Tomato |
Baadasssss! (2004) |
"both as an atmospheric, often funny look at the wild world of independent moviemaking and as a surprisingly touching story of father/son bonding." |
James Sanford |
Tomato 4/5 |
Babe (1995) |
"This little piggy is a very big deal" |
James Sanford |
Splat |
Babe: Pig in the City (1998) |
"Despite its G-rating, the movie includes numerous scenes of animals in peril, including a pit bull that nearly hangs himself, a crippled dog that gets thrown into a wall and a goldfish that almost suffocates... Happy holidays, kids!" |
James Sanford |
Tomato 3.5/4 |
Babel (2006) |
"fascinating, sprawling drama ...an ambitious, engrossing piece of work that builds on the promise shown in Innaritu's first two features." |
James Sanford |
Tomato 3/5 |
Babes in Arms (1939) |
"Full of vim and vigor -- maybe a little too much for some viewers" |
James Sanford |
Tomato 5/5 |
Babette's Feast (1987) |
"Scrumptious and beautifully crafted" |
James Sanford |
Tomato |
Baby Face (1933) |
"The peppy title tune over the opening credits hardly prepares you for the sordid story that follows..." |
James Sanford |
Splat 0/5 |
Baby Geniuses (1999) |
"shares with most of Clark's other films an utter lack of taste and a genuinely ugly look; not only is the movie less funny than a case of diaper rash, it's even less picturesque." |
James Sanford |
Tomato 3/5 |
Baby's Day Out (1994) |
"OK slapstick in the "Home Alone" vein" |
James Sanford |
Splat |
The Bachelor (1999) |
"when it comes to delivering punchlines or finding the laughs in a speech, O'Donnell is way out of his area of expertise, and that's exactly what he's called upon to do throughout 'The Bachelor,' a wholly irritating stab at a fluffy romantic farce." |
James Sanford |
Tomato 3/5 |
Backbeat (1994) |
"interesting, colorful backstage Beatles chronicle" |
James Sanford |
Splat |
Bad Boys II (2003) |
"If you stay home from only one movie this summer, make it 'Bad Boys II.'" |
James Sanford |
Tomato |
Bad Education (2004) |
"Almodovar's transitions in tone and mood are so slyly executed it's only afterward that the viewer realizes how much ground this ambitious, brain-teasing movie has covered." |
James Sanford |
Splat 2/5 |
Bad Girls (1994) |
"Great-looking leads in a silly showcase" |
James Sanford |
Tomato |
Bad News Bears (2005) |
"nobody could have filled Matthau's battered sneakers more capably than Billy Bob Thornton... it's a rare actor who can make such a lowdown slob into a source of high comedy." |
James Sanford |
Splat |
Bait (2000) |
"includes all the key ingredients for what Hollywood passes off as an "urban comedy." ... The finale of "Bait" finds a screaming infant and his drugged mother strapped to a bomb -- funny stuff, huh?" |
James Sanford |
Tomato 5/5 |
Ball of Fire (1941) |
"What a team: Stanwyck was rarely sexier, Cooper never more endearing. A jewel of a comedy." |
James Sanford |
Splat 1.5/4 |
Balls of Fury (2007) |
"There were more good laughs in Attorney General Alberto Gonzales' resignation speech than there are in 'Balls of Fury'... a smorgasbord of ethnic stereotypes, a few slaps at prissy gays and an excess of weak gags..." |
James Sanford |
Tomato 4/5 |
Bambi (1942) |
"sad beyond belief, but lovely to look at and listen to" |
James Sanford |
Tomato 5/5 |
The Band Wagon (1953) |
""the undisputed highlight of Astaire's post-Rogers career"" |
James Sanford |
Splat |
Bandits (2001) |
"clearly the work of a guy who shows up and does his job with one eye on the clock. ... the promised fireworks never materialize, partly because Willis is constantly blown away by Blanchett and Thornton's vigorous comic turns..." |
James Sanford |
Tomato 3/4 |
Barenaked in America (2000) |
"They play the funny songs, but just when things threaten to get too lightweight, singer Steven Page lets loose with a riveting, scorchingly soulful rendition of 'Break Your Heart' to let everyone know they're not just clowning around." |
James Sanford |
Splat |
Barnyard: The Original Party Animals (2006) |
"... spends at least half of its running time ambling around in search of a plot. By the time it finds one -- ...'Hey, I know! We'll rip off 'The Lion King,' and put cows in it!' -- the movie has already bought the farm." |
James Sanford |
Splat |
Baseketball (1998) |
"the studio should have furnished each ticket-buyer with a free six-pack. ... Putting it in an alcohol-free theatrical setting makes about as much sense as packing a suitcase for your trip to Nudestock." |
James Sanford |
Splat 1.5/4 |
Basic Instinct 2 (2006) |
"Numbingly dull when it isn't unintentionally laugh-out-loud funny, this pitiful sequel has almost none of the cheesy/sleazy appeal of the 1992 blockbuster. Michael Douglas stayed away, and so should you." |
James Sanford |
Tomato 4/5 |
Bastard Out of Carolina (1996) |
"searing domestic drama that will leave you aching" |
James Sanford |
Tomato |
Batman Begins (2005) |
