Tomato 3.5/4 |
Eastern Promises (2007) |
" extremely violent and richly atmospheric... culminates in an electrifying scene that's destined to be discussed by movie fans for years." |
James Sanford |
Tomato |
The Eel (1997) |
"Just when it seems like 'The Eel' is going to settle into a standard love-conquers-fear tale, the writers begin coloring in the characters, revealing their secrets and insecurities. The results are sometimes shocking and sometimes funny..." |
James Sanford |
Tomato 3/4 |
Eight Below (2006) |
"an engrossing, even suspenseful adventure, along the lines of old-school Disney films like 'The Incredible Journey.'" |
James Sanford |
Splat |
Eight Legged Freaks (2002) |
"Pulling off a big-budget spoof requires a certain amount of style and wittiness, qualities conspicuously absent from 'Freaks.'" |
James Sanford |
Splat |
Elektra (2005) |
"a silly spinoff that is far less concerned with telling a worthwhile story than it is with telling the world that Garner has a magnificent bod." |
James Sanford |
Splat 2/4 |
Elizabethtown (2005) |
"the more the movie screams, 'love me!' the more resistible it becomes. ...the shorter version is not an improvement: It's just less of the same." |
James Sanford |
Tomato |
Ella Enchanted (2004) |
"It's ultimately Hathaway's show, and she makes the most of it, showing off her natural knack for physical comedy, her sterling singing voice and her beguiling charm.
" |
James Sanford |
Tomato |
The Emperor's New Groove (2000) |
"...a lunatic tone far more reminiscent of the work of legendary animation madman Tex Avery than it is of such recent stately Disney offerings as "Mulan." Behind that awful title lurks a frequently hilarious little film." |
James Sanford |
Splat |
End of Days (1999) |
"Sort of like listening to that old Toto album tucked away somewhere in your music collection. You remember thinking you used to like this kind of stuff, but you can't quite recall why." |
James Sanford |
Tomato |
The End of the Affair (1999) |
"a demanding, thought-provoking film ...built around a theme many will find difficult to accept, that miracles can happen to perfectly ordinary, non-religious people." |
James Sanford |
Tomato |
End of the Century: The Story of the Ramones (2004) |
"an extensive, bittersweet scrapbook... (that) pays tribute to both the band's punky, never-say-die spirit and to the hard-driving, often exhilarating music they created." |
James Sanford |
Tomato |
End of the Spear (2006) |
"effectively shows how, through gentility and a spirit of cooperation, two very different cultures can learn to co-exist. That's a worthy message that has a particular relevance in today's world." |
James Sanford |
Tomato |
Enduring Love (2004) |
"'Enduring Love' -- at least until its final 20 minutes -- is considerably more intelligent and less sensationalistic than most thrillers of this type." |
James Sanford |
Splat |
Enemy at the Gates (2001) |
"Although "Enemy" is a huge production, with burning cityscapes, hundreds of extras and uncommonly vivid period detail, Annaud's combination of stark realism and contrived romance doesn't always jell" |
James Sanford |
Splat |
Enemy of the State (1998) |
"the latest flashy, sterile package to come off producer Jerry Bruckheimer's assembly line" |
James Sanford |
Splat |
Enough (2002) |
"The movie's biggest shocks come from seeing former nymphette Juliette Lewis playing a salt-of-the-earth mommy named Minnie and watching Slim travel incognito in a ridiculous wig no respectable Halloween costume shop would ever try to sell." |
James Sanford |
Splat 2/5 |
Equinox (1971) |
""amusingly ridiculous drive-in chiller"" |
James Sanford |
Tomato 4/5 |
Equinox (1993) |
"Typically twisted Rudolph, with a great cast" |
James Sanford |
Splat 2/4 |
Eragon (2006) |
"It's a large-scale fantasy that plays like a rerun... Paolini began his novel when he was 15, and the simplicity of 'Eragon'... might bring back memories of high school writing workshops." |
