Tomato 5/5 |
The Wages of Fear (1952) |
"One of the most suspenseful films ever made." |
Chuck Rudolph |
Tomato B+ |
Waking Life (2001) |
"It truly seems unique in its approach and even if it does often feel like a gussied-up version of Linklater’s debut feature Slacker, it is an impressive and worthy achievement all the same" |
Jason Clark |
Splat D+ |
Waking Life (2001) |
"It's so bogged down in grand proclamations about Truth and Spiritual Communion and Collective Memory that it never strikes a single personal note, one that can be connected to on a purely emotive level." |
Jeremiah Kipp |
Tomato A- |
Waking the Dead (2000) |
"Impressions of love, loss, dedication, and perseverance transcend cinematic boundaries and actually mean something." |
Chuck Rudolph |
Tomato short |
A Walk On the Moon (1998) |
"A quiet, meditative portrait of marital indecision." |
Chuck Rudolph |
Tomato B- |
The War Zone (1999) |
Click here to see the review. |
Joe McGovern |
Splat C+ |
Warm Water Under a Red Bridge (2001) |
"Has the marks of a septuagenarian; it's a crusty treatment of a clever gimmick." |
Joe McGovern |
Tomato 4/5 |
Watch It (1993) |
"Comedy of the sexes made with heart and soul. The cast, especially John C. McGinley, is terrific." |
Chuck Rudolph |
Splat D- |
The Watcher (2000) |
Click here to see the review. |
Rob Morlino |
Tomato B+ |
The Way of the Gun (2000) |
"McQuarrie is able to have [The Way of the Gun] become both an involving drama and an exciting action movie, a combination rarely achieved with any degree of success." |
Chuck Rudolph |
Splat D |
Waydowntown (2002) |
"Squandering his opportunity to make absurdist observations, Burns gets caught up in the rush of slapstick thoroughfare." |
Jeremiah Kipp |
Splat C- |
We Were Soldiers (2002) |
"Exposes a great hypocrisy about many war movies: we honor the lives of those men who died for our country by showing them getting shot, impaled, and blown to pieces." |
Chuck Rudolph |
Splat |
We Were Soldiers (2002) |
"Instilled with every awful cliché and stereotype available--and even invents anachronistic ways to perpetuate new ones." |
Joe McGovern |
Splat C+ |
The Wedding Planner (2001) |
Click here to see the review. |
Rob Morlino |
Splat C- |
Welcome to Collinwood (2002) |
"The kind of film that leaves you scratching your head in amazement over the fact that so many talented people could participate in such an ill-advised and poorly executed idea." |
Nick Schager |
Tomato B |
Wendigo (2002) |
"Sits uneasily as a horror picture ... but finds surprising depth in its look at the binds of a small family." |
Jason Clark |
Splat C- |
Wet Hot American Summer (2001) |
"Lacks a singular comic mind, and spins off into a billion uninspired directions as a result." |
Jason Clark |
Splat C- |
What Lies Beneath (2000) |
Click here to see the review. |
Joshua Vasquez |
Tomato short |
What Planet Are You From? (2000) |
"Lightweight material to be sure, but it's fun just the same." |
Chuck Rudolph |
Tomato 6/10 |
What Planet Are You From? (2000) |
Click here to see the review. |
Joe McGovern |
Splat short |
What Women Want (2000) |
"This brand of empty, mass-marketed entertainment is in need of a serious genre overhaul" |
Chuck Rudolph |
Splat C |
What Women Want (2000) |
Click here to see the review. |
Jason Clark |
Splat D+ |
What's Cooking? (2000) |
"May be the first film in history where the food has infinitely more personality than the people." |
Jason Clark |
Splat D |
What's The Worst That Could Happen? (2001) |
"Lawrence appears unable to engage in simple rapport, much less chemistry, with anyone else in the movie." |
