Tomato 3.5/4 |
Rabbit-Proof Fence (2002) |
"Noyce utilizes simple, stylish camerawork and spare dialogue to delivery pregnantly poignant anguish." |
Jeanne Aufmuth |
Splat 2/4 |
Race to Witch Mountain (2009) |
"Dwayne Johnson shines alongside rising star AnnaSophia Robb, but the film's cookie-cutter plot and adolescent script make Witch Mountain hardly worth racing to." |
Tyler Hanley |
Tomato 4/4 |
Rachel Getting Married (2008) |
"As a recovering addict on the verge of imploding Hathaway is the stuff that Oscar dreams of." |
Jeanne Aufmuth |
Splat 2/4 |
Racing Stripes (2005) |
"Won't make it into the winner's circle." |
Susan Tavernetti |
Splat 1.5/4 |
Radio (2003) |
"I don’t cotton to having syrupy melodrama shoved down my throat, nor do I like it tied up in a stagy and innocuous package." |
Jeanne Aufmuth |
Splat 2.5/4 |
The Rage: Carrie 2 (1999) |
Click here to see the review. |
Jeanne Aufmuth |
Tomato 3/4 |
The Rainmaker (1997) |
Click here to see the review. |
Jim Shelby |
Splat 2/4 |
Raise Your Voice (2004) |
"Raise Your Voice is like a Hallmark movie of the week produced by an MTV intern." |
Tyler Hanley |
Splat 2.5/4 |
Raising Helen (2004) |
"Although Raising Helen boasts a charming cast with a cute factor that's off the cinematic Richter scale, typical Hollywood predictability rears its ugly head too often." |
Tyler Hanley |
Tomato 3/4 |
Raising Victor Vargas (2003) |
"Tender, funny, and ripe with feeling." |
Jeanne Aufmuth |
Splat 2.5/4 |
Random Hearts (1999) |
"Sydney Pollack directs with a risk-free style that's borderline dull." |
Jeanne Aufmuth |
Splat 2/4 |
Ransom (1996) |
Click here to see the review. |
Jeanne Aufmuth |
Splat 2/4 |
Rat Race (2001) |
Click here to see the review. |
Jim Shelby |
Tomato 3/4 |
Ratatouille (2007) |
"In food-critic speak, Ratatouille is highly seasoned and layered with complex flavors and has considerable sweetness on the finish." |
Susan Tavernetti |
Splat 2.5/4 |
Ravenous (1999) |
Click here to see the review. |
Jim Shelby |
Tomato 4/4 |
Ray (2004) |
"Foxx so admirably immerses himself in the role that (with all due respect) Charles himself could not have done a better job." |
Tyler Hanley |
Tomato 3.5/4 |
Read My Lips (2002) |
"Devos and Cassel give arresting performances as perpetual outsiders who absorb themselves in the ultimate struggle for power and position." |
Jeanne Aufmuth |
Tomato 3.5/4 |
The Reader (2008) |
"Packaged with a smart script, palpable tension and enough ambiguity to keep you guessing." |
Jeanne Aufmuth |
Splat 1.5/4 |
Ready to Wear (1994) |
"Robert Altman may be the most inconsistent American film director alive." |
Susan Tavernetti |
Splat 2.5/4 |
Real Women Have Curves (2002) |
"PC stability notwithstanding, the film suffers from a simplistic narrative and a pat, fairy-tale conclusion." |
Jeanne Aufmuth |
Splat 1/4 |
Reality Bites (1993) |
"The film trumpets idealism over selling out. This, though, is perhaps its ultimate phoniness, because the subliminal message is 'Buy!' In an orgy of product placement." |
Marc Vincenti |
Splat 2.5/4 |
Reckless (1995) |
Click here to see the review. |
Susan Tavernetti |
Splat 2.5/4 |
The Recruit (2003) |
"The grizzled veteran and gullible trainee routine has been done before, and done better." |
Jeanne Aufmuth |
Tomato 4/4 |
Red (1993) |
Click here to see the review. |
Susan Tavernetti |
Tomato 4/4 |
Red (1994) |
"he cumulative punch of Kieslowski's achievement -- a narrative, visual and aural knockout -- sends one staggering out of the theater, dizzy with the delight of being challenged to think and reeling from the artistry of a master filmmaker at work." |
