F |
The Fast and the Furious (2001) |
Click here to see the review. |
Rob Morlino |
Tomato B |
Fast Food, Fast Women (2001) |
"Kollek’s screenplay and a concise, adventurous cast amply demonstrate the film’s reason for being by playing up the quirky oddness of the film‘s many frivolous details." |
Chuck Rudolph |
Splat C |
The Fast Runner (2002) |
"Shot in digital video, The Fast Runner is meant to be an epic but feels cramped by the limitations of an electronic medium." |
Jeremiah Kipp |
Splat C |
Fat Girl (2001) |
"There is little purpose or humanity in Breillat's simplistic messages." |
Joe McGovern |
Splat short |
Felicia's Journey (1999) |
"[Egoyan's] still an arty hack in search of meaning." |
Chuck Rudolph |
Splat C- |
Felicia's Journey (1999) |
"Comes off like it was directed by a underachieved film school geek obsessed with Atom Egoyan." |
Joe McGovern |
Tomato A |
Femme Fatale (2002) |
"De Palma’s radical script-flip [of the genre] is a healthy indication of film culture rejecting the stupidity of crime movie violence and, with it, the failure of the imagination." |
Jeremiah Kipp |
Splat C |
Festival in Cannes (2002) |
"Self-congratulatory, misguided, and ill-informed, if nonetheless compulsively watchable." |
Joe McGovern |
Splat 2/5 |
The Field (1991) |
"The astonishing Richard Harris can't overcome the underwhelming narrative. A rare misfire from Jim Sheridan." |
Chuck Rudolph |
Splat short |
Fight Club (1999) |
"[Fincher's] tooth and nail stylistics inherently obscure any point the film might be trying to make." |
Chuck Rudolph |
Tomato B+ |
Fight Club (1999) |
Click here to see the review. |
David Nemetz |
Splat short |
The Filth and the Fury (1999) |
"Temple's repetitive style grows tiresome." |
Chuck Rudolph |
Tomato A |
The Filth and the Fury (1999) |
"A dazzling and challenging film, fully seizing the opportunity to make a documentary film burst with vitality." |
Jason Clark |
Splat D |
Final (2001) |
"A tepid affair." |
Jeremiah Kipp |
Splat C |
Final Destination (2000) |
Click here to see the review. |
Joshua Vasquez |
Splat short |
Final Fantasy: The Spirits Within (2001) |
"Successfully following the plot should earn viewers some kind of trophy; staying awake should earn them a cash prize." |
Chuck Rudolph |
Tomato B+ |
Final Fantasy: The Spirits Within (2001) |
Click here to see the review. |
Rob Morlino |
Tomato B |
Finding Forrester (2000) |
"Handled deftly by Van Sant, who holds out on sentimentality for as long as possible." |
Chuck Rudolph |
Tomato B |
The Five Senses (1999) |
Click here to see the review. |
Jason Clark |
Splat C- |
Flawless (1999) |
"Proves that neither a respected great like Robert De Niro or an up-and-comer like Philip Seymour Hoffman can save a film as foolish and misguided as this one." |
Chuck Rudolph |
Splat 0/5 |
Flawless (1999) |
No article available. |
Jason Clark |
Tomato |
The Fluffer (2001) |
"The film never follows its own logic, but also never goes down the path you think it will" |
Jason Clark |
Splat C+ |
For Love of the Game (1999) |
"Feel-good tampering is rampant throughout." |
Chuck Rudolph |
Splat F |
The Forsaken (2001) |
Click here to see the review. |
Joshua Vasquez |
Splat D+ |
The Four Feathers (2002) |
"Kapur gives us lush desert images that are meant to disguise the film’s imaginary political objective--a way of blowing sand in our eyes as literally as possible." |
Chuck Rudolph |
Splat |
Frailty (2002) |
"This is a horror picture for individuals who only like their frills to stay firmly on the surface" |
Jason Clark |
Splat D |
Frailty (2002) |
"Frailty contains all the trappings of the Gothic murder story without any sense of irony, complexity, or graveyard creepiness." |
Jeremiah Kipp |
Splat F |
Freddy Got Fingered (2001) |
"Probably the ugliest, meanest film I've seen in a long time." |
Rob Morlino |
Tomato short |
Frequency (2000) |
"The film succeeds because it chooses to focus on the human side of the story." |
Chuck Rudolph |
Tomato A |
Frequency (2000) |
Click here to see the review. |
Rob Morlino |
Tomato C+ |
Frida (2002) |
"Just as in Kahlo's life, Rivera is the commanding centrifugal force of Taymor’s film, and remains the best reason to sit through the otherwise uneven, mildly captivating Frida." |
Nick Schager |
Tomato B- |
From Hell (2001) |
"Utilizes actual locations in Prague and handsome sets to richly convey every flicker of gaslight and splash of blood in widescreen splendor." |
Joe McGovern |
Tomato B- |
From Hell (2001) |
"An oddly meditative bit of fluff that lingers off center with just enough melancholic bearing to somewhat temper its more gaudy affectations." |
Joshua Vasquez |
Splat D |
Full Frontal (2002) |
"A Hollywood satire made by people who clearly hate movies but love Hollywood." |
Joe McGovern |
Tomato A- |
Funny Girl (1968) |
Click here to see the review. |
Jason Clark |
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