Tomato 4/4 |
Rabbit-Proof Fence (2002) |
"Heartbreaking and beautiful." |
Chris Hewitt (St. Paul) |
Splat 3/4 |
Race to Witch Mountain (2009) |
"An action movie for kids that adults should have no problem sitting through." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Rachel Getting Married (2008) |
"Despite the jittery look, it reminded me of one of those talky '50s melodramas where people crack jokes while their hearts break." |
Chris Hewitt (St. Paul) |
Splat 1.5/4 |
Racing Stripes (2005) |
"Racing Stripes is not terrible, but there's an irksome sense its creators think details don't matter because kids won't notice them." |
|
Tomato 2.5/4 |
Radio (2003) |
"Harris ... brings decency and conviction to the part of a man forced to answer to football fans who worry he's spending too much time calling on Radio and not enough time calling plays." |
Chris Hewitt (St. Paul) |
Splat 1/4 |
Raise Your Voice (2004) |
"Like the Diet Coke family of lemon, lime and vanilla beverages, Duff's romantic comedies are all slight variations on each other. This one is a rip-off of Fame in which you can identify the specific scenes being bogarted." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Raising Helen (2004) |
"The movie, more tear-jerker than romantic comedy, gets at how painful, awful and, ultimately, worthwhile it is to be a parent, and, if it takes its time getting to that message, that makes sense." |
Chris Hewitt (St. Paul) |
Tomato 4/4 |
Raising Victor Vargas (2003) |
"Full of humor and heart, it is the best family comedy since Moonstruck." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
The Rape Of Europa (2007) |
"The Rape of Europa is conventionally made, but it doesn't need cinematic sizzle because it's packed with so many fascinating factoids." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Rare Birds (2001) |
"Even if you don't know a wren from a grackle, there are pleasures here." |
Chris Hewitt (St. Paul) |
Splat |
Rat Race (2001) |
"About half of Rat Race isn't very good ... But the other half is the kind of joke that starts out funny, gets funnier, then takes it to a new level of funniness." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
Ratatouille (2007) |
"The Ratatouille concept could be off-putting -- a rat who dreams of using his bubonic paws to cook for humans at a ritzy Parisian restaurant -- but it's so funny and lovable that the ick factor vanishes almost immediately." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Ray (2004) |
"I can't stop loving Jamie Foxx's performance as the great, blind singer-songwriter. I know it sounds corny, but his gestures, singing style and physical presence are so uncanny." |
Chris Hewitt (St. Paul) |
Tomato |
Read My Lips (2002) |
"What makes the movie special is Emmanuelle Devos, whose performance as the secretary is full of surprises." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
The Reader (2008) |
"Best evidence of what a magnetic presence Kate Winslet is: When her role diminishes in the second half of The Reader, the movie disintegrates." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
The Real Cancun (2003) |
"Politically incorrect, gleefully tasteless and extremely entertaining." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
The Real Dirt on Farmer John (2007) |
"Ultimately, it is hopeful in its depiction of the creativity that helped Peterson -- who also wrote and speaks the film's somewhat flowery narration -- rebound from the farm crisis that had him over a barrel." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Real Women Have Curves (2002) |
"I'm not a fan of the phrase 'life affirming' because it usually means 'schmaltzy,' but Real Women Have Curves truly is life affirming." |
Chris Hewitt (St. Paul) |
Tomato |
Recess: School's Out (2001) |
"Intelligent, appealing characters." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
The Reckoning (2004) |
"Basically, it's Law & Order: Medieval Victims Unit." |
Chris Hewitt (St. Paul) |
Splat 2.5/4 |
The Recruit (2003) |
"Director Roger Donaldson is so preoccupied by mood that he forgets about story." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Red Betsy (2003) |
"I can't recall a movie since The Straight Story that does as fine a job of capturing a Midwestern sensibility as Red Betsy." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Red Cliff (2009) |
"I left the movie thinking, "Wow, those were some really good formations those soldiers invented. Who were they again, anyway?"" |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Red Dragon (2002) |
"Gripping and gruesome." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Red Eye (2005) |
