Splat 2/5 |
G (2002) |
Click here to see the review. |
Jim Lane |
Splat 2/5 |
G.I. Joe: The Rise of Cobra (2009) |
" ... marginally better than the Transformers franchise (not that the bar was all that high) ..." |
Jim Lane |
Splat 2/5 |
The Game Plan (2007) |
"A game plan is exactly what the haphazard script...lacks." |
Jim Lane |
Splat 2/5 |
Gangs of New York (2002) |
"Apart from the scenes of brawling and violence, Scorsese's energy flags; he and his writers neglect to populate these muddy mean streets with vivid characters; nor is there a compelling story, and the dialogue is portentous and magniloquent." |
Jim Lane |
Tomato 3/5 |
Garden State (2004) |
"[A] goofy, melancholy, seriocomic slice of life..." |
Mark Halverson |
Tomato 3/5 |
Garfield the Movie (2004) |
Click here to see the review. |
Jim Lane |
Splat 2/5 |
Garfield: A Tail of Two Kitties (2006) |
Click here to see the review. |
Jim Lane |
Splat 1/5 |
The General's Daughter (1999) |
Click here to see the review. |
Jim Lane |
Tomato 3/5 |
George A. Romero's Land of the Dead (2005) |
Click here to see the review. |
Bob Grimm |
Splat 1/5 |
Georgia Rule (2007) |
Click here to see the review. |
Jim Lane |
Splat 2/5 |
Gerry (2003) |
"It's a sort of experimental film-school riff on Waiting for Godot, and while it's pretty tedious, it's better than it probably sounds." |
Jim Lane |
Splat 2/5 |
Get Carter (2000) |
Click here to see the review. |
Bob Grimm |
Splat 2/5 |
Get Over It (2001) |
Click here to see the review. |
Mark Halverson |
Tomato 3/5 |
Get Real (1999) |
Click here to see the review. |
Jim Lane |
Splat 2/5 |
Get Rich or Die Tryin' (2005) |
Click here to see the review. |
Jim Lane |
Tomato 5/5 |
Get Smart (2008) |
"...if the shade of the late Don Adams will forgive me for saying it, the original Get Smart should have been this good." |
Jim Lane |
Tomato 4/5 |
Ghost Dog: The Way of the Samurai (1999) |
Click here to see the review. |
Mark Halverson |
Splat 2/5 |
The Ghost Rider (1935) |
"...a dumb miscalculation." |
Jim Lane |
Splat 2/5 |
Ghost Rider (2007) |
"Johnson might have diverted some of his CGI budget to hire a writer to come up with a story with some internal logic -- then he could match the effects to the story rather than vice versa." |
Jim Lane |
Splat 2/5 |
Ghost Ship (2002) |
"Beck clobbers the audience with the most gruesome prologue I have ever seen in a horror movie and then settles the story into a routine ghost story and bloody body count." |
Mark Halverson |
Tomato 3/5 |
Ghost Town (2008) |
"The script, and [David] Koepp's sprightly direction, falter only slightly in the closing scenes." |
Jim Lane |
Tomato 4/5 |
Ghost World (2001) |
"The inventiveness and unpredictability of Zwigoff and Clowes' script is Ghost World's greatest virtue." |
Jim Lane |
Tomato 3/5 |
Ghosts of Girlfriends Past (2009) |
"All in all, it's a pleasantly familiar way to spend two hours." |
Jim Lane |
Tomato 5/5 |
Ghosts of the Abyss (2003) |
"The 59 minutes of Ghosts is worth having to sit through all three hours of Titanic." |
Jim Lane |
Splat 2/5 |
The Gift (2001) |
Click here to see the review. |
Jim Lane |
Splat 1/5 |
Gigli (2003) |
"The film is flat and lumpy, like a balloon waiting to be inflated." |
Jim Lane |
Splat 1/5 |
The Girl (2001) |
"Dreary, leaden lesbian film-noir." |
Jim Lane |
Splat 1/5 |
The Girl Next Door (2004) |
Click here to see the review. |
Mark Halverson |
Tomato 3/5 |
The Girl on the Bridge (1999) |
Click here to see the review. |
Mark Halverson |
Tomato 4/5 |
Girl with a Pearl Earring (2003) |
"Virtually every shot in Girl with a Pearl Earring is suitable for framing." |
Jim Lane |
Tomato 3/5 |
Girlfight (2000) |
"The strength of this Romeo and gym-rat story is Rodriguez's performance. She is a vivid powder keg of repressed and resurrected dreams and desires." |
Mark Halverson |
Tomato 4/5 |
Gladiator (2000) |
"Scott triumphantly transports us back to the Roman Empire circa 180 A.D. with a painter’s eye for detail, a proven talent for manufacturing exotic realities (such as the future shock of Blade Runner) and a sweet tooth for utter spectacle." |
Mark Halverson |
Splat 2/5 |
The Glass House (2001) |
Click here to see the review. |
Mark Halverson |
Splat 1/5 |
Glitter (2001) |
"Vondie Curtis-Hall tries to invigorate the bland script by careening his cameras throughout the streets and club life of Manhattan while Carey’s glorious voice is drowned out by sheets of off-key cliches." |
Mark Halverson |
Tomato 4/5 |
Gloomy Sunday (2003) |
Click here to see the review. |
Mark Halverson |
Splat 2/5 |
Glory Road (2006) |
"Gartner makes a hash of the game scenes and must resort to voiceover sportscasters to explain what’s happening." |
Jim Lane |
Tomato 4/5 |
Go (1999) |
Click here to see the review. |
Jim Lane |
Splat 1/5 |
Goal! (2006) |
"There isn't one three-dimensional character or convincing line of dialogue, and the plot is simple-minded to the point of imbecility." |
Jim Lane |
Tomato 3/5 |
God's Army (2000) |
Click here to see the review. |
Jim Lane |
Splat 1/5 |
Gods and Generals (2003) |
"This four-hour fiasco is shapeless and dramatically inert." |
Jim Lane |
Splat 2/5 |
Godsend (2004) |
"Occasionally suspenseful but more often ludicrous." |
Mark Halverson |
Splat 2/5 |
Godzilla 2000 (2000) |
Click here to see the review. |
Jim Lane |
Tomato 4/5 |
Going Upriver: The Long War of John Kerry (2004) |
Click here to see the review. |
Mark Halverson |
Tomato 4/5 |
The Golden Bowl (2001) |
"The Merchant-Ivory team ... tackle Henry James' dense, complex final novel and pull it off with decorous poise." |
Jim Lane |
Splat 2/5 |
The Golden Compass (2007) |
"...a gaudy dud..." |
Jim Lane |
Tomato 3/5 |
Golden Door (2007) |
"Cinematographer Agnes Godard's camera caresses every moment..." |
Jim Lane |
Tomato 3/5 |
Gone Baby Gone (2007) |
"...well-made and riveting, but too depressing to be called really entertaining." |
Jim Lane |
Splat 1/5 |
Gone in 60 Seconds (2000) |
"For car lovers and lovers of truly bad films only." |
Mark Halverson |
Tomato 3/5 |
Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008) |
"The movie is full of itself and fun but nonessential." |
Jonathan Kiefer |
Tomato 3/5 |
Good Boy! (2003) |
Click here to see the review. |
Mark Halverson |
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