"Nolan takes Batman back to basics... this is Batman for adults, a fascinating thriller that's grounded in angst. ...a superb start to a new volume of the Batman chronicles." |
James Sanford |
Splat 0/5 |
Battlefield Earth (2000) |
"finds (Travolta) wobbling around in the highest platform shoes since Elton John and sporting bizarre dreadlocks... the oddest vanity production imaginable, one in which the main attraction is nearly impossible to recognize." |
James Sanford |
Splat |
Be Cool (2005) |
"an uneven tale... nearly everyone attempts to upstage everyone else. (Director) Gray, the ostensible ringmaster, is trampled by his own circus clowns." |
James Sanford |
Splat |
The Beach (2000) |
"the film itself turns out to be much like its hero Richard: good-looking, slightly cryptic and ultimately more than a little tiresome." |
James Sanford |
Splat |
Beautiful (2000) |
"When a person is suffering deeply, Field cues you in to what they're thinking by having voices from the past echoing all around them, a technique that's more often used in cautionary drivers' ed documentaries..." |
James Sanford |
Tomato 4/4 |
A Beautiful Mind (2001) |
"Nash and Alicia are played by Russell Crowe and Jennifer Connelly, both of whom give performances that border on the spectacular. Neither has ever been better or created a richer, more multi-layered characterization." |
James Sanford |
Tomato 5/5 |
Beauty and the Beast (1946) |
"Amazing, enchanting, a masterpiece" |
James Sanford |
Tomato |
Beauty Shop (2005) |
"The few serious notes in the movie are also its weakest. The film is on much safer ground when it's playing culture-crossing for laughs..." |
James Sanford |
Splat 2/4 |
Because I Said So (2007) |
"Keaton capably pulls off even the silliest slapstick... (but) practically everything in 'Because' is spelled out in the simplest terms, set in bold typeface and then marked with a highlighter pen, lest we miss the meaning." |
James Sanford |
Tomato |
Because of Winn-Dixie (2005) |
"Without becoming particularly preachy or heavy-handed, 'Winn-Dixie' insists that acceptance and tolerance are integral parts of Christianity." |
James Sanford |
Tomato 3/4 |
Becoming Jane (2007) |
"Utilizing a lovely British accent and a graceful way with words, Hathaway communicates Austen's predicament beautifully. When she was creating her immortal heroines... the real Jane Austen must have pictured someone like Hathaway." |
James Sanford |
Splat |
Bedazzled (2000) |
"Curiously, the new version omits much of the material that made the first movie so memorable -- including the nuns on trampolines -- and replaces it with gags that probably seemed much funnier on paper than they are on the screen." |
James Sanford |
Splat 2/4 |
Bee Season (2005) |
"fragmented, a film with several provocative ideas and a few strong scenes but no sense of fulfillment and considerably less emotional impact than it should have." |
James Sanford |
Splat |
Before Night Falls (2000) |
"no one can say Schnabel doesn't know how to create a marvelous shot when he wants to. Telling a cohesive story, however, is a skill he has yet to master." |
James Sanford |
Tomato |
Before Sunset (2004) |
"an immensely satisfying sequel that carefully treads the line between the comic and the tragic while detailing the pros and cons of maturity.
" |
James Sanford |
Tomato 5/5 |
Being There (1979) |
"Sellers at his most restrained -- and he's superb" |
James Sanford |
Splat 2/5 |
The Believers (1987) |
"a few shocks amid a lot of voodoo hoodoo" |
James Sanford |
Tomato 3/5 |
Benny & Joon (1993) |
"Great early Depp performance and Masterson is equally terrific" |
James Sanford |
Tomato |
Best in Show (2000) |
"If it doesn't sustain the high level of lunacy "Guffman" did, it's still a delight. Like the best comedies, it plants its jokes deep in your brain and you find yourself laughing at them again hours after the film has ended." |
James Sanford |
Tomato |
Better Luck Tomorrow (2003) |
"a fairly provocative look at teenage life, featuring the kinds of multidimensional characters that aren't typically included in movies aimed at the high school crowd." |
James Sanford |
Tomato |
Better Off Dead (1985) |
"strives to be offbeat and sometimes works itself into a sweat doing so. The humor often hits the bullseye, however..." |
James Sanford |
Tomato |
Bewitched (2005) |
"When 'Bewitched' clicks, it's primarily because of the cast. ...The Ephrons are far better at concocting acidic one-liners than they are at constructing a coherent storyline." |
James Sanford |
Tomato |
Beyond the Mat (1999) |
"turns out to be less interested in the cartoonish brutality of pro wrestling than it is with the lives of the people who make their living in the ring." |
James Sanford |
Tomato |
Beyond the Sea (2004) |
"holds nothing back. When it's time for this admittedly offbeat biography to swing, the exuberance of its director-star washes away a lot of reservations." |
James Sanford |