O Brother, Where Art Thou? (2000)

"hardly a dark, weighty epic. In fact, it's more like the Red Velvet Cake that's a Southern speciality: lovely to look at, multi-layered and best taken lightly."

Ocean's Thirteen (2007)

"Clooney, Pitt and Damon have now worked together long enough that they've found a delightful sense of synchronicity that makes even the throwaway lines worth catching."

Off Beat (1985)

"Not at all -- it's pure, forgettable formulaic sitcom"

Old School (2003)

"a cheerful, unapologetically goofy comedy that manages to get a reasonable share of laughs without constantly leaning on gross-out gags"

Oliver! (1968)

"Eye-filling and lively, but it was better on the stage"

One False Move (1992)

"a tight, tense little thriller that's most notable today as a launching pad for the careers of Bill Paxton and Billy Bob Thornton."

One True Thing (1998)

"the movie ultimately belongs to Streep, who illuminates the extraordinary soul inside an everyday woman."

Only You (1994)

""Moonstruck II," it is not"

Open Season (2006)

"Both Lawrence and Kutcher remain firmly within their standard ranges -- Lawrence is surly but secretly sensitive, while Kutcher is manic yet needy -- and their performances are as nondescript as most of the jokes."

Open Your Eyes (1997)

"Substantially better than its remake, 'Vanilla Sky'"

Orgazmo (1998)

"Perhaps the movie's single biggest joke is its NC-17 rating, which it must have earned solely for raunchy dialogue. The nudity is anything but erotic."

The Other Side of Heaven (2002)

"In its combination of religion, love story and exotic locales, "Heaven" is a bit reminiscent of James Michener's "Hawaii," although this is a somewhat simpler, more personal tale."

The Others (2001)

"Writer-director Alejandro Amenabar has assembled a chiller that's thoroughly engrossing without ever grossing us out, and he's gotten an intense, masterfully modulated performance from Kidman that easily ranks among her finest."

Out of Africa (1985)

"Epic filmmaking at its most lushly romantic"

Out of Time (2003)

"Screenwriter Dave Collard doesn't give the movie much of an ending -- the story's rough edges are miraculously smoothed over, thanks to some fortuitous personality changes -- but most of "Time" is enjoyably taut..."

The Outsiders (1983)

"Gorgeously photographed teen drama with a strong cast"

Overdrawn at the Memory Bank (1983)

"you'll want to start forgetting it as soon as possible"