Tomato |
L.I.E. (2001) |
"The suspense -- and, indeed, the art -- comes from not knowing which road Howie will take." |
Glenn Lovell |
Splat 1.5/4 |
Ladder 49 (2004) |
"Morrison, trapped beneath burning rubble, reviews his cliche-ridden life." |
Glenn Lovell |
Splat 1.5/4 |
Lady in the Water (2006) |
"It is yet another of Shyamalan's attempts to wade into the deep end of the profundity pool, where not even chlorine can kill the brackish residue of his design." |
Bruce Newman |
Splat 2.5/4 |
Ladykillers (2004) |
"The Coen brothers seem to have relocated to a ZIP code where blander movies are made." |
Bruce Newman |
Tomato 3/4 |
Lagaan (2001) |
"If you haven't sampled India's indigenous cinema, this is a great place to begin." |
Glenn Lovell |
Splat 1/4 |
The Lake House (2006) |
"Bullock's decision to play Kate as a morose kill-joy is particularly inexplicable. She's getting letters from some hot architect through a hole in the time-space continuum, and yet her expression remains impassive, her voice flat, her outlook maudlin." |
Bruce Newman |
Splat |
Lake Placid (1999) |
"A talky, marginally entertaining monster movie." |
Glenn Lovell |
Tomato |
Lakeboat (2001) |
"Where Mantegna succeeds is in providing a forum for some great acting." |
Glenn Lovell |
Splat 1.5/4 |
Lara Croft Tomb Raider: The Cradle of Life (2003) |
"Cradle has more story and more Jolie but, at just under two hours, it unfolds like a leaden fashion shoot." |
Glenn Lovell |
Splat |
Lara Croft: Tomb Raider (2001) |
"Jolie gives Lara an upper class British accent, but it's so denatured that she sounds like one of those British techno-pop goddesses on a Valium drip." |
Bruce Newman |
Tomato 3/4 |
Lars And The Real Girl (2007) |
"It's a premise as fanciful as Jimmy Stewart's Harvey, and yet the movie has a sweetness that manages to be pixilated and plausible at the same time." |
Bruce Newman |
Splat |
The Last Castle (2001) |
"A movie that is so dumbdumb it almost overshadows the beguiling performances of its stars, Robert Redford and James Gandolfini." |
Bruce Newman |
Tomato 3/4 |
The Last Kiss (2002) |
"Fits nicely into a new genre that seems intent upon examining whether marriage -- or even love -- are the answers to everything." |
Bruce Newman |
Splat 2.5/4 |
The Last Samurai (2003) |
"Cruise's performance is all smartly pressed, shiny surfaces, spotless even when they should be stained by the blood and tears of dramatic transformation." |
Bruce Newman |
Tomato 2.5/4 |
Laurel Canyon (2003) |
"Thank goodness for Nivola ... who makes a charming degenerate, and McDormand in her sexiest role to date. They make up for a bunch of sins." |
Glenn Lovell |
Tomato 4/4 |
Lawless Heart (2002) |
"It's dedicated to a fuller understanding of the human condition, a deeper appreciation of everything we take for granted in even the messiest melodramas." |
Glenn Lovell |
Tomato 4/4 |
Lawrence of Arabia (1962) |
"A cracking good adventure yarn, as well as a disturbing psychological profile of a man destined to become a great leader but an even greater dupe." |
Glenn Lovell |
Splat 2/4 |
Laws of Attraction (2004) |
"Fairly forgettable." |
Glenn Lovell |
Tomato 3.5/4 |
Layer Cake (2005) |
"A corrosive confection of style and bile, its gleaming, butter cream-frosted contours not really concealing the crumbs who have curdled British society with their drugs." |
Bruce Newman |
Tomato 3/4 |
Le Cercle Rouge (1970) |
"Cercle's set piece -- which arrives well beyond the midpoint -- never has the carat-weight of the gem mounted in the middle of Rififi, but once it has turned that corner, the movie begins to soar." |
Bruce Newman |
Tomato 3.5/4 |
The League of Extraordinary Gentlemen (2003) |
"Summer's smartest, most exhilarating action attraction." |
Glenn Lovell |
Tomato 3/4 |
Leela (2002) |
"Mostly works because of the universal themes, earnest performances ... and excellent use of music by India's popular Gulzar and Jagjit Singh." |
Glenn Lovell |
Tomato |
Legally Blonde (2001) |
"Keeps succeeding in spite of itself, thanks mostly to Witherspoon's beautifully energized performance." |
Bruce Newman |
Tomato 2.5/4 |
Legally Blonde 2: Red, White and Blonde (2003) |
"Though the stretch marks are obvious, LB2 does manage to milk additional laughs from a fish-out-of-water premise that dates to Loretta Young's Oscar-winning performance in The Farmer's Daughter." |
Glenn Lovell |
Splat |
The Legend of Bagger Vance (1999) |
"Why ... would someone of Redford's proven abilities waste his time on something this frivolous, this negligible -- this out of touch?" |
