Splat C |
A.I. Artificial Intelligence (2001) |
"The film is neither too cold nor too sentimental for its own good, and its ambitions remain fitfully engaging while its promise goes mostly unachieved." |
Chuck Rudolph |
Splat C |
About a Boy (2002) |
"Like its lead character, About a Boy exists in a stale vacuum of time-killing routine." |
Chuck Rudolph |
Tomato B+ |
About Adam (2001) |
"A vigorous exploration of yearning that is as liberating as it is fulfilling." |
Chuck Rudolph |
Splat short |
The Adventures of Rocky and Bullwinkle (2000) |
"Roger Rabbit, what did we do to deserve this?" |
Chuck Rudolph |
Splat short |
Agnes Browne (1999) |
"A rare movie that inspires no reaction whatsoever." |
Chuck Rudolph |
Tomato short |
Ali (2001) |
"An intimate, personal film, not a lumbering, mass-market paperback distribution of dates and names." |
Chuck Rudolph |
Tomato short |
All the Pretty Horses (2000) |
"A film of infinite possibility that somehow got reduced to tangible mediocrity." |
Chuck Rudolph |
Tomato 3/5 |
Alligator (1980) |
No article available. |
Chuck Rudolph |
Splat C- |
America's Sweethearts (2001) |
"A hypocritical purveyor of the same schlock nonsense it pretends to lampoon." |
Chuck Rudolph |
Splat C |
American Beauty (1999) |
"It wants to be an original beauty so much that it doesn't realize just how plain and ordinary it really is." |
Chuck Rudolph |
Splat short |
American Pie (1999) |
"Repulsive filmmaking that shows nothing but a nasty, clear contempt for its viewers." |
Chuck Rudolph |
Splat short |
American Psycho (2000) |
"Decidedly out of date." |
Chuck Rudolph |
Splat C+ |
Anna and the King (1999) |
"It's great to look at, but the unforgiving precision doesn't allow the images to advance the story or tell you details about characters or situations." |
Chuck Rudolph |
Splat C- |
The Anniversary Party (2001) |
"What crashes Party's potentially freewheeling sense of merriment is the choice by Cumming and Leigh to shoot it in DV." |
Chuck Rudolph |
Splat short |
Antitrust (2001) |
"About five years behind schedule in anticipating and satirizing the stranglehold computer developers wield over the technology industry." |
Chuck Rudolph |
Tomato A- |
Any Given Sunday (1999) |
"Taken as a whole, Any Given Sunday is probably the most purely enjoyable movie that Stone has ever made." |
Chuck Rudolph |
Tomato C |
Apocalypse Now (1979) |
"An amazing, singular film experience." |
Chuck Rudolph |
Splat |
Apocalypse Now Redux (2001) |
"[The] additions only attempt to clarify what was already evident in the original cut" |
Chuck Rudolph |
Tomato B+ |
Arlington Road (1999) |
"Builds at a snowball pitch: slow at first, and then bigger and tighter and faster, so you don't even realize what's happening until it overwhelms you." |
Chuck Rudolph |
Splat C- |
The Art of War (2000) |
"All [The Art of War] forgets to throw in is a single original idea that might warrant the 2 hours this movie zaps from your life." |
Chuck Rudolph |
Splat short |
The Astronaut's Wife (1999) |
"By turns dumb, boring, and ludicrous." |
Chuck Rudolph |
Tomato short |
At First Sight (1998) |
"The two leads have never been more appealing." |
Chuck Rudolph |
Tomato short |
Autumn in New York (2000) |
"Just what it promises to be: a Love Story-style romance." |
Chuck Rudolph |
Tomato B |
All About My Mother (1999) |
"With its emphasis on uniquely female relationships and conflicts, the film gives us a taste of the freshness for which we look to foreign film in the first place." |
David Nemetz |
Tomato B |
American Pie (1999) |
"It may not always be easy to watch, but only because we know how true it really is." |
David Nemetz |
Tomato B |
Austin Powers: The Spy Who Shagged Me (1999) |
Click here to see the review. |
David Nemetz |
Splat C- |
Autumn Tale (1998) |