Joe McGovern |
Splat 2/5 |
What's Up, Tiger Lily? (1966) |
No article available. |
Chuck Rudolph |
Tomato B- |
When Brendan Met Trudy (2001) |
"What promises to be a simple rehash of romantic comedy formula is, at least at first, given a breath of fresh air." |
Chuck Rudolph |
Tomato B |
Where the Heart Is (2000) |
"Deceptively hidden beneath the jokes and the novel premise is a surprisingly convincing view of modern community." |
Chuck Rudolph |
Tomato B+ |
Where the Money Is (2000) |
Click here to see the review. |
Rob Morlino |
Splat F |
Whipped (2000) |
Click here to see the review. |
Rob Morlino |
Tomato 4/5 |
White (1993) |
No article available. |
Chuck Rudolph |
Splat C+ |
White Oleander (2002) |
Click here to see the review. |
Nick Schager |
Tomato 3/5 |
White Sands (1992) |
"An intriguing mystery with good performances and a crisp style." |
Chuck Rudolph |
Splat short |
The Whole Nine Yards (2000) |
"Perry saves the day with his inspired fish-out-of-water silliness." |
Chuck Rudolph |
Tomato B- |
The Wide Blue Road (1957) |
"Another invaluable artifact of cinema history that should be required viewing for anyone with even an ounce of interest in the development of the art form." |
Chuck Rudolph |
Splat C+ |
The Widow of St. Pierre (2001) |
Click here to see the review. |
Joe McGovern |
Splat D- |
Wild Wild West (1999) |
"Although most of the jokes fall flat and the action isn't all that creative, what's missing most from the film is a sense of wonder and magic." |
Chuck Rudolph |
Splat D |
Windtalkers (2002) |
"Adam Beach isn't given much of a character to play. He takes Cage's abuse with a smile, which makes you wonder if the screenwriter should have just called him Tonto." |
Jeremiah Kipp |
Tomato B+ |
With a Friend Like Harry (2001) |
"Teeters on the brink between the absurd and the sublime." |
Chuck Rudolph |
Splat C |
Woman on Top (2000) |
"Buries itself in a deluge of clichés and unrealized intentions." |
Jason Clark |
Splat 2/5 |
Women on the Verge of a Nervous Breakdown (1989) |
"Almodovar's funky widescreen style is captivating, but his madcap story is maddeningly devoid of seriousness." |
Chuck Rudolph |
Tomato A- |
Wonder Boys (2000) |
"Wonder Boys becomes about nothing and about everything in unison--the sheer randomness of its twists mirrors the boredom and inevitability of life's challenges." |
Chuck Rudolph |
Tomato short |
Wonderland (2000) |
"[Winterbottom's] direction finds the small pockets of warmth in a chilly climate." |
Chuck Rudolph |
Tomato A |
Wonderland (2000) |
"The film's candidness is remarkable." |
Joe McGovern |
Tomato 3/5 |
Woodstock (1970) |
"Sprawling and overlong, it's nonetheless a valuable time capsule. You get the impression nothing could take the place of being there to witness the legendary event firsthand." |
Chuck Rudolph |
Splat short |
The World Is Not Enough (1999) |
"Retirement’s sounding good for 007; we've certainly had more than enough." |
Chuck Rudolph |
Tomato B |
The World Is Not Enough (1999) |
Click here to see the review. |
Joshua Vasquez |
Splat D+ |
World Traveler (2002) |
"But buying into sham truths and routine "indie" filmmaking, Freundlich has made just another safe movie. It's not horrible, just horribly mediocre." |
Jeremiah Kipp |
Tomato 3/5 |
The Wraith (1987) |
"An enjoyably trashy sci-fi/car racing action movie." |
Chuck Rudolph |
Tomato 3/5 |
Wyatt Earp (1994) |
"Beautifully shot and impressively directed, it's an ambitious Western in the classic mold, the kind of film that rarely gets made anymore." |
Chuck Rudolph |
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