Splat 1/5 |
Cabin Fever (2003) |
Click here to see the review. |
Mark Halverson |
Tomato 4/5 |
Caché (2005) |
Click here to see the review. |
Jonathan Kiefer |
Tomato 3/5 |
Cadillac Records (2008) |
"It helps that every performance is remarkable." |
Jonathan Kiefer |
Tomato 3/5 |
Calendar Girls (2003) |
"Thanks to its stars and Nigel Cole's inoffensive direction, Calendar Girls rises above the meddling of its writer." |
Jim Lane |
Tomato 5/5 |
Calle 54 (2001) |
Click here to see the review. |
Mark Halverson |
Tomato 3/5 |
Camp (2003) |
"Much like this rather freakish movie itself, there's a labor of love at work that defies all odds and that manages to tangle and untangle its feet and dance with utter abandon to its own drummer." |
Mark Halverson |
Tomato 3/5 |
El Cantante (2007) |
"...the musical numbers throb with vibrant energy..." |
Jim Lane |
Tomato 3/5 |
Capote (2005) |
"I found myself admiring the movie’s technique without really buying what it sells." |
Jim Lane |
Splat 2/5 |
Captain Corelli's Mandolin (2001) |
"A historical drama that simply fails to make convincing human connections." |
Mark Halverson |
Splat 2/5 |
Captivity (2007) |
"[Joffe] makes us almost willing to overlook the unspeakable sadism of the first half -- but no, it’s asking too much." |
Jim Lane |
Tomato 4/5 |
Capturing the Friedmans (2003) |
"It's like watching a horrible train wreck." |
Jim Lane |
Tomato 5/5 |
Cars (2006) |
"Here it is, another masterpiece from director John Lasseter and his fellow geniuses at Pixar Animation Studios, once again raising the bar out of reach of everyone but themselves." |
Jim Lane |
Tomato 3/5 |
Casa de los Babys (2003) |
"A tender, moderately satisfying essay on fate, the haves and have-nots of the world, parental responsibility, opportunism, and modern family dismemberment and values." |
Mark Halverson |
Tomato 3/5 |
Casanova (2005) |
Click here to see the review. |
Jim Lane |
Tomato 3/5 |
Casino Royale (1967) |
"Now Craig assumes the mantle, and you know, he does OK." |
Jim Lane |
Tomato 3/5 |
Casino Royale (2006) |
"Craig does OK in the role; no one has ever matched Sean Connery’s steely insouciance, but he comes closer than most." |
Jim Lane |
Tomato 4/5 |
Cast Away (2000) |
"The beginning and ending of the film are a bit underdeveloped, but that’s just quibbling." |
Bob Grimm |
Tomato 3/5 |
The Castle (1997) |
Click here to see the review. |
Jim Lane |
Tomato 3/5 |
The Cat's Meow (2002) |
"It's fun for film buffs who have heard of people like Ince, Elinor Glyn, and Louella Parsons." |
Jim Lane |
Tomato 3/5 |
Catch a Fire (2006) |
"...another Hollywood celebration of someone else's courage..." |
Jim Lane |
Splat 2/5 |
Catch and Release (2007) |
Click here to see the review. |
Jonathan Kiefer |
Tomato 3/5 |
Catch Me If You Can (2002) |
"The cinematic version of a pastel-colored cocktail diluted with crushed, crackling ice and capped by a petite parasol." |
Mark Halverson |
Splat 2/5 |
Catch That Kid (2004) |
"The script by Michael Brandt and Derek Haas strains credulity -to say the least! -- but if nothing else, it manages to work in all the obligatory heist movie cliches." |
Jim Lane |
Tomato 3/5 |
Cats & Dogs (2001) |
"Harmlessly pleasant and goes down easily enough." |
Jim Lane |
Splat 1/5 |
Catwoman (2004) |
Click here to see the review. |
