Splat 5/10 |
The Da Vinci Code (2006) |
"I've solved The Da Vinci Code -%u2013 here is its secret: Zzzzzzzzzzz." |
Jon Popick |
Tomato |
Dancer in the Dark (1999) |
"I thought the best part about it was the performance of Björk, and my critique is more positive than negative because of her." |
Jon Popick |
Tomato |
Dandelion (2005) |
"Strong debut from writer-director Mark Milgard." |
Jon Popick |
Tomato 8/10 |
The Dangerous Lives of Altar Boys (2002) |
"An incredibly thoughtful and deliberately paced film" |
Jon Popick |
Splat 4/10 |
Danny Deckchair (2004) |
"In the light of day, it’s the kind of movie you’d go Coyote Ugly on in order to get away from." |
Jon Popick |
Tomato 7/10 |
Daredevil (2003) |
"In terms of comparison to other screen adaptations of popular comic books, I'd put this film just below X-Men." |
Jon Popick |
Splat |
The Darjeeling Limited (2007) |
"Everyone who pretended to love Aquatic because they were afraid of hopping off the Anderson bandwagon because deep down they hoped it was just a little career hiccup? Don't lock your knees when you jump because you'll wreck 'em." |
Jon Popick |
Splat 4/10 |
Dark Blue (2003) |
"The rabble-rousing film takes it to a whole new level of offensive by carefully painting every white cop as evil and corrupt, while each black officer walks on water." |
Jon Popick |
Splat 4/10 |
Dark Blue World (2001) |
"Uneven and mediocre to the point where you wonder why anybody bothered to cook up this film." |
Jon Popick |
Splat |
DarkBlueAlmostBlack (2007) |
"A nice first effort, but still in the middle of the pack, at best." |
Jon Popick |
Splat 1/10 |
Darkness Falls (2003) |
"Even worse than Kangaroo Jack, and that's a statement I was hoping not to make for at least a few more weeks (or until that Charlotte Church movie comes out)." |
Jon Popick |
Splat 6/10 |
Darwin's Nightmare (2006) |
"This isn't going to make you feel anything except miserable, nauseous and angry. And if that's what you're in for, why not just save your money for The Pink Panther remake?" |
Jon Popick |
Tomato |
Dave Chappelle's Block Party (2006) |
"The highlight here is watching Dave hand out Golden Tickets to average people he ran into while doing his day-to-day in Dayton." |
Jon Popick |
Tomato 7/10 |
Dawn of the Dead (2004) |
"An extremely rare example of a remake being better than its original, even though it lacks the tasty digs at consumerism." |
Jon Popick |
Splat 5/10 |
The Day After Tomorrow (2004) |
"Practically entertaining." |
Jon Popick |
Splat |
Days (2002) |
"Loose ends are tied up way too neatly at the end, but Muscardin's direction, especially where she chooses to shoot some things out of focus, shows great promise." |
Jon Popick |
Tomato |
Days and Clouds (2008) |
"Decent performances from the two leads." |
Jon Popick |
Tomato |
Days and Hours (2004) |
"Recommendable for the acting, photography, and the fact that it’s a film about the effects of war that doesn’t mention war at all." |
Jon Popick |
Splat |
Dead Birds (2004) |
"Other than the refreshing setting, there isn't much else going on in Birds that you haven't seen a million times anywhere else." |
Jon Popick |
Tomato 8/10 |
The Dead Girl (2006) |
"A very unconventional way to tell a story we've seen about a million times, and for that (along with the lean 94-minute running time), I am thankful. Keep an eye on Moncrieff -- she's the real deal." |
Jon Popick |
Tomato |
Dear Frankie (2005) |
"Light and predictable, but it still got to me." |
Jon Popick |
Tomato |
Dear Wendy (2005) |
"The best picture of the year (so far)." |
Jon Popick |
Tomato |
Death of a President (2006) |
"I guess everyone is just super-excited about the prospect of watching Dubya gunned down." |
Jon Popick |
Tomato 8/10 |
Death to Smoochy (2002) |
"The most fun I've had at a mainstream movie since Jay & Silent Bob Strike Back." |
