Tomato 2.5/4 |
S.W.A.T. (2003) |
"A muscular, efficient police procedural with enough tense action to make up for truly awful dialogue." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
S1m0ne (2002) |
"Feels like a premise, followed by an hour of dead air, followed by an ending." |
Chris Hewitt (St. Paul) |
Tomato |
The Saddest Music in the World (2004) |
"It's a work of art -- crazy, touching and utterly unique." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
The Safety of Objects (2003) |
"A graceful example of what movies can do so much better than other art forms: explore the nuances of human behavior." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Sahara (2005) |
"Although the movie isn't great, it is kinda fun." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
Saint of 9/11 (2006) |
"If a documentary makes you wish you had known its subject, it has definitely done something right." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Saint Ralph (2005) |
"An overly convenient plot is the main con in Ralph, which includes a devastating fire, an assist from a celebrity and at least one miracle, all of which show up exactly when the plot needs help moving forward." |
Chris Hewitt (St. Paul) |
Tomato |
The Same River Twice (2003) |
"Any promise that Same River will make a grand statement about vanished ideals or changes in the culture are dashed quickly ... but it remains a likable portrait of how youth looks from the perspective of middle age." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
The Santa Clause 2 (2002) |
"Veers between naughty and nice, which puts a lot of pressure on the finale's ability to send us home happy. The good news is that the old fellow doesn't let us down in the end." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Santa vs. the Snowman (2002) |
"Its frequently clever script has appeal for kids, who won't understand the innuendo, and parents, who are likely to note that, at 32 minutes, Santa doesn't overstay its welcome." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Saraband (2005) |
"Like the Bach piece that gives it its title, Saraband is a stately, mournful movie." |
Chris Hewitt (St. Paul) |
Tomato 4/4 |
Sarah Silverman: Jesus is Magic (2005) |
"More like a play than a stand-up act, the material is woven together so skillfully, it's not until you get to the end that you realize it all had a progression and a theme." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Satin Rouge (2002) |
"This Cinderella story is not new, but director Raja Amari makes the scenes in the club so vibrant and lush that we feel what it's like for Lilia to be there." |
Chris Hewitt (St. Paul) |
Splat 2 |
Savage Grace (2008) |
"Kalin makes some smart choices -- knowing the material is perverse enough, he doesn't amp things up with flashy editing or crazy camerawork -- but he doesn't care about these people." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
The Savages (2007) |
"A comedy of discomfort, The Savages is a brilliantly acted film about people who are kidding themselves, a state of being that is as funny as it is sad." |
Chris Hewitt (St. Paul) |
Splat |
Save the Last Dance (2001) |
"What is it about dancing that inspires such rotten movies?" |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Saved! (2004) |
"For the most part, it manages to make fun of confused Christians without making fun of faith itself." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Saving Face (2005) |
"The people in Saving Face make plenty of mistakes, but Wu's script views their mistakes with compassion." |
Chris Hewitt (St. Paul) |
Splat |
Saving Grace (2000) |
"Badly written and clunkily directed, Saving Grace never thinks 10 seconds beyond what's happening on-screen." |
Chris Hewitt (St. Paul) |
Tomato |
Saving Silverman (2001) |
"Cheesily enjoyable." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
Saw (2004) |
"Saw isn't as good as Seven, but it more than lives up to the promise implied in the name of the company that made it: Twisted Films." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Saw II (2005) |
"The second Saw isn't as accomplished or precise as the first, but it's well worth watching because, in an era when most movies are forgotten before the popcorn is digested, it makes you feel something." |
Chris Hewitt (St. Paul) |
Splat 2.5/4 |
Saw III (2006) |
Click here to see the review. |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Saw IV (2007) |
"Saw IV is a fluid film, as neatly constructed as the deadly puzzles Jigsaw creates to snare his victims." |
Chris Hewitt (St. Paul) |
Splat 1/4 |
Saw V (2008) |
"Saw V boasts little of the cleverness and ingenuity that has made Saw a surprisingly consistent slasher series." |
Chris Hewitt (St. Paul) |
Splat 1/4 |
Saw VI (2009) |
