Fahrenheit 9/11 (2004)

"A film so sloppy, illogical and formulaic that it begs the questions: Can a hatchet job actually elicit sympathy for its sitting-duck target?"

The Family Man (2000)

"Despite an aura of déjà vu and a too-neat fadeout, this time-warp comedy feels fresh and original, and not a little heartfelt."

Fay Grim (2007)

"Fay Grim is a farce in which people die and lives are ruined. Which is to say, it's peculiarly funny, but you have to be an existentialist with lightning-fast reflexes to get all the jokes."

Femme Fatale (2002)

"I enjoyed this one because, rather than nitpick the director's usual lapses in logic, I allowed the sexy visuals and sumptuous set design to wash over me."

Fever Pitch (2005)

"Suffers from imperfect pitch."

Final Destination (2000)

"A thoroughly repellent little shocker that exploits a still-fresh real-life tragedy for routine chills."

Find Me Guilty (2006)

"As Jackie, [Diesel's] the real surprise in what otherwise is a less than electrifying courtroom drama."

Finding Neverland (2004)

"It is Depp who makes the magic real enough to believe."

Firewall (2006)

"Instead of dramatic tension, Firewall makes do with a lot of frantic typing at computer keyboards. It's like watching Microsoft's Service Pack 2 download for nearly two hours."

Flightplan (2005)

"Here is a picture whose pleasures rise quickly to 37,000 feet - -and remains there until the captain has turned off the fasten seat belt sign."

The Fog of War (2003)

"Brilliant."

The Four Feathers (2002)

"Nicely sidesteps the book's musty perspective as it weaves a rousing good action saga that, in stretches, almost matches the scope and grandeur of Zulu and the acclaimed 1939 British Four Feathers."

Frailty (2002)

"If you're in the mood to be seriously creeped out, this is the shocker for you."

Freedomland (2005)

"The film is filled with good performances, though most of them are frittered away by director Joe Roth, who can never find a focus for the story."

Frida (2002)

"Compelling, adult, sexy and fiercely stylized."

Friends With Money (2006)

"I think I liked Aniston's old friends better."

Full Frontal (2002)

"If Soderbergh's name weren't attached to this project, I'd swear it was by some recent film-school grad who hadn't progressed beyond Navel Gazing 101."