Splat |
The Machinist (2004) |
"A stunt that didn't merit Bale's startling, and dangerous, transformation." |
Rene Rodriguez |
Tomato 2.5/4 |
Machuca (2005) |
"Though the film would benefit from further cuts, Machuca still manages to convey the frailty of convictions and the difficulties of growing up -- be it a child or a nation." |
Marta Barber |
Tomato 3/4 |
Mad Hot Ballroom (2005) |
"Aside from being perfectly irresistible, the movie is also deeply inspiring, especially for children." |
Rene Rodriguez |
Tomato 2.5/4 |
Mad Love (2001) |
"It's López de Ayala's show, and she's relentless in her energy and passion." |
Connie Ogle |
Splat 2/4 |
Mad Money (2008) |
"If you're going to make a heist picture, then at least have the decency to make the heist itself interesting." |
Rene Rodriguez |
Splat 2.5/4 |
Madagascar (2005) |
"The latest DreamWorks Animation picture that leaves you jonesing for a little Pixar." |
Rene Rodriguez |
Splat 2/4 |
Madame Sata (2003) |
"A one-note take on a complex subject." |
Rene Rodriguez |
Splat |
Made (2001) |
"Leaves you wishing they hadn't tried so hard to do something different." |
Rene Rodriguez |
Splat 1/4 |
Made of Honor (2008) |
"A film so dreadful and humiliating that it's reassuring to know Dempsey can keep his day job." |
Connie Ogle |
Tomato 3/4 |
Madeinusa (2006) |
"The assured debut of 29-year-old writer-director Claudia Llosa operates on several different levels." |
Rene Rodriguez |
Tomato 3/4 |
Maelström (2002) |
"Maelstrom is strange and compelling, engrossing and different, a moral tale with a twisted sense of humor." |
Marta Barber |
Tomato 3/4 |
The Magdalene Sisters (2003) |
"If The Magdalene Sisters occasionally flirts with cartoonishness, the movie is tempered by Mullan's considerable filmmaking skills." |
Rene Rodriguez |
Splat 1/4 |
Maid in Manhattan (2002) |
"Alternately politically correct and confusingly archaic, with a devastating lack of romantic connection between its two stars." |
Connie Ogle |
Splat |
The Majestic (2001) |
"A treacly, synthetic and wildly overlong drama that aspires to Frank Capra-style uplift, but winds up suffocating you with its aura of bogus, store-bought nostalgia." |
Rene Rodriguez |
Tomato 3/4 |
Mala Noche (1985) |
"Even at the start of his career, Van Sant has always been an artist who has savored the bittersweet pleasure of sadness and pain." |
Rene Rodriguez |
Tomato |
Maléna (2000) |
"The cliches in this movie are as ripe and plump and tightly packed as olives in a jar. But the surface is handsome, moving and humorous, and people are going to like it." |
Sara Wildberger |
Tomato 2.5/4 |
Mamma Mia! (2008) |
"It's a one-of-a-kind cinematic wreck: I couldn't wait for it to end, and yet I'm strangely longing to see it again." |
Rene Rodriguez |
Splat 0/4 |
The Man (2005) |
"I can't imagine how bored you would have to be with your life to find such a movie entertaining." |
Connie Ogle |
Splat 1/4 |
A Man Apart (2003) |
"Did executives at New Line Cinema purposely keep A Man Apart on the shelf for more than a year because they were hoping to capitalize on Diesel's popularity after last summer's XXX?" |
Rene Rodriguez |
Splat 2/4 |
The Man from Elysian Fields (2002) |
"Too many improbabilities and rose-colored situations temper what could've been an impacting film." |
Marta Barber |
Tomato 3.5/4 |
The Man of the West (1958) |
"A tour de force for Cooper." |
Enrique Fernandez |
Splat 2/4 |
Man of the Year (2006) |
"The second half of Man of the Year bears practically no relation to the irreverent comedy the movie's trailer sells you -- much like a politician who doesn't keep any of the promises that lured you to vote for him." |
Rene Rodriguez |
Tomato 3/4 |
Man on Fire (2004) |
"Man on Fire awakens a genuine sense of bloodlust in the viewer." |
Rene Rodriguez |
Tomato 3/4 |
Man on the Train (2003) |
"Under Leconte's artful direction, a believable bond develops between the men, each envious of the direction the other's life has taken." |
Rene Rodriguez |
Tomato 4/4 |
Man On Wire (2008) |
"Man On Wire is an engrossing film that captures the imagination and never ceases to entertain." |
Kevin Craft |
Splat |
The Man Who Wasn't There (2001) |
"It's a bit of a mess, the work of bratty geniuses with talent to spare, but unsure of what -- if anything -- they're trying to say." |
Rene Rodriguez |
Splat 2/4 |
Management (2009) |
"Management isn't even a good stalker-training film. It's pretty much a waste of everyone's time, especially yours." |
Connie Ogle |
Tomato 3/4 |
The Manchurian Candidate (2004) |
"Filled with conspiracies, intrigue and the suggestion that modern-day society is purposely designed to drive us a little nuts, The Manchurian Candidate is a paranoid fantasy for our time." |
Rene Rodriguez |
Tomato 3/4 |