Jon Popick |
Tomato |
Decasia: The State of Decay (2002) |
"If you're the kind of parent who enjoys intentionally introducing your kids to films which will cause loads of irreparable damage that years and years of costly analysis could never fix, I have just one word for you -– Decasia" |
Jon Popick |
- |
Deep Blue Sea (1999) |
Click here to see the review. |
Jon Popick |
Tomato |
The Deep End (2001) |
"There's no denying Swinton's wonderful performance." |
Jon Popick |
Tomato |
Deficit (2007) |
"Bernal has worked with some of the planet's greatest directors so it comes as no surprise that the actor's directorial debut is accomplished, thoughtful and entertaining." |
Jon Popick |
Splat 5/10 |
Deliver Us From Eva (2003) |
"One of the 10 things I hate about movies is when I have to see the same stories over and over again. After all, there are only so many ways you can dress up a Pyg(malion)." |
Jon Popick |
Tomato 9/10 |
The Departed (2006) |
"Martin Scorsese's triumphant return to modern day storytelling." |
Jon Popick |
Tomato 7/10 |
The Descent (2006) |
"Refreshing." |
Jon Popick |
- |
Detroit Rock City (1999) |
Click here to see the review. |
Jon Popick |
Splat 6/10 |
Deuce Bigalow: European Gigolo (2005) |
"The title contains two words most of its potential audience won’t be able to spell." |
Jon Popick |
Splat |
Deuce Bigalow: Male Gigolo (1999) |
"If you plunk down your money thinking that the film will be an Oscar contender, you'll be disappointed." |
Jon Popick |
Tomato |
The Devil and Daniel Johnston (2006) |
"Even if you can't get into Johnston's music (count me in that group), this is to be filed under "must-see."" |
Jon Popick |
Tomato 8/10 |
The Devil's Rejects (2005) |
"If Tarantino’s first film was an homage to ‘70s grindhouse horror films instead of Reservoir Dogs, he probably would have made this picture." |
Jon Popick |
Tomato 7/10 |
Diamond Men (2001) |
"While I enjoyed Forward more as a film, Forster's acting trumped the performances of Ned Beatty and Liev Schreiber." |
Jon Popick |
- |
Diamonds (1999) |
Click here to see the review. |
Jon Popick |
Splat 1/10 |
Diary of a Mad Black Woman (2005) |
"An awful hybrid of Big Momma’s House and The Burning Bed – two films that go together like peanut butter and pubic lice." |
Jon Popick |
Splat 4/10 |
Die Another Day (2002) |
"License to kill? Bond has a license to offer barely adequate entertainment." |
Jon Popick |
Tomato 7/10 |
Die Mommie Die! (2003) |
"Tart enough to curl the ends of John Waters' moustache." |
Jon Popick |
Tomato 6/10 |
Dinner and a Movie (2001) |
"Kind of like Bridget Jones's Documentary, in that she's really cute and falls for the wrong guy." |
Jon Popick |
Tomato |
Dinner Rush (2001) |
"You can tell the film is a labor of love, just like Big Night, and it stands a chance at making you nearly as hungry." |
Jon Popick |
Splat |
Dinosaur (2000) |
"The voice work is merely adequate, with Marguiles, Sweeney and Alfre Woodard (Love & Basketball) particularly unstriking." |
Jon Popick |
Splat 5/10 |
Dirty Pretty Things (2003) |
"Just another unconventional romance about organ removal." |
Jon Popick |
Tomato |
A Dirty Shame (2004) |
"Another Left vs. Right battle, though one displayed far more cleverly than the heavy-handed Silver City." |
Jon Popick |
- |
Dirty Work (1998) |
Click here to see the review. |
Jon Popick |
Tomato 7/10 |
Dirty Work (2004) |
"This winning but nauseatingly upsetting documentary follows three people whose hands you would never, ever want to shake." |
Jon Popick |
Tomato |
The Dish (2001) |
"Might just snap North American viewers out of the poop joke rut." |
Jon Popick |
Splat |
Disney's The Kid (2000) |
"Everybody else might just roll their eyes at the films sentimentality." |
Jon Popick |
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