James Sanford |
Splat 2/5 |
Erik the Viking (1989) |
"it evaporates quickly from the memory" |
James Sanford |
Tomato |
Erin Brockovich (2000) |
"represents that rare mainstream Hollywood crowdpleaser with substance as well as style." |
James Sanford |
Tomato |
Escanaba in Da Moonlight (2000) |
"The performances are zesty and consistently enjoyable, with everyone having a high old time speaking in an accent as thick and heavy as a slab of Mackinac Island fudge." |
James Sanford |
Tomato 4/4 |
Eternal Sunshine of the Spotless Mind (2004) |
"While Kaufman has sprung some world-class brainteasers on us before, 'Sunshine' is the first screenplay he's written that hits the heart." |
James Sanford |
Tomato 3/4 |
Evan Almighty (2007) |
"Feeling nostalgic about those 'Oh, God' movies that George Burns made 30-odd years ago? Then 'Evan Almighty' might seem like manna from heaven." |
James Sanford |
Splat 2/4 |
Evening (2007) |
"an 'if only I had...' nostalgic romance... even the appealing performances of Danes, Wilson and Gummer are not enough to make up for a ponderous story that assigns each of its characters a predictable fate..." |
James Sanford |
Splat 1/5 |
The Evening Star (1996) |
"A sequel no one wanted, done about as poorly as possible" |
James Sanford |
Splat |
Event Horizon (1997) |
"In its first hour, "Event" is startlingly beautiful and compelling... its last half-hour (is) a gore-drenched free-for-all, with images of Hell that seem to have been lifted directly from a Nine Inch Nails video..." |
James Sanford |
Tomato |
Ever After: A Cinderella Story (1998) |
"The real magic is found in Andrew Dunn's stunningly lovely photography, which makes every scene look like a vintage storybook illustration." |
James Sanford |
Tomato 3.5/4 |
Everything is Illuminated (2005) |
"It's risky material for a first-time director... But Schreiber's involving screenplay and his remarkably assured handling of the material somehow brings it all together into an effective, charmingly offbeat whole." |
James Sanford |
Splat |
Evolution (2001) |
"While "Evolution" is generally fun to watch -- it would be a perfect choice for a Saturday afternoon when you feel like shifting your brain into low gear -- it's not nearly the joyride the filmmakers obviously wanted so badly for it to be." |
James Sanford |
Splat 1.5/4 |
The Ex (2007) |
"a series of achingly predictable situations... Ed Shearmur's intrusively 'goofy' musical score keeps insisting you're watching a wacky farce; after a while, you may need the reminder." |
James Sanford |
Splat 0/4 |
Excess Baggage (1997) |
"a series of flaccid, go-nowhere scenes featuring a sullen Silverstone and the inarticulate Benicio Del Toro..." |
James Sanford |
Tomato |
eXistenZ (1999) |
"a genuinely jolting yarn... Cronenberg eventually succeeds in making the audience feel as disoriented as Allegra..." |
James Sanford |
Splat |
The Exorcist: The Version You've Never Seen (2000) |
"If you want to know what the 1970s were all about, this is probably required viewing. ...frankly, a reissue of "Earthquake" in Sensurround would have been a lot more fun." |
James Sanford |
Tomato 4/5 |
Extremities (1986) |
""Fawcett and Russo give riveting performances"" |
James Sanford |
Splat 1/5 |
The Eye Creatures (1965) |
""watch it with eyes wide shut"" |
James Sanford |
Tomato 3/5 |
Eye of God (1996) |
"Offbeat and worthwhile" |
James Sanford |
Splat |
Eye of the Beholder (1999) |
"If you took five different jigsaw puzzles, threw the pieces together on a table top and spent two hours trying to make a cohesive picture, you might end up with something along the lines of this." |
James Sanford |
Tomato |
Eyes Wide Shut (1999) |
"when its moments of truth arrive they're as bracing as if you'd stepped out of a steaming shower straight into a winter storm. The shocks go straight to the heart." |
James Sanford |