""Saw" movies gave up on being scary several episodes ago, but there's no suspense or surprise either. Watching its grim procession of carnage is like sticking with a favorite pro football team for the last 8 games after it's already clear they're doomed." |
Chris Hewitt (St. Paul) |
Splat |
Say It Isn't So (2001) |
"This consistently unfunny movie made me feel like I'd lost the will to laugh." |
Chris Hewitt (St. Paul) |
Splat |
Scary Movie 2 (2001) |
"Even the funniest 40 percent of Scary has that not-so-fresh feeling." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Scary Movie 3 (2003) |
"Current horror movies are so ironic, they parody themselves, which means they have beaten (and stabbed and eviscerated) Scary Movie 3 to the punch." |
Chris Hewitt (St. Paul) |
Splat 2.5/4 |
Scary Movie 4 (2006) |
"Watching the movie is quite a bit like reading a slightly out-of-date Mad magazine or, I guess I should say, quite a bit like I remember Mad as a seventh-grader." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
School for Scoundrels (2006) |
"It's not that Scoundrels lacks for talent; the cast members have all proven their ability to get laughs, but the material in Scoundrels is too wan." |
Chris Hewitt (St. Paul) |
Tomato 4/4 |
School of Rock (2003) |
"It's been ages since I've seen a movie as joyous, as sweet and as hilarious." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
The Science of Sleep (2006) |
"We see the world as Stephane sees it... This world is a surprising and sweet place to be, kind of like when you're driving and you switch on the radio and the perfect song unexpectedly comes on." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Scooby Doo 2: Monsters Unleashed (2004) |
"Like a slightly better version of the first Scooby movie, this one is content to faithfully reproduce stuff from the cartoons without adding anything." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Scooby-Doo - The Movie (2002) |
"Scooby-Doo is dumb, but what did you expect? The original show is dumb, too." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Scoop (2006) |
"Scoop is a farce in the mode of Allen's Manhattan Murder Mystery." |
Chris Hewitt (St. Paul) |
Tomato |
The Score (2001) |
"An old-fashioned adventure drama that grabs us by gradually accelerating the tempo and by dangling a few 'Wait a minute. Why did he do that?' moments in front of us to keep us guessing." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
The Scorpion King (2002) |
"It's fun because The Rock clearly has a sense of humor." |
Chris Hewitt (St. Paul) |
Tomato 2.5/4 |
Scotland, PA (2002) |
"This spawn of William Shakespeare and Ray Kroc has more fun with [the] thin premise than you might expect, mostly because of Maura Tierney." |
Chris Hewitt (St. Paul) |
Tomato 3.5/4 |
Scratch (2002) |
"One of those terrific documentaries that collect a bunch of people who are enthusiastic about something and then figures out how to make us share their enthusiasm." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
The Sea Inside (2004) |
"A deceptively well-put-together film." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Seabiscuit (2003) |
"A handsome, respectful, beautifully designed film, and the acting is splendid, but a number of factors keep Seabiscuit from greatness." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Seaside (2003) |
"If you were lolling on the beach, casting your eyes at the scantily clad folks around you and overhearing bits of their conversations, it would be akin to the experience of watching Seaside." |
Chris Hewitt (St. Paul) |
Splat 1/4 |
Secondhand Lions (2003) |
"The film's attitude toward female characters is so relentlessly cruel and dismissive, that it's impossible to pay attention to all the supposedly sweet stuff that surrounds Lions' hard-hearted center." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Secret Ballot (2002) |
"A rarity among recent Iranian films: It's a comedy full of gentle humor that chides the absurdity of its protagonist's plight." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
The Secret Life of Bees (2008) |
"There's plenty wrong with The Secret Life of Bees, but the durnblasted thing got to me anyway." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
The Secret Lives of Dentists (2003) |
"An intelligent, detailed reminder that it's usually better not to wait until something hurts to get it fixed." |
Chris Hewitt (St. Paul) |
Splat 2/4 |
Secret Things (2003) |
"Soft-core cornography." |
Chris Hewitt (St. Paul) |
Tomato 3/4 |
Secret Window (2004) |
"Familiar as it is, Secret Window is fun because writer/director David Koepp is so adept at smoothing over the cut-and-paste marks with off-kilter humor and believable human behavior." |
Chris Hewitt (St. Paul) |
Tomato |
Secretary (2002) |
"The more I thought about it, the more I liked it." |
Chris Hewitt (St. Paul) |