Tomato 3.5/4 |
Baadasssss! (2004) |
"Baadasssss! is one bad movie -- and I mean that in the most affectionate sense." |
Glenn Lovell |
Splat |
Babe: Pig in the City (1998) |
"Laden with more useless pork than a congressional bill." |
Julie Hinds |
Splat 1.5/4 |
Bad Boys II (2003) |
"Black Hawk Down on laughing gas." |
Glenn Lovell |
Splat 1/4 |
Bad Company (2002) |
"This formulaic countdown-to-oblivion number is so sluggish and impersonal, it could very well have been directed from two states away by remote-controlled robot." |
Glenn Lovell |
Splat 2.5/4 |
Bad News Bears (2005) |
"The charm of listening to 10- and 11-year-old children swearing at one another begins to wear off quickly." |
Bruce Newman |
Tomato 3/4 |
Bad Santa (2003) |
"Baaaad Santa. Good movie!" |
Bruce Newman |
Tomato |
Bandits (2001) |
"Bandits is at its best when Willis and Thornton are front and center doing their deadpan Mutt and Jeff." |
Glenn Lovell |
Tomato 3/4 |
Baran (2002) |
"Majidi is an unconventional storyteller, capable of finding beauty in the most depressing places." |
Bruce Newman |
Tomato 3.5/4 |
The Barbarian Invasions (2003) |
"As fondly remembered as [The Bill Chill and The Decline of the American Empire] are, Arcand's Barbarian Invasions surpasses them both." |
Bruce Newman |
Tomato 3/4 |
Barbershop (2002) |
"One of the most refreshing things about this movie is the way it gives free reign to the sort of freewheeling debate that actually rages in some barbershops over what are accepted orthodoxies right outside the door." |
Bruce Newman |
Splat 2/4 |
Barbershop 2: Back in Business (2004) |
"As fragmented and heavy-handed as the first installment was smart, funny and, yes, at times unexpectedly sweet." |
Glenn Lovell |
Splat 2/4 |
Basic (2003) |
"Both clumsily manipulative and implausible." |
Glenn Lovell |
Splat 1.5/4 |
Basic Instinct 2 (2006) |
"Stone's performance is so deliriously over the top that it turns almost every line she speaks into high camp." |
Bruce Newman |
Splat |
Batad (2006) |
"The movie's pacing sometimes reminds you why Ag-Ap wants out of his village, but the deeper it delves into his life, the more Batad picks up speed." |
Bruce Newman |
Tomato 3.5/4 |
Batman Begins (2005) |
"Christopher Nolan has loaded the story with enough myth and emotion that it would not be silly to compare it with the samurai tales of Akira Kurosawa." |
Bruce Newman |
Splat 2/4 |
The Battle of Shaker Heights (2003) |
"An inoffensive, if somewhat bedraggled, little movie." |
Bruce Newman |
Splat 1.5/4 |
Be Cool (2005) |
"Follows the form of the original, but always to diminishing effect." |
Bruce Newman |
Tomato |
The Beach (2000) |
"DiCaprio especially is to be congratulated. He proves once again he's more than just another pretty face." |
Glenn Lovell |
Splat |
A Beautiful Mind (2001) |
"You can practically feel director Ron Howard standing over your tear ducts, straining to extract every last salty drop." |
Bruce Newman |
Tomato 2.5/4 |
The Beauty Academy of Kabul (2006) |
"An example of fascinating material that frequently triumphs over its pedestrian presentation." |
Bruce Newman |
Tomato |
Beauty and the Beast (1991) |
"A sporadically brilliant escape that at times stops to preen and pose, like that he-man lout Gaston." |
Glenn Lovell |
Splat 1/4 |
Because I Said So (2007) |
"The only thing you can't fault in Because I Said So is Keaton's integrity, as she commits herself completely to a disastrous role." |
Bruce Newman |
Tomato 3.5/4 |
Before Sunset (2004) |
"Proves itself well worth the nine-year wait, and for a sequel so squarely rooted in the first film, it stands lightly on its own two feet." |
Bruce Newman |
Splat |
Behind Enemy Lines (2001) |
"All those arguments about how desensitizing video games are certainly apply here." |
Glenn Lovell |
Tomato 3.5/4 |
Behind the Sun (2001) |
"Salles ... has found the beauty not only in this terrible place, but in a story by novelist Ismail Kadaré that originally was set in Albania." |
