Splat 2/4 |
The Da Vinci Code (2006) |
"The Da Vinci Code is as slavishly faithful to its source as the first two Harry Potter pictures, which explains the film's deadly, stop-and-start pace." |
Rene Rodriguez |
Splat |
Daddy Day Camp (2007) |
"By now you've seen most of the visual gags. A bus drives into a building. An outhouse explodes." |
Connie Ogle |
Splat 1.5/4 |
Daddy Day Care (2003) |
"Daddy Day Care is one of those 'trailer' movies: All the good stuff, such as it is, is shown in the previews. But padded to feature length, the movie is mediocre." |
Christine Dolen |
Tomato 2.5/4 |
Dan in Real Life (2007) |
"[Carell's] uncanny ability to make us care what happens to him salvages Dan in Real Life." |
Connie Ogle |
Tomato |
Dancer in the Dark (1999) |
"You may resent some of the tactics von Trier uses, but there's no denying the devastating power of his film." |
Rene Rodriguez |
Tomato 3/4 |
The Dancer Upstairs (2003) |
"It thrives on the hush before the explosion instead of its aftermath, and it's that eerie sense of expectation that gives the film its thick aura of suspense." |
Rene Rodriguez |
Splat 2/4 |
The Dangerous Lives of Altar Boys (2002) |
"A soggy coming-of-age drama, one loaded with a single fresh conceit and plenty of tired, wheezing ones." |
Rene Rodriguez |
Tomato 2.5/4 |
Danny Deckchair (2004) |
"The easygoing humor and uplifting messages -- that it's never too late to turn your life around -- are welcome, especially in the September movie doldrums." |
Connie Ogle |
Splat 2/4 |
Daredevil (2003) |
"For all its ambition, Daredevil can't overcome the fact that at its colorful center lies a perfect blank in a bad suit." |
Rene Rodriguez |
Tomato 3/4 |
Darfur Now (2007) |
"Informative and effortlessly gripping." |
Connie Ogle |
Tomato 2.5/4 |
The Darjeeling Limited (2007) |
"There's never a moment when you're not conscious of the movie's artifice -- its set design is part of its entertainment -- but the experience isn't exactly off-putting, either." |
Rene Rodriguez |
Splat 2/4 |
Dark Blue (2003) |
"In the wake of TV's powerhouse The Shield, Dark Blue comes off as something of a retread, with little of The Shield's electric fury, edgy camera work or deft characterizations." |
Connie Ogle |
Tomato 3/4 |
Dark Blue World (2001) |
"Dark Blue World's warm story and beautiful photography almost hits the mark, and it has a great ending." |
Marta Barber |
Tomato 3.5/4 |
The Dark Knight (2008) |
"It's proof that popcorn entertainments don't have to talk down to their audiences in order to satisfy them. The bar for comic-book film adaptations has been permanently raised." |
Rene Rodriguez |
Tomato 2.5/4 |
Dark Water (2005) |
"What keeps the film alive and more than a little nerve-wracking are a terrific cast and director Walter Salles, who creates a powerfully oppressive mood that meshes seamlessly with the inner turmoil of troubled mom Dahlia." |
Connie Ogle |
Tomato 3/4 |
DarkBlueAlmostBlack (2007) |
"What could have seemed insufferably self-pitying becomes strangely moving instead -- a sign of a filmmaker placing his absolute trust in their material and coming up all the stronger for it." |
Rene Rodriguez |
Splat 1/4 |
Darkness Falls (2003) |
"More silly than scary, it's the horror movie to give horror movies a bad name." |
Connie Ogle |
Tomato 3/4 |
Dave Chappelle's Block Party (2006) |
"Watching the concert on screen is almost as good as being there." |
Connie Ogle |
Tomato 2.5/4 |
David & Layla (2008) |
"Humor and politics finally converge in what the story is all about: finding the good in those different from you. It's a happy ending that can be enjoyed by all." |
Marta Barber |
Tomato 3/4 |
Dawn of the Dead (2004) |
"Faster, leaner and more compact than the original." |
Rene Rodriguez |
Splat 2/4 |
The Day After Tomorrow (2004) |
"The film weakly trades reliable popcorn action for a story about blossoming young love, puzzling fatherly heroics and overwrought messages on the dangers of global warming." |
Connie Ogle |
Tomato |
A Day In Paradise (2003) |
"As a light, easy, hardly thought-provoking 98 minutes at the cinema, it somewhat satisfies." |
Marta Barber |
Splat 1.5/4 |
Day Watch (2007) |
"It delivers more cutting-edge eye candy but defies any attempt at understanding." |
Peter Debruge |
Tomato 2.5/4 |
A Day Without A Mexican (2004) |
"As many times you consider A Day Without a Mexican a crude and underdeveloped parody, there are moments that it vindicates itself with on-the-money situations." |
Marta Barber |
Splat 2/4 |
De-Lovely (2004) |
"Not inept enough to make the composer spin in his grave ... but not insightful or clever enough to please the old boy, either." |
Connie Ogle |
Tomato 3/4 |
Dear Frankie (2005) |
"A small movie with a big soul and no easy formula for the happiness of its big-hearted characters." |
Connie Ogle |
Tomato 3/4 |
Death of a President (2006) |
