Tomato A |
A.I. Artificial Intelligence (2001) |
"Its greatest fans will treasure it, and its detractors might even be willing to reevaluate it someday. If that isn’t the mark of a great piece of art, I don’t know what is" |
Jason Clark |
Tomato B+ |
About Adam (2001) |
"A vigorous exploration of yearning that is as liberating as it is fulfilling." |
Chuck Rudolph |
Tomato B |
The Adventures of Felix (2001) |
"I can’t even begin to imagine what a crude American director would choose to do with it, and don’t want to." |
Jason Clark |
Tomato C+ |
The Adventures of Rocky and Bullwinkle (2000) |
"A movie that is certainly light and earnest enough to recommend -- but those adjectives should say more than enough to keep the die-hard fans away." |
Joe McGovern |
Tomato B- |
Affliction (1997) |
"Chilly, despite some remarkable components" |
Jason Clark |
Tomato A- |
After Life (1998) |
Click here to see the review. |
Joe McGovern |
Tomato B |
Agnes Browne (1999) |
Click here to see the review. |
Joe McGovern |
Tomato short |
Ali (2001) |
"An intimate, personal film, not a lumbering, mass-market paperback distribution of dates and names." |
Chuck Rudolph |
Tomato A- |
Ali (2001) |
"The supreme accomplishment in Mann's career." |
Jeremiah Kipp |
Tomato A+ |
All About Eve (1950) |
"It is, unquestionably, one of America¡¯s proudest moments, and before you line up for tickets to the new Adam Sandler vehicle, you may want to remind yourself of what movies used to be able to accomplish." |
Jason Clark |
Tomato B |
All About My Mother (1999) |
"Affecting, wonderfully acted, but oddly quaint drama" |
Jason Clark |
Tomato B |
All About My Mother (1999) |
"With its emphasis on uniquely female relationships and conflicts, the film gives us a taste of the freshness for which we look to foreign film in the first place." |
David Nemetz |
Tomato A- |
All or Nothing (2002) |
"The Southeast London working class housing estate of Mike Leigh's All or Nothing becomes a melting pot for issues that this most humanistic of directors has continually returned to over the years: parents, children, secrets, love, resentment..." |
Jeremiah Kipp |
Tomato B |
All the Pretty Horses (2000) |
"The movie's fighting spirit is still there as well as Thornton's noble intentions, and in this year of crassness, I'll take a noble intention over shady condescension anyday." |
Jason Clark |
Tomato short |
All the Pretty Horses (2000) |
"A film of infinite possibility that somehow got reduced to tangible mediocrity." |
Chuck Rudolph |
Tomato 3/5 |
Alligator (1980) |
No article available. |
Chuck Rudolph |
Tomato B |
American Movie (1999) |
"The hook of the film is that it presents the ragtag Borchardt, a cantankerous, often disagreeable sort with the kind of freshness missing from most documentaries." |
Jason Clark |
Tomato B+ |
American Movie (1999) |
Click here to see the review. |
Joe McGovern |
Tomato B |
American Pie (1999) |
"It may not always be easy to watch, but only because we know how true it really is." |
David Nemetz |
Tomato B- |
American Psycho (2000) |
"It is entertaining and often very funny, even when you hope that director Harron will next find a subject that is truly worthy of her considerable talents." |
Jason Clark |
Tomato B- |
An American Rhapsody (2001) |
"A heartfelt movie; honest and straight from the heart." |
Jason Clark |
Tomato B+ |
Amores Perros (2001) |
"While frequently hard to watch due to the brutality of its subject matter, Amores Perros benefits nonetheless from its own rip-roaring chaos." |
Joe McGovern |
Tomato B+ |
Amores Perros (2001) |
"Directed with energy and ferocity by eye-opening newcomer Alejandro Gonzalez Innaritu." |
Jason Clark |
Tomato |
