G.I. Jane (1997)

"Moore's typically prickly demeanor, often cited by her detractors as her biggest liability as an actress, actually works to her advantage here, as she unearths the voracious ambition in Jordan's soul."

Gang Related (1997)

"There are several clever twists in the story, though Kouf never quite manages to make much of it seem credible."

Gardens of Stone (1987)

""sheer dreariness directed with fists of ham""

Gas Food Lodging (1992)

""an original look at familiar material""

The General's Daughter (1999)

"an absurd, frequently offensive exploitation piece that's likely to take a place on many Ten Worst of 1999 lists."

Georgia (1995)

"not always on the mark, but certainly challenging"

Get Carter (2000)

"Is it a zombie coming to alert us it's time to start shopping for a Halloween costume? No, it's just our old friend Sylvester Stallone, sleepwalking his way through a stillborn crime drama that belongs in a morgue, not in a movie theater."

Get Rich or Die Tryin' (2005)

"sells 50 short: His raps are heard only in stingy portions during most of the movie, and when, at last, he takes the stage... he's bumped off the screen by the end credits."

The Ghost and Mrs. Muir (1947)

"Lyrical, touching romance, carmingly old-fashioned"

Ghost World (2001)

"If "Heathers" was the last word in angry-teen movies back in 1989, "Ghost World" is its perfect contemporary companion piece."

The Gift (2001)

"Brimming with gentility, quiet sadness and weary perseverance, Blanchett's mesmerizing Annie brings to mind the sturdy, often lonely women Sissy Spacek created in movies like "Raggedy Man" and "Marie.""

Gigli (2003)

"An inert, toneless clunker... with the stars generating almost as much heat as Michael Jackson and Lisa Marie Presley did in their public makeout sessions."

Girl, Interrupted (1999)

"while Ryder is baring her soul and facing off against such formidable types as Whoopi Goldberg and Vanessa Redgrave, Jolie strides in and steals the film out from under its star."

Girls' Night (1999)

"Both actresses are far more vibrant than Kay Mellor's screenplay."

The Gleaners and I (2001)

"strings together observations about psychotherapy, freeway traffic and the origins of cinema while opening our eyes to a subculture few of us ever think about."

Gloria (1998)

"Unable to commit to being a thriller or a character study, the movie settles for being an excitement-free drag."

Go (1999)

"zooms through its shaggy dog story with the same adrenalin rush that dominates its psychedelic soundtrack from master DJ BT."

Godsend (2004)

"It's impossible to imagine the Almighty actually endorsing the kind of shoddy workmanship that has turned ...'The Bad Seed' into what ought to be titled 'The Bad Stem Cell.'"

Godzilla (1998)

"Emmerich and Devlin's 'Godzilla' turns out to be almost as overblown as the 1977 revision of 'King Kong.' The only thing that might send you screaming from the theater is the horrifying Puff Daddy song heard over the end credits."

The Golden Child (1986)

"the beginning of the end for Murphy's career"

Good Burger (1997)

""plenty of ham and no shortage of cheese""

Good Night. And, Good Luck (2005)

"While networks can no longer fire people for wedding a co-worker and the once-terrifying threat of Communism has long since evaporated, many of the other problems addressed in 'Good Night' are still startlingly relevant."

The Good Son (1993)

"An unintentionally uproarious melodrama; a must-see for fans of the truly terrible"

Good Will Hunting (1997)

"Though the movie tells a straightforward story, there are enough offbeat touches along the way to balance out its more predictable aspects."

Gordy (1995)

"Insufferable BABE knockoff"