"There's something to be said for a movie that takes a modest premise, executes it efficiently and sends us packing in less time than it takes to cook a roast." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Red Lights (2004) |
"The power of suggestion is so strong in Red Lights that, when it ends, you may feel like the whole movie was in your mind." |
Chris Hewitt (St. Paul) |
Splat |
Red Planet (2000) |
"Red Planet's characterless characters are a bland, undistinguished bunch, completely overshadowed by Amee, a slinky robot that clinks ominously and has a sexy way of twisting herself in knots." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
Red Road (2007) |
"A detailed character study that yanks us into the emotions of someone we might not glance at twice if we saw her on the street." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Redacted (2007) |
"Even in the most effective parts of Redacted, De Palma's cast of newcomers lets him down." |
Chris Hewitt (St. Paul) |
Splat 2.5/4 |
Redbelt (2008) |
"Watching Redbelt is like watching a chess game. As Mamet manipulates his characters, it's involving and occasionally thrilling, but it never makes you feel much." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Reign of Fire (2002) |
"The Road Warrior with plummier accents, Reign of Fire is fun because the dragons are fun." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Reign Over Me (2007) |
"A lot isn't immediately clear in Reign Over Me, and that's what pulls us in." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Religulous (2008) |
"I enjoyed Religulous, but I think it would be better if Maher had the confidence to spend more time talking to articulate believers." |
Chris Hewitt (St. Paul) |
Tomato |
Remember the Titans (2000) |
"The contrivances of the screenplay don't matter as much as they might because the interplay between the actors is so lively and believable." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Renaissance (2006) |
"Less interesting for its story than for its look, with a camera that does things live-action movies can't." |
Chris Hewitt (St. Paul) |
Splat 1/4 |
Rendition (2007) |
"Toss in a bunch of one-dimensional characters, a major flashback that isn't triggered by a memory or a theme but simply by the convenience of the plot and an ending that makes absolutely no sense, and you end with a big, fat mess." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Reno 911!: Miami (2007) |
"The Reno 911! movie is a lot like the Reno 911! TV show except everybody's naked and it's not as funny." |
Chris Hewitt (St. Paul) |
Splat 2.5/4 |
Rent (2005) |
"If Columbus had a concept for the movie, it's not evident, and many of his decisions feel random." |
Chris Hewitt (St. Paul) |
Splat |
The Replacements (2000) |
"The joke about the cheerleaders recruited from a strip club is funny at first but gets musty the ninth time it's repeated." |
Chris Hewitt (St. Paul) |
Splat 1.5/4 |
Repo! The Genetic Opera (2008) |
"You've never seen anything like Repo! The Genetic Opera. Not that you'd want to." |
Chris Hewitt (St. Paul) |
Tomato |
Reprise (2008) |
"The plot is pretty simple, and the depiction of the jumbled, impatient world in which the friends travel is believable." |
Chris Hewitt (St. Paul) |
Splat |
Requiem for a Dream (2000) |
"I'm not sure the meager insights in Requiem make it worth going there." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Rescue Dawn (2007) |
"There's a matter-of-fact quality to the horrors of Rescue Dawn and to Herzog's visualization of Dengler's half-starved hallucinations as he makes his escape. Herzog's point is that when everything is absurd, nothing is. War makes the surreal real." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Reservation Road (2007) |
"Reservation Road was a fine book, but it should have stayed on the page." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Resident Evil (2002) |
"An energetic, violent movie with a momentum that never lets up." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Resident Evil: Apocalypse (2004) |
"Shines in comparison to other entries in the lamest current genre of film: videogame-based movies." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Resident Evil: Extinction (2007) |
"Its goals are modest, but it delivers." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Respiro (2003) |
"Nobody does the-stacked-hottie- who-bewitches- an-entire-village movie like the Italians." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Resurrecting the Champ (2007) |
"Resurrecting the Champ isn't about what it seems to be about. It also isn't about what it thinks it's about." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
The Return (2004) |
"Zvyagintsev ratchets up the tension with an almost sadistic degree of control." |
Chris Hewitt (St. Paul) |