Tomato 2.5/4 |
W. (2008) |
"It's certainly a worthwhile curiosity, and it's not what anyone expected. At the movies these days, that alone is worth something." |
Rene Rodriguez |
Splat 2/4 |
The Wackness (2008) |
"The Wackness marks a step up in ambition, but it is also self-indulgent and needlessly complicated for what it ultimately delivers: a somber John Hughes picture scored to A Tribe Called Quest and Mary J. Blige." |
Rene Rodriguez |
Splat 2.5/4 |
Wah-Wah (2006) |
"In the end, the film isn't saying much at all." |
Connie Ogle |
Splat 1.5/4 |
Waist Deep (2006) |
"[Hall] undermines the early style and intelligence of his all-black action movie, taking audiences for the wrong kind of ride in the end." |
Peter Debruge |
Splat 1.5/4 |
Waiting... (2005) |
"The movie is a clumsy and uninspired mess." |
Peter Debruge |
Tomato 3/4 |
Waitress (2007) |
"As satisfying and tasty as the pies baked with love (and sometimes hate, anger and frustration) by Jenna, a small-town waitress stuck in an abusive marriage." |
Connie Ogle |
Tomato |
Waking Life (2001) |
"An instant cult classic, one that's tailor-made for multiple viewings and bound to be popular among college students." |
Rene Rodriguez |
Tomato 2.5/4 |
Walk on Water (2005) |
"The film deals with many serious issues, some of them only superficially, but Fox places them all in the context of the growing friendship between the two opposites." |
Marta Barber |
Tomato 3/4 |
Walk the Line (2005) |
"Phoenix is terrific in Walk the Line - - the actor's taciturn, brooding persona dovetails beautifully with the role - - but it's his scenes opposite Witherspoon that give the movie its real spark." |
Rene Rodriguez |
Splat |
A Walk to Remember (2002) |
"What could have been a neat little story about believing in yourself is swamped by heavy-handed melodrama." |
Connie Ogle |
Tomato 2.5/4 |
Walking Tall (2004) |
"Yes, it's all astoundingly dumb. But it's also surprisingly effective, largely due to Johnson, a charismatic, likable screen presence who displays none of the arrogance and vanity of a Vin Diesel or Steven Seagal." |
Rene Rodriguez |
Tomato 4/4 |
WALL-E (2008) |
"WALL-E is Pixar's E.T. the Extra-Terrestrial or its Pinocchio: an archetypal fable about loneliness simple enough -- yet deep enough -- to instantly captivate anyone who sees it." |
Rene Rodriguez |
Tomato 3.5/4 |
Wallace & Gromit: The Curse of the Were-Rabbit (2005) |
"It's uncanny how Park and co-director Steve Box ... can milk a laugh from something so simple as an eye blink." |
Peter Debruge |
Splat 2/4 |
Wanted (2008) |
"When the characters are on the run, Wanted can be a bloodthirsty crowdpleaser, a passable action flick to while away the summer hours. When they're explaining themselves, you almost wish they'd stuck to their original calling and made rugs, not war." |
Connie Ogle |
Tomato 4/4 |
War of the Worlds (2005) |
"Steven Spielberg returns to the scary territory of Jaws and Jurassic Park and once again proves himself to be the most gifted movie entertainer of his generation." |
Rene Rodriguez |
Tomato 2.5/4 |
The War Within (2005) |
"The storyline in The War Within is far from fluid and, at times, overwrought. But it doesn't stop the film from capturing one's interest." |
Marta Barber |
Tomato 3/4 |
Warm Water Under a Red Bridge (2001) |
"There's much tongue in cheek in the film and there's no doubt the filmmaker is having fun with it all." |
Marta Barber |
Tomato 2.5/4 |
Washington Heights (2003) |
"Buoyed by strong performances from Perez and Miami-resident Milian, Washington Heights overcomes the familiarity of its premise through its passion and conviction." |
Rene Rodriguez |
Splat |
The Watcher (2000) |
"A shockingly, unbelievably bad movie." |
Rene Rodriguez |
Tomato 3/4 |
Watchmen (2009) |
"With its basic themes, structure and apocalyptic vibe intact, Watchmen turns out to be quite filmable after all, and its stylish highlights trump any quibbles." |
Connie Ogle |
Tomato 3/4 |
Water (2006) |
"Unfolds with the clean, simple lines of a fairy tale, and if the characters initially seem to be too black-or-white to be believable, the moral complexity of the story reveals itself in a gradual, subtle manner." |
Rene Rodriguez |
Tomato 3/4 |
Watermarks (2004) |
"A touching film, providing a glimpse into yet another hidden story about the history of European Jews before the arrival of the Nazis." |
Marta Barber |
Tomato 2.5/4 |
The Way Home (2002) |
"The film has good actors and enough quirky moments to keep it interesting." |
Marta Barber |
Splat |
The Way of the Gun (2000) |
"For all its post-modern quirks, The Way of the Gun can't help but feel pointlessly derivative." |
Rene Rodriguez |
Tomato |
