Tomato |
Nacho Libre (2006) |
"Black, making terrific use of his portly physique, throws himself into the role (and into the ring) with the sort of no-holds-barred gusto rarely seen since the heyday of the late John Belushi." |
James Sanford |
Tomato 3/5 |
Nadine (1987) |
"Basinger and Bridges keep things hopping" |
James Sanford |
Tomato 3/5 |
The Naked Gun 2 1/2: The Smell of Fear (1991) |
""amusing, unmemorable sequel"" |
James Sanford |
Tomato 3.5/5 |
The Namesake (2007) |
"Nair obviously cares deeply about these people and, through her sensitive storytelling, she persuades the audience to make an emotional investment in them as well." |
James Sanford |
Tomato 3/4 |
Nancy Drew (2007) |
"an enjoyable combination of a typically Nancy Drew-ish mystery -- which includes a murdered screen star and a haunted house -- and some 'Clueless'-style comedy." |
James Sanford |
Splat 2.5/5 |
The Nanny Diaries (2007) |
"the movie has softened up a story that wasn't exactly hard-hitting to begin with. Polished, pleasant and generally pedestrian..." |
James Sanford |
Tomato 3/4 |
Nanny McPhee (2006) |
"a delightfully odd tale... (Thompson) fills her story with amusing situations and an appealingly whimsical atmosphere." |
James Sanford |
Tomato |
Napoleon Dynamite (2004) |
"It's easy to envision 'Napoleon' eventually becoming a staple of college DVD parties, in the same way that 'Office Space,' 'High Fidelity' and 'Bottle Rocket' have." |
James Sanford |
Tomato |
National Treasure (2004) |
"The 'North by Northwest' of a new generation it is not, but 'Treasure' provides two hours of easy escapism..." |
James Sanford |
Tomato 4/5 |
National Velvet (1944) |
""Taylor at her most fetching"" |
James Sanford |
Splat 2/5 |
Native Son (1987) |
"Well-intended but deadly dull" |
James Sanford |
Splat 2.5/4 |
The Nativity Story (2006) |
"while the subject matter remains fascinating, the storytelling in director Catherine Hardwicke's film leaves much to be desired. ... reverent almost to a fault, yet its inspirational value is not particularly high." |
James Sanford |
Splat 2/5 |
Necessary Roughness (1991) |
""Major League" on the gridiron, if that's what you need" |
James Sanford |
Tomato 5/5 |
Never Give a Sucker An Even Break (1941) |
"one of the many reasons Fields is still acclaimed as a comic genius" |
James Sanford |
Splat 1/5 |
Never Talk to Strangers (1995) |
"and never watch anything with Banderas and DeMornay co-starring..." |
James Sanford |
Splat 2.5/4 |
The New World (2005) |
"Malick's screenplay seems intent on keeping all of these people at arm's length, as if they were wax figures in a museum, separated from the public by thick glass cases." |
James Sanford |
Splat 1.5/4 |
New York Minute (2004) |
"Here's a movie aimed at young girls that must have been created with the 'tired businessman' -- or at least the hormonally charged older brother -- squarely in mind." |
James Sanford |
Tomato 3/5 |
New York Stories (1989) |
"As Meatloaf once said, two out of three ain't bad" |
James Sanford |
Tomato |
The Newton Boys (1998) |
"Linklater seems to understand the root of McConaughey's appeal stems from his wild side. Casting McConaughey as someone noble and high-minded... is like hiring Madonna to play a housewife." |
James Sanford |
Splat 1.5/4 |
Next (2007) |
"The ending of this film is not just a colossal cheat, it's a hard slap in the face to anyone who has invested his or her time in watching it. The preview audience responded with groans of disbelief and derisive laughter." |
James Sanford |
Tomato |
The Next Best Thing (2000) |
"The tenderness of the relationship is completely believable because of the easy and affectionate way Everett and Madonna play off of each other." |
James Sanford |
Splat 2/4 |
A Night at the Roxbury (1998) |
"making a skit 30 times as long does not necessarily mean you've made it 30 times as funny; despite scattered laughs 'Roxbury' feels overextended..." |
James Sanford |
Splat |
The Night Listener (2006) |
"Although the careless editing has left the plot in tatters, it hasn't ruined a sincere, low-key performance by a grandfatherly looking Williams and an excellent turn by Collette, who makes Donna a fascinating collection of contradictions." |
James Sanford |
Splat 2/5 |
A Nightmare on Elm Street 3 - Dream Warriors (1987) |
"about as good as this series ever got, but that's not exactly high praise" |
James Sanford |
Tomato |
Nightwatch (1998) |
"the director makes excellent use of the Cinemascope frame and some disturbing sound effects (such as the amplified flapping of moths' wings) to show how our hero is overwhelmed by his cold, spacious workplace." |
James Sanford |
Tomato 4/5 |
Ninotchka (1939) |
"one of Garbo's greatest hits, still a treat to watch" |
James Sanford |
Tomato |
No Man's Land (2001) |
"It's less about battlefields and weaponry than it is about personality conflicts and the agonizing frustration that boils inside people who want to put positive changes into effect, but are too entangled in red tape to do much of anything." |
James Sanford |
Tomato 3/5 |
Noises Off (1992) |
"It was better on stage, but the movie isn't unwatchable" |
James Sanford |
Splat 1.5/4 |
Norbit (2007) |
"one long fat joke... a vanity showcase that exists for no reason except to put as much of its star as possible on the screen." |
James Sanford |
Splat 2/4 |
North Country (2005) |
"Sexual harassment is generally a complex topic (see David Mamet's 'Oleanna'), yet 'North Country' presents much of its material in cut-and-dried, black-and-white simplicity." |
James Sanford |
Tomato 3.5/4 |
Notes on a Scandal (2006) |
"Often cruelly funny... Dench and Blanchett fearlessly reach for the skies, giving performances that hold back nothing. A feminine version of The Talented Mr. Ripley." |
James Sanford |
Tomato 3/4 |
The Notorious Bettie Page (2006) |
"Refreshingly, Mol doesn't play Page as a dumb bunny but as someone who discovered that narrow middle ground between sweetness and sexiness." |
James Sanford |
Splat |
Notre Musique (2004) |
"plays out as a series of dry pronouncements from intellectuals. But Godard has not lost his taste for experimentation." |
James Sanford |
Tomato |
Notting Hill (1999) |
"Make no mistake: Even those who've previously managed to resist the Julia Juggernaut are likely to cave in after seeing 'Notting Hill.'" |
James Sanford |
Splat 1.5/5 |
The Number 23 (2007) |
"one of the funniest movies Carrey has made in years -- and, unfortunately, the laughs are mostly unintentional. ...piles contrivance on top of contrivance until it's impossible to take Walter's descent into paranoia seriously." |
James Sanford |
Tomato 5/5 |
The Nun's Story (1959) |
"One of Audrey's finest dramatic moments" |
James Sanford |
Splat 2/5 |
Nuns on the Run (1990) |
""makes a habit of being unfunny"" |
James Sanford |
Tomato 4/5 |
The Nutty Professor (1963) |
""probably Lewis' masterpiece"" |
James Sanford |
Splat |
Nutty Professor II: The Klumps (2000) |
"sidelined by a convoluted storyline whipped up by no less than four screenwriters, all of whom seem to have been working at cross-purposes." |
James Sanford |