Bruce Newman |
Tomato |
Beijing Bicycle (2002) |
"Thoughtful and exhilarating." |
Glenn Lovell |
Splat 2.5/4 |
Being Julia (2004) |
"The play is supposed to serve as both the centerpiece and the climax of the film, which may explain why it wobbles until the end." |
Bruce Newman |
Tomato 3.5/4 |
The Believer (2002) |
"See it. Debate it. Remember it." |
Glenn Lovell |
Tomato |
Beloved (1998) |
"It's heartfelt, praiseworthy and amazingly faithful to Toni Morrison's complex Pulitzer Prize-winning novel!" |
Julie Hinds |
Tomato 3/4 |
Beowulf (2007) |
"Beowulf is being released in standard 2-D and a non-Imax 3-D version, neither of which I've seen, and neither of which I would recommend as long as there is an opportunity for the sensory overload of Imax 3-D." |
Bruce Newman |
Tomato 3/4 |
Best in Show (2000) |
Click here to see the review. |
Bruce Newman |
Tomato 3.5/4 |
Better Luck Tomorrow (2003) |
"This is a different kind of street-gang picture, one that improves your vocabulary even as it teaches fatally bad study habits." |
Glenn Lovell |
Splat 1.5/4 |
Bewitched (2005) |
"Any picture that makes you yearn for the dramatic work of Dick Sargent has got problems." |
Bruce Newman |
Splat 1.5/4 |
Beyond Borders (2003) |
"The picture holds up starving babies to score cheap emotional points, but it never bothers to look beyond the swollen bellies and swarming flies." |
Bruce Newman |
Splat 1/4 |
Beyond the Sea (2004) |
"This is one of those rare movies that's so bad it's good, with lavish production numbers in which Spacey sings out of sync with the voice track and dances out of sync with his own feet." |
Bruce Newman |
Tomato |
Bicentennial Man (1999) |
"A likable movie." |
David L. Beck |
Splat 1/4 |
The Big Bounce (2004) |
"Slack is something The Big Bounce, even at a trifling 88 minutes, already has in abundance." |
Bruce Newman |
Tomato |
Big Daddy (1999) |
"It's got the same kind of warmth as The Wedding Singer." |
Julie Hinds |
Splat 2/4 |
Big Fish (2003) |
"Clocking in at two hours, it runs way too long for a flight of fancy, packs a couple of false endings, and, a first for Burton, feels flat and familiar, like recycled Ray Bradbury." |
Glenn Lovell |
Splat 1.5/4 |
Big Trouble (2002) |
"Further proof that Sonnenfeld's career, brought to a screeching halt with the gaseous and pointless Wild Wild West, continues in the downward spiral." |
Glenn Lovell |
Splat |
Billy Elliot (2000) |
"A bit of working-class malarkey so unrelentingly sweet, so determinedly dotty, it makes the teeth ache." |
Glenn Lovell |
Splat 2.5/4 |
Birth (2004) |
"Becomes more labored, its plot twists more predictable and its characters less believable." |
Bruce Newman |
Splat |
Birthday Girl (2002) |
"An anemic little movie." |
Glenn Lovell |
Tomato 3/4 |
Black Book (2007) |
"Despite the picture's subtitles and its imposing 145-minute running time, Black Book maintains a breakneck pace, pausing only long enough to raise some very interesting questions." |
Bruce Newman |
Tomato |
Black Hawk Down (2001) |
"Invokes a ferocious cinéma-vérité style to make us not only see, but also feel, the destructive power of modern warfare." |
Bruce Newman |
Splat 1/4 |
Black Sheep (2007) |
"...Black Sheep never rises above sensation and splatter, or goes beyond the one thing it does best: It bites." |
Bruce Newman |
Tomato |
Blade (1998) |
"A hyper smorgasbord of a horror film!" |
Julie Hinds |
Splat 2.5/4 |
Blades of Glory (2007) |
"They don't quite nail it." |
Bruce Newman |
Splat |
Blood Car |
"[Director] Orr pulls out all the stops, even when he should leave them in, and the result is a joke that can't quite sustain the movie's running time." |
Bruce Newman |
Tomato 3/4 |
Blood Work (2002) |
"This is the Eastwood of old, and the fact that he can still pull off such heroics tells us how far he had to stretch to play nervous and frail." |
Glenn Lovell |