Tomato 2.5/4 |
The Pacifier (2005) |
"You can see the fingerprints of lots of other projects on The Pacifier, so the surprise is that the movie is as sweet and endearing as it is." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
The Page Turner (2007) |
"At less than 80 minutes, not counting credits, the French The Page Turner is a brisk, thrillingly nasty little piece of work." |
Chris Hewitt (St. Paul) |
Tomato |
Paid in Full (2002) |
"If there's a way to effectively teach kids about the dangers of drugs, I think it's in projects like the (unfortunately R-rated) Paid." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
The Painted Veil (2006) |
"Watts' quietly intense performance is the best thing about Veil." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Palindromes (2005) |
"The characters in Solondz films spend their entire existences in that uncomfortable split second, and his unique achievement is that, for 90 minutes or so, he makes us exist right there with them." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
Pan's Labyrinth (2006) |
"Labyrinth director Guillermo Del Toro is a master at making the otherworldly seem this-worldly and vice versa." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Pandorum (2009) |
""Pandorum" -- in which astronauts wake up, disoriented, in a craft that is terrorized by violent creatures -- is not original, but I figure any movie as icky as "Pandorum" is doing something right." |
Chris Hewitt (St. Paul) |
Splat |
Panic (2000) |
"Henry Bromell does a fine job of directing Panic. It’s a pity he didn’t write a better script." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
Panic Room (2002) |
"One of those rare movies where you realize you're being manipulated but you succumb to it because the guy who's pulling the strings is a master." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Paper Clips (2004) |
"Paper Clips is two movies: the movie its makers think it is, and the movie it actually is. One of them is pretty good." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Paper Heart (2009) |
"When it comes down to it, Paper Heart worked for me because Yi is really good company." |
Chris Hewitt (St. Paul) |
Tomato 2/4 |
Paprika (2007) |
"Paprika tries to do too much and doesn't do any of it especially well." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Paradise Now (2005) |
"The movie makes us care by observing the details of their lives, by reminding us that they are fellow members of the human race." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
Paranoid Park (2008) |
"[The narrative is] as speedy and graceful as the skateboarders it lingers over in Paranoid Park, where their daredevil moves are often shot in dreamily beautiful slow motion." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Paranormal Activity (2009) |
"It's unsettling and smart, and it delivers what it promises, but it's also the sort of slow-burn movie that is likely to disappoint viewers if they go after hearing for weeks that it's one of the scariest movies ever made." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Paris 36 (2008) |
"It takes a light touch to do pastry well, and Paris 36 was made with a heavy hand." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
Paris, Je T'aime (2007) |
"Eighteen short films, each done by a different director with a different cast and set in a different neighborhood of Paris, Je T'aime is a remarkable achievement." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Party Monster (2003) |
"An unpleasant, redundant drama that features perceptive acting from Green." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
The Passion of the Christ (2004) |
"Powerful and upsetting." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Passionada (2003) |
"The romance in Passionada is appealing enough, but the movie's real strengths are Rossum, whose wide eyes and easy laugh may remind you of Julia Roberts, its surprising characters and the stunning coastal setting." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Pathfinder (2007) |
"The film is one expertly staged battle after another, but it seems to be less about violence than about the frustration and fear behind violence. Pathfinder makes sure its carnage is bloody, awful and pointless. But pretty." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Paul Blart: Mall Cop (2009) |
"Paul Blart: Mall Cop is like the many variations on tuna surprise that show up at potlucks: generic but with a little something added to differentiate it." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Pauline and Paulette (2002) |
"The only thing in Pauline and Paulette that you haven't seen before is a scene featuring a football field-sized Oriental rug crafted out of millions of vibrant flowers." |
Chris Hewitt (St. Paul) |
Tomato |
Pay It Forward (2000) |