Manda Bala (2007) |
"Kohn, who shot Manda Bala in lush widescreen format and makes deft use of Brazilian pop music to give the film a cleverly incongruous soundtrack, is intent on making a picture that is as visceral to watch as it is to contemplate." |
Rene Rodriguez |
Tomato 3/4 |
Manito (2003) |
"The film shows a capsule of American urban life where few outside the community venture in. Eason hands out an invitation to do so. Accept it willingly." |
Marta Barber |
Tomato 2.5/4 |
Manufactured Landscapes (2007) |
"What the film does well is to make us part of the problem: After all we demand the lowest prices in everything we buy and that probably means it was made in China." |
Marta Barber |
Tomato 2.5/4 |
The Marc Pease Experience (2009) |
"This is a slight and unessential picture, but its quirky, compassionate tone seems destined to attract a cult following, and members of high-school drama clubs everywhere will be riveted." |
Rene Rodriguez |
Tomato 3/4 |
March of the Penguins (2005) |
"It's not a stretch to say these penguins experience recognizable emotions such as grief, jealousy, pride and plain old romance. Who knew?" |
Rene Rodriguez |
Splat 3/4 |
Margot at the Wedding (2007) |
"Kidman's performance keeps you transfixed all the way through, because she delves into her character's damaged psyche so fully, you're constantly fascinated to see what biting, acidic thing she will say next." |
Rene Rodriguez |
Tomato 3/4 |
Maria Full of Grace (2004) |
"Shot in the style of a documentary, which lends the movie an aura of utter realism, Maria Full of Grace derives an unsettling power from the clinical details of Maria's ordeal." |
Rene Rodriguez |
Tomato 3/4 |
Marie Antoinette (2006) |
"Instead of turning her inside out, Coppola illustrates just how ordinary she was and how her insular world prevented her from understanding the events that eventually would end her life." |
Connie Ogle |
Splat 1.5/4 |
Marilyn Hotchkiss' Ballroom Dancing and Charm School (2006) |
"Charming? Hardly. With its woefully forlorn leading man, phony learning-to-live-again love story and not nearly enough dancing, this is one class you can afford to skip." |
Peter Debruge |
Tomato 3/4 |
Marley & Me (2008) |
"It's a film guaranteed to appeal to tender-hearted pet lovers. But the movie, which was largely filmed in Miami and Fort Lauderdale, turns out to be less about dogs than it is about one man's trajectory through adulthood." |
Connie Ogle |
Splat 2/4 |
Married Life (2008) |
"It oscillates between stale period piece and unengaging melodrama, coyly seducing viewers with the potential it fails to fulfill." |
Kevin Craft |
Tomato 3/4 |
Martian Child (2007) |
"What if Lloyd Dobler grew up, gave up kickboxing for writing books about space battles and adopted a kid? I don't know about you, but I wouldn't miss it for the world." |
Connie Ogle |
Splat 1.5/4 |
Masked and Anonymous (2003) |
"This tarted-up mishmash of loopy ideology and pining for the old days makes you happy the 1960s are over." |
Connie Ogle |
Tomato 3/4 |
Master and Commander: The Far Side of the World (2003) |
"It's a ride few movies, if any, have ever been able to offer." |
Rene Rodriguez |
Splat 1/4 |
The Master of Disguise (2002) |
"The Master of Disguise is full of jokes, but just about the only one that provokes widespread giggles from the short-pants set is the villain's tendency to have his maniacal laughing fits cut short by inadvertent toots of flatulence." |
Charles Savage |
Splat 2/4 |
The Matador (2005) |
"It's painful to watch as the movie basically destroys itself in the second half, slipping from its elegant thriller setup to tired sitcom shenanigans." |
Peter Debruge |
Tomato 2.5/4 |
Matando Cabos (2005) |
"The Alejandro Lozano film may lack the writing finesse shown by the Coen brothers or Quentin Tarantino, but the Latin touch makes up for the rough spots." |
Marta Barber |
Tomato 3.5/4 |
Match Point (2005) |
"Match Point has a coiled, taut energy that's unusual for Allen." |
Rene Rodriguez |
Tomato 2.5/4 |
Matchstick Men (2003) |
"Although there are moments in the film when his visual style threatens to overwhelm the story, Scott keeps the stylistic flourishes to a minimum." |
Rene Rodriguez |
Splat 2.5/4 |
The Matrix Reloaded (2003) |
"As a piece of razzle-dazzle, shut-your-mouth -and-slap -you-silly eye candy, Reloaded more than delivers. But where's the head candy? Where's the complexity? Where are the goods?" |
Rene Rodriguez |
Splat |
The Matrix Revolutions (2003) |
"Conclusively proves that the Wachowskis had little substantial to add to the premise of the 1999 original." |
Rene Rodriguez |
Tomato |
Max Keeble's Big Move (2001) |
"Makes most of the right moves for the older elementary/younger middle school market." |
Christine Dolen |