Glenn Lovell |
Tomato 3/4 |
Leonard Cohen: I'm Your Man (2006) |
"I'm Your Man never quite gets its man in a coherent frame, but for all its zigs and zags outside the lines, the portrait of Cohen that emerges is a fascinating one." |
Bruce Newman |
Tomato 3.5/4 |
Letters From Iwo Jima (2006) |
"This movie manages with great economy to show that soldiers on both sides had far more in common than they thought." |
Bruce Newman |
Tomato |
Liam (2001) |
"Your heart will ache for the little Liam, who has yet to lose his innocence in the face of unbelievable cruelty." |
Glenn Lovell |
Splat 2/4 |
The Life of David Gale (2003) |
"Instead of mounting a fierce argument against socially sanctioned killing, Parker gives the other side ammunition and allows those predisposed to executions to exit feeling smug and reassured in their beliefs." |
Glenn Lovell |
Splat 2.5/4 |
Lightning in a Bottle (2004) |
"The massive stage at Radio City Music Hall doesn't lend itself easily to the intimate particulars of the blues." |
Bruce Newman |
Tomato 3/4 |
Like Mike (2002) |
"A clean movie suitable for young children." |
Marian Liu |
Tomato 3.5/4 |
Little Miss Sunshine (2006) |
"A comedy that is both hilarious and bold." |
Bruce Newman |
Tomato 4/4 |
The Lives of Others (2006) |
"Somber and watchful, like the people whose story it tells, The Lives of Others brilliantly abrades our perception of the 1980s as a time when the only history worth remembering was being made by Wham! and Duran Duran." |
Bruce Newman |
Tomato 3/4 |
The Lizzie McGuire Movie (2003) |
"Your humbled critic not only survived the movie, he also (gulp) enjoyed it and (double gulp) exited a convert to the Hilary Duff Fan Club." |
Glenn Lovell |
Tomato 3/4 |
Lola (1961) |
"Aimée is reason enough to catch this import." |
Glenn Lovell |
Splat 2/4 |
The Longest Yard (2005) |
"Sandler's timing is good enough to make the funny scenes come alive. But he has trouble conveying any emotion that couldn't just as easily be expressed with a high-five." |
Bruce Newman |
Tomato |
The Lord of the Rings: The Fellowship of the Ring (2001) |
"Here, at long last, is an epic adventure that's worthy of its source." |
Glenn Lovell |
Tomato 4/4 |
The Lord of the Rings: The Return of the King (2003) |
"Combines the best moments of Fellowship and Two Towers and brings the Arthurian trilogy to a rousing, satisfying finish." |
Glenn Lovell |
Tomato 2.5/4 |
The Lord of the Rings: The Two Towers (2002) |
"The Lord of the Rings: The Two Towers is the Tolkien trilogy's middle passage through Middle earth, and the middle is a bit of a muddle." |
Bruce Newman |
Splat |
Loser (2000) |
"It's a shame that this comedy self-destructs." |
Glenn Lovell |
Splat |
Lost and Delirious (2001) |
"The people who made this movie apparently aren't satisfied just to let you see something when they can talk about it too." |
Bruce Newman |
Tomato 2.5/4 |
Lost in Translation (2003) |
"It's certainly edgier, smarter, than much of what passes for culture-clash comedy these days, even if the phlegmatic Murray sometimes resembles every Ugly American abroad, mocking waiters and sushi chefs who struggle to get his deadpan humor." |
Glenn Lovell |
Tomato 3.5/4 |
Love Actually (2003) |
"The perfect Christmas confection." |
Bruce Newman |
Splat |
The Love Letter (1999) |
"Where it should soar with humor or longing, it merely skips along -- a stream of surprising and somewhat forced revelations." |
Julie Hinds |
Tomato 3/4 |
Love Liza (2002) |
"An amazing little character study." |
Glenn Lovell |
Tomato 3/4 |
Love Me If You Dare (2004) |
"The kind of clever, color-saturated novelty that dares you not to like it." |
Glenn Lovell |
Splat 2.5/4 |
Love the Hard Way (2003) |
"[The story] is often overly simplistic when it is trying hardest for emotional complexity." |
Bruce Newman |
Splat 2.5/4 |
Lovely & Amazing (2002) |
"Some scenes are served up like haiku. Others seem like abstracts of notes [Holofcener] scribbled to herself after sessions at the 'I'm OK, You're OK' corral." |
Bruce Newman |
Tomato 3/4 |
Lucia, Lucia (2003) |
"[Roth's] one of the most accomplished actresses on the international scene, a mature leading lady who combines the earthy sex appeal of an Ingrid Bergman with the effervescence of a Meg Ryan." |
Glenn Lovell |
Tomato 3/4 |
Lucky # Slevin (2006) |
"Even when it's being too clever by half, Lucky Number Slevin racks up twice as many style points as any other film so far this year." |
Bruce Newman |