The Way We Laughed (2001) |
"This is the kind of European film you rarely see anymore, with characters and circumstances that are easily debatable. Two viewers may never reach the same conclusion about the film." |
Marta Barber |
Tomato 3/4 |
We Are Marshall (2006) |
"Equally thrilling and wrenching, the film is an absolute must for anyone who loves sports and an eloquent explanation for those who don't understand what the fuss is about." |
Connie Ogle |
Splat 2/4 |
We Don't Live Here Anymore (2004) |
"We Don't Live Here Anymore deftly captures the pain and suffocation of people who have fallen out of love and don't know who to blame. It just forgets to allow them -- or the audience -- to feel anything else." |
Rene Rodriguez |
Splat 2/4 |
We Own The Night (2007) |
"All the picture really needed, though, was a little more sweat and grit and a little less concern about its own self-importance." |
Rene Rodriguez |
Splat .5/4 |
We Were Soldiers (2002) |
"Wallace has fashioned a gung-ho piece of conventional entertainment that would have been a natural fit for John Wayne but today feels a bit too naive for its own good." |
Rene Rodriguez |
Tomato 3/4 |
The Weather Man (2005) |
"Destined to hang on for a couple of weekends at the multiplex and live on forever as a cult favorite." |
Rene Rodriguez |
Splat 2/4 |
Wedding Crashers (2005) |
"Why do so many contemporary comedies feel obliged to make room for heartwarming life lessons? Isn't it enough just to make people laugh?" |
Rene Rodriguez |
Splat 1.5/4 |
The Wedding Date (2005) |
"It is in no way a match made in heaven." |
Connie Ogle |
Splat 2.5/4 |
A Wedding for Bella (2001) |
"Bread, My Sweet has so many flaws it would be easy for critics to shred it. It may even fall into the category of Films You Love to Hate. I admit it, I hate to like it." |
Marta Barber |
Splat |
The Wedding Planner (2001) |
"Too much of this belabored romance is devoted to the surprisingly unfunny complications that ensue when Mary discovers the true identity of her new crush." |
Rene Rodriguez |
Splat 1/4 |
Welcome to Mooseport (2004) |
"A comedy so wan and spiritless that even the ringing cell phones in the theater offer more entertainment." |
Connie Ogle |
Tomato 3.5/4 |
Wendy and Lucy (2008) |
"Within the confines of this minimalist (with a microscopic m) picture, there are sequences so vital, timely and of-the-moment, so powerful and well-observed and precise, the effect can be emotionally overwhelming." |
Rene Rodriguez |
Tomato 2.5/4 |
Were the World Mine (2008) |
"The movie takes the familiar scenarios of high school angst and adolescent crushes and gives them a wonderful musical spin, complete with elaborate sets and choreography." |
Rene Rodriguez |
Tomato 3/4 |
Whale Rider (2003) |
"There is magic here, enough to make Whale Rider worthy of the audience-choice awards it has earned at film festivals worldwide." |
Connie Ogle |
Tomato 2/4 |
What a Girl Wants (2003) |
"What a Girl Wants is exactly what a girl -- specifically a dreamy middle-school girl -- wants." |
Connie Ogle |
Splat 2/4 |
What Happens in Vegas (2008) |
"The latest uptight chick/slacker dude romantic comedy is so formulaic, you could win big if you placed bets on what's going to happen next." |
Connie Ogle |
Splat 2/4 |
What Just Happened (2008) |
"The problem with Hollywood movies about the Hollywood film industry is: You've seen one, you've seen them all." |
Rene Rodriguez |
Splat 1/4 |
What the Bleep Do We Know? (2004) |
"Shot and acted with all the skill of a late-night infomercial." |
Rene Rodriguez |
Tomato 3.5/4 |
What the Eye Doesn't See (2003) |
"One of Lombardi's finer films." |
Marta Barber |
Tomato |
What Women Want (2000) |
"Mel Gibson is at his loosest and most playful for much of What Women Want." |
Rene Rodriguez |
Splat |
Whatever It Takes (2000) |
"Whatever It Takes takes old tale, ruins it." |
Phoebe Flowers |
Splat 2/4 |
When Did You Last See Your Father? (2008) |
"Frustratingly stagnant at times but ultimately a moving story about a dying father and the son who must come to terms with him." |
Connie Ogle |
Splat |
Where the Heart Is (2000) |
"Where the Heart Is is everything that cynical moviegoers despise." |
Phoebe Flowers |
Splat |
Where the Money Is (2000) |
"Unrelentingly dull." |
Rene Rodriguez |
Splat 1/4 |
Where The Truth Lies (2005) |
"Replete with the sort of wooden acting, sleazy atmosphere and unsexy eroticism one normally associates with late-night Cinemax movies." |
Rene Rodriguez |
Splat 2/4 |
Where the Wild Things Are (2009) |
"The film lacks the menace and danger of Sendak's book, along with the beautiful simplicity and delicated, understated portrait of a lonely, misunderstood boy." |
Rene Rodriguez |