Analyze This (1998) |
"This one does nicely for a fitfully funny rental." |
Jason Clark |
Tomato B |
Animal Factory (2000) |
"It confirms that Buscemi is a director that's here to stay." |
Jason Clark |
Tomato A- |
Another Day in Paradise (1998) |
"It had the richness of character and gripping narrative drive that director Larry Clark’s first feature Kids did not have." |
Jason Clark |
Tomato A- |
Any Given Sunday (1999) |
"Taken as a whole, Any Given Sunday is probably the most purely enjoyable movie that Stone has ever made." |
Chuck Rudolph |
Tomato B |
Anywhere But Here (1999) |
Click here to see the review. |
Rob Morlino |
Tomato C |
Apocalypse Now (1979) |
"An amazing, singular film experience." |
Chuck Rudolph |
Tomato B+ |
Arlington Road (1999) |
"Builds at a snowball pitch: slow at first, and then bigger and tighter and faster, so you don't even realize what's happening until it overwhelms you." |
Chuck Rudolph |
Tomato B- |
The Astronaut's Wife (1999) |
Click here to see the review. |
Joshua Vasquez |
Tomato short |
At First Sight (1998) |
"The two leads have never been more appealing." |
Chuck Rudolph |
Tomato A |
Audition (2001) |
"The violence of the finale poses troubling questions about self-denial, male dread, and cathartic suffering." |
Jeremiah Kipp |
Tomato B |
Austin Powers: The Spy Who Shagged Me (1999) |
Click here to see the review. |
David Nemetz |
Tomato |
Auto Focus (2002) |
"Effective but too-tepid biopic" |
Jason Clark |
Tomato short |
Autumn in New York (2000) |
"Just what it promises to be: a Love Story-style romance." |
Chuck Rudolph |
Splat C |
A.I. Artificial Intelligence (2001) |
"The film is neither too cold nor too sentimental for its own good, and its ambitions remain fitfully engaging while its promise goes mostly unachieved." |
Chuck Rudolph |
Splat C- |
ABC Africa (2002) |
"Better to just call it ABC Kiarostami. For AIDS and Africa are nothing more than part of the scenery." |
Joe McGovern |
Splat C |
About a Boy (2002) |
"Like its lead character, About a Boy exists in a stale vacuum of time-killing routine." |
Chuck Rudolph |
Splat D |
The Adventures of Pluto Nash (2002) |
"A dreadfully unfunny hybrid of recycled science fiction and Eddie Murphy mugging." |
Nick Schager |
Splat short |
The Adventures of Rocky and Bullwinkle (2000) |
"Roger Rabbit, what did we do to deserve this?" |
Chuck Rudolph |
Splat C |
The Adventures of Sebastian Cole (1999) |
"A ponderous, uneven portrait of disaffected youth." |
Jason Clark |
Splat D+ |
The Affair of the Necklace (2001) |
"A crass, often ridiculously misguided period drama that spells everything out in nice, big block letters so even a small child could comprehend it." |
Jason Clark |
Splat C- |
The Affair of the Necklace (2001) |
"The movie borders on parody even before its utterly clueless script is taken into account." |
Joe McGovern |
Splat short |
Agnes Browne (1999) |
"A rare movie that inspires no reaction whatsoever." |
Chuck Rudolph |
Splat C |
Almost Famous (2000) |
"A relentlessly shallow film that approaches its subject matter with all the subtlety and grace of a sitcom." |
Joshua Vasquez |
Splat C |
Along Came a Spider (2001) |
"No worse than the average police thriller, a silly but inoffensively bromidic flick." |
Joshua Vasquez |
Splat D+ |
Amelie (2001) |
"Meant to be postcard-perfect, it rings false." |
Jeremiah Kipp |
Splat |
Amelie (2001) |
"Amelie’s only major crime is how dull it can often be even while being so deliberately elaborate." |
Jason Clark |
Splat C- |
America's Sweethearts (2001) |
"A hypocritical purveyor of the same schlock nonsense it pretends to lampoon." |
Chuck Rudolph |
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