"The movie has a realistic sense of people's failings ... and it recognizes how hard it is to turn a life around." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Paycheck (2003) |
"It's less like a movie than a DVD burned using a file-serving Web site where you can download favorite movie scenes." |
Chris Hewitt (St. Paul) |
Splat 1/4 |
Peaceful Warrior (2006) |
"A screwy mash-up of The Karate Kid, The Celestine Prophecy and an Abercrombie & Fitch catalog." |
Chris Hewitt (St. Paul) |
Tomato |
Pearl Harbor (2001) |
"Despite some major flaws, Pearl Harbor is an effective piece of entertainment." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Penelope (2008) |
"If all of Penelope were as good as the first five minutes, we'd have a classic on our hands." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
The Perfect Crime (2005) |
"Now that Pedro Almodovar doesn't make Pedro Almodovar movies anymore, his countryman Alex de la Iglesia is doing them instead." |
Chris Hewitt (St. Paul) |
Splat 2.5/4 |
A Perfect Getaway (2009) |
"Unfortunately, in Getaway, the bad things that happen include a lazy script." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
The Perfect Holiday (2007) |
"The likable cast and the script's low-key humor help, as does Howard's soulful, if fleeting, presence." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
The Perfect Man (2005) |
"Arrives at some thoughtful conclusions that are likely to strike chords with mothers and daughters." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
The Perfect Score (2004) |
"The cast ... does what it can to keep things lively." |
Chris Hewitt (St. Paul) |
Splat 1/4 |
Perfect Stranger (2007) |
"Stranger isn't as bold as Basic Instinct, which was all about goofing on what voyeurs moviegoers are. The performers are too solemn (only Giovanni Ribisi, as a creepy reporter, seems to be having fun) for starters." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Perfect Strangers (2003) |
"When horror heroines are this lame-brained, my impulse is to start rooting against them." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
Perfume: The Story of a Murderer (2006) |
"No movie has ever engaged me quite the way Perfume did, casting a spell during that first half-hour that lasted until I left the theater." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
Persepolis (2007) |
"No attempt has been made to go beyond two dimensions with the images, but the story and characters spring to three-dimensional life." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
Personal Velocity (2002) |
"It's a short film, but it takes us deep inside each woman's head; by the end of each segment, we can look at each character's face and know what she's thinking." |
Chris Hewitt (St. Paul) |
Tomato |
The Pervert's Guide to Cinema (2009) |
"If you love movies, this is a must-see." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Peter Pan (2003) |
"Maxfield Parrish- influenced look, unhurried storytelling, heartfelt performances and graceful direction make for a film as comforting and warm as sitting around the fireplace." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Phat Girlz (2006) |
"As the title hints, Phat Girlz is a plus-sized Cinderella." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Phone Booth (2003) |
"Delivers 81 snappy minutes of thrills." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
The Pianist (2002) |
"An unusually careful, intelligent film." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
The Piano Teacher (2002) |
"It's a fascinating movie, one that is often difficult to watch and yet impossible to turn away from." |
Chris Hewitt (St. Paul) |
Splat |
Pieces of April (2003) |
"Hedges never gets a bead on April, and Holmes doesn't supply the missing details." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Piglet's Big Movie (2003) |
"An improvement on the loud, un-A.A. Milne-like The Tigger Movie, mainly because it better captures the gentle, sampler-quilt world of the Hundred Acre Wood." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Pineapple Express (2008) |
"Pineapple has less on its mind than more ambitious movies from producer Judd Apatow's factory (Superbad, Knocked Up), but it's an entertaining little empty-calorie snack if you have the movie munchies." |
Chris Hewitt (St. Paul) |
Splat 1/4 |
Piñero (2001) |
"It attempts to champion the phony theme that poor, vulnerable artists should be forgiven their failings because they are so much more important than the rest of us." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Pink Panther (2006) |
"Darned if it isn't pretty good. Martin is not as distinctive as Sellers, but not many people are watching those Sellers films these days and Martin knows the most important thing about this character: silliness." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
The Pink Panther 2 (2009) |
"It won't blow you away, but it's worth a few laughs." |
Chris Hewitt (St. Paul) |