Splat D |
Tadpole (2002) |
"Tadpole's wafer thin sensibility is matched by its appallingly shoddy digital video look." |
Jeremiah Kipp |
Tomato short |
The Tailor of Panama (2001) |
"Deceptively rich and intriguing." |
Chuck Rudolph |
Tomato B- |
The Tailor of Panama (2001) |
"The notion of James Bond slow-dancing with the Marquis de Sade is too iconographic to resist." |
Joe McGovern |
Tomato 5/5 |
The Taking of Pelham One Two Three (1974) |
"A great thriller set in the bowels of the New York City subway system. It's influence on contemporary films has yet to be fully appreciated." |
Chuck Rudolph |
Tomato 7/10 |
The Talented Mr. Ripley (1999) |
Click here to see the review. |
Joe McGovern |
Tomato |
Talk to Her (2002) |
"Warm and surprising, it's a film Douglas Sirk would have been proud of" |
Jason Clark |
Tomato A |
Talking Heads - Stop Making Sense (1984) |
"A distinct collaboration between Demme and the band, it hits with equal force on visual and aural fronts." |
Chuck Rudolph |
Splat short |
The Tao of Steve (2000) |
"Another reverse-sexist diatribe that knows not what it says about anything related to the sexes." |
Chuck Rudolph |
Splat C+ |
The Tao of Steve (2000) |
Click here to see the review. |
Jason Clark |
Tomato B |
Tape (2001) |
"When all is said and done, it is still a filmed play, but compelling all the same" |
Jason Clark |
Splat D |
Tape (2001) |
"Lumpy indie rubbish at its most broke and gluttonous." |
Joe McGovern |
Splat C |
Tarzan (1999) |
"Seems designed more for its marketing ability than for actual filmmaking potential." |
Chuck Rudolph |
Splat F |
Teaching Mrs. Tingle (1999) |
Click here to see the review. |
Joshua Vasquez |
Tomato |
Ten (2003) |
"An artistic expression that could easily have been bitter and threatening to the point of impatience, yet comes off as not only fluid and honest, but even a little lovely." |
Joe McGovern |
Splat C- |
Texas Rangers (2001) |
"Like watching the cast of Beverly Hills 90210 remake The Wild Bunch." |
Chuck Rudolph |
Tomato 3/5 |
The Thing (1982) |
"A bit too heavy on the shock effects, but far scarier than most average horror films." |
Chuck Rudolph |
Splat 1/5 |
Things to Do in Denver When You're Dead (1996) |
No article available. |
Jason Clark |
Tomato B |
The Third Miracle (1999) |
"What's ultimately best about The Third Miracle is how small and quiet a film it is." |
Chuck Rudolph |
Tomato B |
Thirteen Conversations About One Thing (2002) |
"The very definition of the 'small' movie, but it is a good stepping stone for director Sprecher." |
Jason Clark |
Tomato short |
Thirteen Days (2000) |
"A thrilling investigation into the decisions and internal power struggles that shaped what was perhaps John F. Kennedy’s most crucial political situation." |
Chuck Rudolph |
Tomato A- |
Thirteen Days (2000) |
"Suspenseful without being manipulative, emotional without being nauseating and takes its subject absolutely seriously without being a fatuous bore." |
Jason Clark |
Tomato A- |
Thomas Crown Affair, The (1999) |
Click here to see the review. |
Joe McGovern |
Splat D |
Three Kings (1999) |
"A fatuous exercise that takes its exciting premise and poisons it with boring characters, lifeless performances, and a general directorial stupidity." |
Chuck Rudolph |
Splat short |
Three Seasons (1999) |
"Bui has no sense of pacing or momentum." |
Chuck Rudolph |
Splat short |
Three to Tango (1999) |
"A whirlwind of bad gay jokes and mistaken motives." |
Chuck Rudolph |
Tomato B |
Tigerland (2000) |
"It certainly overcomes and surpasses the unwatchable staleness of Schumacher's last several films." |
Chuck Rudolph |
Splat C+ |
Tigerland (2000) |
"The corniness and contrivance that has marked Schumacher's movies all along is not suddenly absent here." |
Joe McGovern |
Splat C |
Time and Tide (2001) |
"It's impossible to be engaged by the film on any level other than visceral because Hark doesn't bother with connecting the dots of his story." |
Chuck Rudolph |
Splat C |
A Time for Drunken Horses (2000) |
"Ghobadi's realist style is indistinguishable from that of many of his Iranian contemporaries." |
Chuck Rudolph |
Tomato B |
The Time Machine (2002) |
"the film tunes into a grief that could lead a man across centuries." |
Joshua Vasquez |
Splat short |
Timecode (2000) |
"What fails it is the generic, banal storyline." |
Chuck Rudolph |
Splat C- |
Timecode (2000) |
Click here to see the review. |
Rob Morlino |
Splat short |
Titan A.E. (2000) |
"Little substance beyond one or two nifty visual sequences." |
Chuck Rudolph |
Tomato B |
Titan A.E. (2000) |
Click here to see the review. |
Rob Morlino |
Splat C |
Titanic Town (2000) |
"Titanic Town has a few too many quiet moments, most of which go nowhere in particular." |
Chuck Rudolph |
Splat D+ |
Titus (1999) |
Click here to see the review. |
Joshua Vasquez |
Tomato B |
Together (2001) |
"Moodysson is an observant filmmaker, and best of all, sees the many sides of human personality that make people by turns maddening, exciting and sympathetic." |
Jason Clark |
Tomato B- |
Tokyo Eyes (1999) |
"Less a crime flick than another disjointed thesis on unsettled, alienated youth." |
Chuck Rudolph |
Splat F |
Tomcats (2001) |
"Consider every barrel-bottom teen flick of the past few years the best evidence of the warning I impart on you to stay away from Tomcats." |
Rob Morlino |
Tomato B |
Too Much Sleep (2001) |
"Sprightly and effective." |
Joe McGovern |
Tomato 4/5 |
Tootsie (1982) |
"A comedy that gets funnier with each viewing. Dustin Hoffman is incomparable." |
Chuck Rudolph |
Splat C |
Topsy-Turvy (1999) |
Click here to see the review. |
Rob Morlino |
Splat D- |
Town and Country (2001) |
Click here to see the review. |
Rob Morlino |
Tomato short |
Toy Story 2 (1999) |
"People have argued whether this one surpasses the original; my vote is no, but it comes damn close." |
Chuck Rudolph |
Tomato A |
Toy Story 2 (1999) |
Click here to see the review. |
Rob Morlino |
Tomato 4/5 |
Trading Places (1983) |
No article available. |
Jason Clark |
Splat C |
Traffic (2000) |
"Resisting making a movie about characters instead of sweeping generalizations on the wide world of illegal drugs, [Soderbergh] fails to come up with a point." |
Chuck Rudolph |
Splat D+ |
Training Day (2001) |
"Mostly insignificant (and overlong, clocking in at two hours when ninety minutes would have more than sufficed)." |
Jeremiah Kipp |
Tomato B- |
The Transporter (2002) |
"It's the kind of film where the villain even gives an evil look for his passport photo. How can you resist that?" |
Joshua Vasquez |
Splat 1/5 |
The Trench (1999) |
"Loaded with soggy, overused war movie cliches." |
Chuck Rudolph |