Susan Tavernetti |
Splat 2.5/4 |
Red Cherry (1995) |
Click here to see the review. |
Susan Tavernetti |
Splat 2.5/4 |
Red Dragon (2002) |
"I can think of no earthly reason to remake an excellent example of film noir other than the calculating ka-ching of box office dollars." |
Jeanne Aufmuth |
Tomato '3/4' |
Red Eye (2005) |
"Establishes a mood and manages to keep it edgy and claustrophobic throughout." |
Jeanne Aufmuth |
Tomato 3/4 |
Red Lights (2004) |
"Its pace is altogether too measured, but ultimately pays off in broad Hitchcockian strokes" |
Jeanne Aufmuth |
Splat 1/4 |
Red Planet (2000) |
Click here to see the review. |
Joe Mader |
Tomato 3.5/4 |
The Red Violin (1998) |
Click here to see the review. |
Susan Tavernetti |
Tomato 3/4 |
Redacted (2007) |
"Brian De Palma has achieved a fresh level of perspective; the psychological wounds of war as seen through the eyes of the damaged and eternally damned." |
Jeanne Aufmuth |
Splat 2/4 |
The Ref (1994) |
"It's a shame the comedy has a running joke that stinks, a ridiculous ending and language unsuitable for family viewing." |
Susan Tavernetti |
Splat 2/4 |
Reign of Fire (2002) |
"Matthew McConaughey tries, and fails, to control the screen with swaggering machismo and over-the-top lunacy." |
Jeanne Aufmuth |
Tomato 3/4 |
Reign Over Me (2007) |
"The unlikely alliance at the center of it all is dark, edgy and saturated with history and sentiment." |
Jeanne Aufmuth |
Splat 1/4 |
Reindeer Games (2000) |
Click here to see the review. |
Leonard Schwarz |
Tomato 4/4 |
Remains of the Day (1993) |
Click here to see the review. |
D. S. |
Tomato 3/4 |
Remember Me, My Love (2004) |
"Gabriele Muccino cunningly plays his characters as a unit and as individuals, allowing for a continual series of dramatic vignettes." |
Jeanne Aufmuth |
Splat 2.5/4 |
Remember the Titans (2000) |
"Will someone please make me a great football movie?" |
Jeanne Aufmuth |
Splat 2/4 |
Renaissance Man (1994) |
Click here to see the review. |
Neil Martin |
Tomato 3/4 |
Rendezvous in Paris (1996) |
Click here to see the review. |
Monica Hayde |
Tomato 3/4 |
Rent (2005) |
"The soul of Larson's then-timely passion play is intact; bring on the Sing-A-Long version." |
Jeanne Aufmuth |
Splat 2/4 |
The Replacement Killers (1998) |
Click here to see the review. |
Jeanne Aufmuth |
Tomato 3/4 |
The Replacements (2000) |
Click here to see the review. |
Jeanne Aufmuth |
Tomato 10/10 |
Requiem for a Dream (2000) |
"A one of a kind, must-see, moviegoing experience." |
Jeanne Aufmuth |
Splat 2.5/4 |
Rescue Dawn (2007) |
"Without a semblance of Herzog's signature mysticism or an ounce of insightfulness, the film becomes an unremarkable retelling of a remarkable true-life story." |
Susan Tavernetti |
Splat 2.5/4 |
Reservation Road (2007) |
"A semi-absorbing but ultimately tiresome waiting game." |
Jeanne Aufmuth |
Splat 1/4 |
Resident Evil (2002) |
Click here to see the review. |
Susan Tavernetti |
Tomato 3.5/4 |
Respiro (2003) |
"The dialogue is kept spare, and the visual images let loose to flow with their own comely sentiment" |
Jeanne Aufmuth |
Tomato 3.5/4 |
Restoration (1995) |
"Robert Downey, Jr. can do no wrong by me, and his expressiveness and irreverence are what make this film work. Seen through his eyes, the changing currents of the times are navigable only with large doses of dark humor and compassion." |
Jeanne Aufmuth |
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