Click here to see the review. |
David Nemetz |
Tomato A |
A.I. Artificial Intelligence (2001) |
"Its greatest fans will treasure it, and its detractors might even be willing to reevaluate it someday. If that isn’t the mark of a great piece of art, I don’t know what is" |
Jason Clark |
Tomato B |
The Adventures of Felix (2001) |
"I can’t even begin to imagine what a crude American director would choose to do with it, and don’t want to." |
Jason Clark |
Splat C |
The Adventures of Sebastian Cole (1999) |
"A ponderous, uneven portrait of disaffected youth." |
Jason Clark |
Splat D+ |
The Affair of the Necklace (2001) |
"A crass, often ridiculously misguided period drama that spells everything out in nice, big block letters so even a small child could comprehend it." |
Jason Clark |
Tomato B- |
Affliction (1997) |
"Chilly, despite some remarkable components" |
Jason Clark |
Tomato A+ |
All About Eve (1950) |
"It is, unquestionably, one of America¡¯s proudest moments, and before you line up for tickets to the new Adam Sandler vehicle, you may want to remind yourself of what movies used to be able to accomplish." |
Jason Clark |
Tomato B |
All About My Mother (1999) |
"Affecting, wonderfully acted, but oddly quaint drama" |
Jason Clark |
Tomato B |
All the Pretty Horses (2000) |
"The movie's fighting spirit is still there as well as Thornton's noble intentions, and in this year of crassness, I'll take a noble intention over shady condescension anyday." |
Jason Clark |
Splat |
Amelie (2001) |
"Amelie’s only major crime is how dull it can often be even while being so deliberately elaborate." |
Jason Clark |
Splat |
America's Sweethearts (2001) |
"The fact that this movie contains some of the most annoying, mannered actors on film today and still remains painless is quite a feat." |
Jason Clark |
Splat |
American Beauty (1999) |
"When all is said and done, doesn't really offer anything new." |
Jason Clark |
Tomato B |
American Movie (1999) |
"The hook of the film is that it presents the ragtag Borchardt, a cantankerous, often disagreeable sort with the kind of freshness missing from most documentaries." |
Jason Clark |
Splat C+ |
American Pimp (1999) |
Click here to see the review. |
Jason Clark |
Tomato B- |
American Psycho (2000) |
"It is entertaining and often very funny, even when you hope that director Harron will next find a subject that is truly worthy of her considerable talents." |
Jason Clark |
Tomato B- |
An American Rhapsody (2001) |
"A heartfelt movie; honest and straight from the heart." |
Jason Clark |
Tomato B+ |
Amores Perros (2001) |
"Directed with energy and ferocity by eye-opening newcomer Alejandro Gonzalez Innaritu." |
Jason Clark |
Tomato |
Analyze This (1998) |
"This one does nicely for a fitfully funny rental." |
Jason Clark |
Splat D |
Angel Eyes (2001) |
"After enduring about 30 minutes of this near-deadly romantic drama, you begin to wonder where the radiant star of Selena and Out of Sight has gone to." |
Jason Clark |
Splat C- |
Angela's Ashes (1999) |
"A dreary, ultimately punishing adaptation of Frank McCourt's memoir, where every other scene has somebody either getting sick, puking or dying." |
Jason Clark |
Tomato B |
Animal Factory (2000) |
"It confirms that Buscemi is a director that's here to stay." |
Jason Clark |
Splat C |
The Anniversary Party (2001) |
"It feels like watered-down Robert Altman when it is intended to be a bitter, stiff drink." |
Jason Clark |
Tomato A- |
Another Day in Paradise (1998) |
"It had the richness of character and gripping narrative drive that director Larry Clark’s first feature Kids did not have." |
Jason Clark |
Splat F |
Antitrust (2001) |
"This movie bypasses no suspense cliché in existence." |
Jason Clark |
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