"Aside from satisfying some kind of ghoulish curiosity about how such an incident could possibly happen, there's precious little in Death of a President to justify the extremity of its central conceit." |
Rene Rodriguez |
Tomato 2.5/4 |
Death Sentence (2007) |
"An old-school exploitation picture, polished off with a modern sensibility by Saw director James Wan." |
Peter Debruge |
Splat 1.5/4 |
Death to Smoochy (2002) |
"The cinematic equivalent of being poked in the ribs with a fork for two hours, this relentlessly irritating comedy redefines the term 'over the top' -- and we don't mean that as a compliment." |
Rene Rodriguez |
Splat 1.5/4 |
Deck the Halls (2006) |
"Movies like Deck the Halls should make us all thankful that Christmas only comes once a year. What other season could possibly inspire a story as insipid as this?" |
Peter Debruge |
Tomato 3.5/4 |
Deep Blue (2005) |
"Practically every shot in Deep Blue offers some sort of remarkable, jaw-dropping sight." |
Rene Rodriguez |
Tomato |
Deep Blue Sea (1999) |
"Deep Blue Sea is an enjoyable little B-movie, mean and gory and single-minded in its pursuit of cheap thrills." |
Rene Rodriguez |
Tomato |
The Deep End (2001) |
"For all its genre trappings, this is an intelligent, probing study of an ordinary woman under extraordinary duress." |
Rene Rodriguez |
Tomato 3/4 |
Defiance (2008) |
"Defiance may lack the sort of emotional punch that sticks, but its story of courage and responsibility is undeniably compelling." |
Connie Ogle |
Tomato 2.5/4 |
Definitely, Maybe (2008) |
"Is this movie the best romantic comedy of the year? Maybe not. Do you walk out with a smile on your face? Definitely." |
Connie Ogle |
Splat 2/4 |
Deja Vu (2006) |
"The usually enjoyable time-travel paradoxes about how changing the past would affect the present coming off as more annoying intrusions than anything else." |
Rene Rodriguez |
Splat 2/4 |
Deliver Us From Eva (2003) |
"Deliver Us from Eva isn't The Taming of the Shrew; it's not even a reasonable facsimile." |
Connie Ogle |
Tomato 4/4 |
The Departed (2006) |
"A great, resonant, psychologically complex popcorn movie made by a cast and crew of filmmakers at the top of their game. Welcome back, Marty." |
Rene Rodriguez |
Splat 2/4 |
Derailed (2005) |
"You'd have to have been frozen in an Arctic ice block with no access to cable TV not to know exactly what's coming." |
Connie Ogle |
Tomato 2.5/4 |
The Descent (2006) |
"The movie is also spooky and atmospheric, has at least three great jolts and an equal number of memorable gross-outs, including what has to be the goriest and most protracted eye-gouging of the year." |
Rene Rodriguez |
Splat 0/4 |
Deuce Bigalow: European Gigolo (2005) |
"Rob Schneider's shtick still amounts to little more than shameless self-deprecation. It's as though he'll do anything for a laugh -- except elevate the humor itself." |
Peter Debruge |
Splat |
Deuce Bigalow: Male Gigolo (1999) |
"The teenage boys say 'ewww' and the teenage girls say 'awww,' and you've recouped your $8 million in no time." |
Sara Wildberger |
Splat 1/4 |
Deuces Wild (2002) |
"It's the sort of thing Roger Corman would have cranked out in the 1960s to fill out the bottom half of a drive-in double bill, except Corman would have never taken himself this seriously." |
Rene Rodriguez |
Tomato 3/4 |
The Devil and Daniel Johnston (2006) |
"A heartbreaking, yet strangely uplifting and inspirational, exploration of the fine line between genius and madness, and how sometimes, one becomes impossible to discern from the other." |
Rene Rodriguez |
Splat 2.5/4 |
The Devil Wears Prada (2006) |
"Aside from Streep, the movie feels curiously light -- a timid satire afraid of upsetting the industry it derides." |
Rene Rodriguez |
Tomato |
The Devil's Backbone (2001) |
"After a leisurely first half, The Devil's Backbone becomes utterly spellbinding, its tension mounting in steady increments." |
Rene Rodriguez |
Splat 2/4 |
The Devil's Rejects (2005) |
"Beyond the sheer creativity of Zombie's sick imagination, there's little pleasure to be found in a movie of this nature." |
Peter Debruge |
Splat |
Diamond Men (2001) |
"Cohen obviously knows the dealings and dangers of the diamond trade, but instead of creating an interesting study of that world, he prefers to venture into the obvious and ridiculous." |
Connie Ogle |
Splat 1/4 |
Diary of a Mad Black Woman (2005) |
"While the movie fills a much-needed niche in the lily-white Hallmark movie department, this clunky, borderline-amateur directorial effort from music-video veteran Darren Grant simply doesn't do justice to the material. In fact, it's downright awful." |
Peter Debruge |
Splat 1.5/4 |
Dickie Roberts: Former Child Star (2003) |
"After a few initial pratfalls, the humor gives way to a saccharine pathos as Dickie is supposed to be growing up emotionally and becoming mutually attached to the family. Unbelievable conversations and stupid dance numbers replace the humor." |
Charles Savage |