Daddy Day Care (2003)

"This is Eddie in the comfort zone, coasting on riffs and bits lifted from Mr. Mom and Kindergarten Cop."

Dancer in the Dark (1999)

"Such are the exquisite contradictions of this deeply affecting gem that I found myself massaging goose bumps even as I flinched in terror."

The Dangerous Lives of Altar Boys (2002)

"The film takes us into the secret world of teenage boys as if first-time director Peter Care had been issued a special password."

Dark Blue (2003)

"Speedman doesn't show much in his first big movie role, while Russell shows too much."

Dark Water (2005)

"Connelly and the wide-eyed Gade are so good together as mother and daughter that their performances -- along with the fine supporting work of Reilly, Roth and Postlethwaite -- carry the film. And the day."

Dawn of the Dead (2004)

"This demographic (predominantly young and male) goes to a zombie movie for one thing and one thing only: increasingly outrageous gross-outs. And Dawn, they'll be glad to hear, doesn't disappoint."

The Day I Became A Woman (2001)

Click here to see the review.

De-Lovely (2004)

"A refreshing change from Hollywood's typical wages-of-sin sermon."

Death Sentence (2007)

"As rancid as its title is lurid, an example of pulp fiction run amok."

Definitely, Maybe (2008)

"The picture does have a certain unimpeachable charm."

Demonlover (2003)

"You'll be as transfixed as you are utterly confused."

Derailed (2005)

"As a thriller, Derailed proceeds with the same unearned swagger as a bad magic act, revealing its astonishments to the evident surprise of the filmmakers alone."

Die Another Day (2002)

"A meandering, over-inflated, everything -but-the -kitchen-sink attempt to one-up and wear down."

Dinosaur (2000)

"One Dinosaur that won't soon be forgotten."

A Dirty Shame (2004)

"Let the chant begin here. Ullman for best actress! Ullman for best actress!"

Divine Secrets of the Ya-Ya Sisterhood (2002)

"A rich, thoroughly engaging drama that is by turns funny, wistful, phantasmagorical and disturbing."

Le Divorce (2003)

"It isn't often that the Merchant-Ivory team ... misses the spirit of a good book this badly."

Dog Days (2002)

Click here to see the review.

Dogtown and Z-Boys (2002)

"Peralta captures, in luminous interviews and amazingly evocative film from three decades ago, the essence of the Dogtown experience."

Domestic Disturbance (2001)

"A slick, rerouted TV movie at best."

The Door in the Floor (2004)

"[Bridges] bursts through The Door in the Floor like it was made of plywood and, in the process, delivers the year's first full-bodied dramatic performance."

Down With Love (2003)

"Feels less antic than frantic, semi-glossing over a 40-year-old cultural dust-bunny to create soggy, ersatz fluff."

Dr. T and the Women (2000)

"A shrewd, sideways glance at the incredibly dense (and darn proud of it) male of the species."

Dreamcatcher (2003)

"This is the kind of horror flick you'd expect from someone who doesn't respect or understand genre conventions, someone who thinks that he can reclaim an audience's lagging attention with bigger and badder shock effects."

Dreamgirls (2006)

"[Dreamgirls proves] again that transforming a hit Broadway musical into an equally spectacular movie is one of the most confounding tricks in show business."