Mark Halverson |
Splat 2/5 |
The Cave (2005) |
Click here to see the review. |
Bob Grimm |
Tomato 3/5 |
Cave of the Yellow Dog (2006) |
Click here to see the review. |
Jonathan Kiefer |
Tomato 4/5 |
The Caveman's Valentine (2001) |
"A compelling, individual drama unlike any you’re ever likely to see." |
Jim Lane |
Splat 1/5 |
The Celestine Prophecy (2006) |
"James Redfield’s best seller hits the big screen with a dull thud." |
Jonathan Kiefer |
Tomato 3/5 |
The Cell (2000) |
"The dream sequences are so well-done that it’s easy to forgive the film’s lack of dramatic punch." |
Bob Grimm |
Tomato 4/5 |
Cellular (2004) |
Click here to see the review. |
Jim Lane |
Splat 1/5 |
The Center of the World (2001) |
Click here to see the review. |
Mark Halverson |
Tomato 3/5 |
Center Stage (2000) |
"A joyous celebration of youth and show business." |
Jim Lane |
Tomato 3/5 |
Chain Camera (2001) |
Click here to see the review. |
Mark Halverson |
Tomato 3/5 |
Chandni Chowk to China (2009) |
"...so energetically off-the-wall that the sheer novelty alone makes it entertain much of the way." |
Jim Lane |
Splat 2/5 |
Changing Lanes (2002) |
Click here to see the review. |
Mark Halverson |
Tomato 3/5 |
Chaos Theory (2008) |
"Marcos Siega's direction is perfunctory, but with a buoyancy that keeps the torments-of-Job aspect of the story from becoming a downer." |
Jim Lane |
Tomato 4/5 |
Charlie and the Chocolate Factory (2005) |
"Soft-spoken, eccentric and just a little sadistic at times, Depp makes for an all-original Wonka, and not a rehash of Wilder’s infamous work." |
Bob Grimm |
Splat 2/5 |
Charlie Bartlett (2007) |
"...all the fawning and sucking-up to bored and disgruntled teenagers...can't make Charlie anything but a sleazy, pill-pushing sociopath." |
Jim Lane |
Tomato 4/5 |
Charlie Wilson's War (2007) |
"...sharp, smart and funny..." |
Jim Lane |
Splat 1/5 |
Charlie's Angels (2000) |
"There's no style and precious little entertainment value." |
Jim Lane |
Splat 2/5 |
Charlie's Angels: Full Throttle (2003) |
"As pointless as a tap-dancing elephant." |
Jim Lane |
Splat 2/5 |
Charlotte Gray (2001) |
"Director Gillian Armstrong and writer Jeremy Brock adapt Sebastian Faulks' novel into an overdressed and under-motivated melodrama." |
Jim Lane |
Tomato 5/5 |
Charlotte's Web (2006) |
"...suffused with the golden warmth of childhood fondly remembered." |
Jim Lane |
Splat 2/5 |
Chasing Liberty (2004) |
Click here to see the review. |
Mark Halverson |
Splat 2/5 |
Chasing Papi (2003) |
"[Mendoza] encourages empty frenzy and seems always to put the camera in exactly the wrong place." |
Jim Lane |
Splat 1/5 |
Cheaper by the Dozen (2003) |
"Steve Martin and Bonnie Hunt, reliable pros though they are, don't stand a chance against the forces arrayed against them: the bald cliches, unspeakable dialogue, and cheap sentimentality of the script ..." |
Jim Lane |
Splat 1/5 |
Cheaper By the Dozen 2 (2005) |
"Martin and Levy mug for their close-ups and then retire to their trailers while the stunt doubles do the really hard work." |
Jim Lane |
Splat 2/5 |
Cherish (2002) |
Click here to see the review. |
Mark Halverson |
Tomato 4/5 |
Chicago (2002) |
"Chicago is on one level a tribute to Fosse's genius, without Fosse's own prodigious ego." |
Jim Lane |
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