Annie Get Your Gun (1950)

"The chemistry between Hutton and Keel is delightful and when his full-throttle baritone meets her rich alto in the duets, you'll be bewitched."

Another Stakeout (1993)

""the initial sparkle has all but faded""

Antitrust (2001)

"It's refreshing to see a filmmaker who's well aware of the limitations of his material, someone who can step back and say, 'Hey, this isn't 'Schindler's List': We're just trying to give the audience two hours of corny fun.'"

Antz (1998)

"exciting, often hilarious and frequently wondrous film... Adults who live in fear of seeing non-Disney animated movies would be well-advised to overcome their prejudices."

Anything Else (2003)

"...this time out, Allen has picked his own pocket and found nothing but dust."

Apt Pupil (1998)

""Pupil" demonstrates Singer's eye for framing shots and his skill in bringing out the best in his stars. Even so, there's something amiss here."

Arctic Tale (2007)

"(like) those cunningly engineered Disney 'True-Life Adventures'... in which scorpions appeared to dance... and supposedly lovelorn squirrels awaited what the narrator called their 'moment of fulfillment.'"

Aria (1987)

"pretentious piffle that's pretty much one sour note after another"

Army of Shadows (1969)

"Although it has several suspenseful sequences, "Shadows" is not a spy thriller, precisely. It's much more along the lines of a melancholy mood piece..."

Assassins (1995)

"a thriller that's almost as exciting as a Read-A-Thon"

The Astronaut Farmer (2007)

"Family-oriented fantasy, paranoia thriller, midlife-crisis drama... It's as if the screenwriters felt obligated to throw in a few ingredients for every possible audience..."

At Close Range (1986)

""a dark jewel of a drama, with first-rate performances""

ATL (2006)

"If many of the situations in "ATL" are familiar and the characters' attitude changes sometimes hard to buy... the movie does a fine job of capturing the atmosphere of inner-city Atlanta..."

Austin Powers in Goldmember (2002)

"When "Goldmember" clicks, it's irresistibly wacky... When it clunks, it's usually because Myers has played a joke out and can't resist trying to get one last laugh out of it."

Autumn in New York (2000)

"Were you to watch the movie's first 20 minutes, you might think you were about to see another variation on Gere's megahit 'Pretty Woman'... Once it's revealed that Charlotte is a Pretty Sick Woman, however, the film becomes dour and tedious..."

Ay, Carmela! (1991)

"Not Maura's best, but OK"