Splat |
Racing Stripes (2005) |
"the latest entry in a long string of family-oriented films that undercut their sentimental side with plenty of gross-out gags and dried-out pop culture references." |
James Sanford |
Splat 1.5/4 |
Radio (2003) |
"It's not that the movie's heart isn't in the right place -- it's all over the place, like a boxful of gooey Valentine's Day chocolates splattered against a wall." |
James Sanford |
Tomato 4/5 |
Rain Man (1988) |
""genuinely enthralling"" |
James Sanford |
Splat |
Raising Helen (2004) |
"serious emotional issues... are swept away with the kinds of quick fixes and sudden realizations commonly found in those 'very special episodes' of TV sitcoms." |
James Sanford |
Tomato |
Raising Victor Vargas (2003) |
"The movie's greatest asset is its naturalism: The actors, none of them professionals, slip into these roles so effortlessly, it's easy to forget they're working from a script..." |
James Sanford |
Splat |
Random Hearts (1999) |
"Just in time for the first frost of the season comes 'Random Hearts,' a romance between two ice cubes that moves at the speed of a glacier." |
James Sanford |
Tomato 3.5/4 |
Ratatouille (2007) |
"Bewitching... Bird's movies don't have the same rush-rush rhythms or the lowbrow humor that have become the hallmark of too many animated films. Instead, he puts the emphasis on characters and cleverness..." |
James Sanford |
Tomato 4/5 |
The Raven (1935) |
"Love that "elevator bedroom" and the Poe-inspired basement!" |
James Sanford |
Splat 2/5 |
Raw Deal (1986) |
""You should not drink and bake" -- or take this one very seriously" |
James Sanford |
Tomato |
Ray (2004) |
"(Foxx) seems bent on actually channeling the spirit of Charles... (and) good luck remaining firmly in your seat in the presence of a sensational soundtrack." |
James Sanford |
Tomato |
The Real Cancun (2003) |
"A few of the people we meet appear to be so brain-dead, you wonder how they manage to breathe without assistance -- and this is before they hit the bar!" |
James Sanford |
Tomato |
Real Genius (1985) |
"great fun and full of 1980s relics, from the now-antiquated computers to the box of Donkey Kong cereal to a finale set to Tears for Fears..." |
James Sanford |
Tomato 4/5 |
Reality Bites (1993) |
"Already a period piece, but what fun" |
James Sanford |
Splat 1/4 |
The Reaping (2007) |
"A piece of jittery junk. If it didn't star Hilary Swank, this fiasco would almost certainly have gone directly to DVD." |
James Sanford |
Splat |
The Recruit (2003) |
"You want originality, you're in the wrong movie -- 'The Recruit' only has leftovers." |
James Sanford |
Tomato |
Red Dragon (2002) |
"While 'Manhunter' takes the prize for stylishness, 'Dragon' is much scarier and more emotionally involving." |
James Sanford |
Tomato 3.5/4 |
Red Eye (2005) |
"superbly sustained tension... makes the fights between Brad Pitt and Angelina Jolie in 'Mr. and Mrs. Smith' look like innocent roughhousing." |
James Sanford |
Splat |
Red Planet (2000) |
"Even when the astronauts are running out of oxygen, they still insist on espousing their theories about life, science and God. Had the movie any sexual or racial tension, it could pass itself off as "The Real World: Mars."" |
James Sanford |
Tomato 4/4 |
Reds (1981) |
"an epic love story ... As a teenager I saw it four times in the theater (which I now find pretty astonishing, considering the movie is well more than three hours long -- I had a lot more free time in 1981!)" |
James Sanford |
Tomato 3/5 |
Reefer Madness (1937) |
"a campy classic, full of awful acting and blatant misinformation" |
James Sanford |
Tomato 4/5 |
The Ref (1994) |
"One of the most underrated comedies of the 1990s" |
James Sanford |
Splat 1/5 |
Reform School Girls (1986) |
"A great idea for a trailer or a poster, but not for a feature-length film." |
James Sanford |
Tomato 3/5 |
Regarding Henry (1991) |
"Soap opera, to be sure, but reasonably entertaining" |
James Sanford |
Tomato |
Reign of Fire (2002) |
"This sort of movie ultimately soars or sinks on the strength of its visual effects, and supervisor Richard R. Hoover and his crew don't disappoint." |
James Sanford |
Tomato 3/4 |
Reign Over Me (2007) |
"Binder's plot doesn't have much in common with 'Quadrophenia,' but he takes his audience on a journey that is just as exhausting. ...nearly everyone in the film makes a strong impression..." |
James Sanford |
Splat |
Reindeer Games (2000) |
"the denouement involves more double-crosses, false identities and dirty secrets than you'd find in an entire library of Raymond Chandler novels, and you can bet no one is going to mistake this mess for 'The Big Sleep' or 'Farewell, My Lovely.'" |
James Sanford |
Tomato |
Remember the Titans (2000) |
"a good-hearted and sometimes surprisingly moving film that's certain to earn high marks from family audiences and from fans of Denzel Washington..." |
James Sanford |
Splat 2/5 |
Renegades (1989) |
"Half-baked, forgettable action flick" |
James Sanford |
Tomato 4/4 |
Rent (2005) |
"Viva la vie boheme. ...largely throws out the Hollywood rule book and remains refreshingly true to composer Jonathan Larson's Pulitzer-winning original." |
James Sanford |
Splat |
The Replacements (2000) |
"Wearing the same blank expression that's become his trademark, Reeves proves that after 15 years in movies he still can't deliver a joke." |
James Sanford |
Tomato |
Requiem for a Dream (2000) |
"No, it's not a movie for the faint of heart. Aronofsky has designed "Requiem" as a kind of psychotic symphony, in which the mundane becomes ever more menacing as the quartet free-fall into their own separate hells." |
James Sanford |
Tomato 3/4 |
Rescue Dawn (2007) |
"certainly effective in its own way, thanks to a number of excellent performances, a few jolting visuals and Herzog's evocation of the steamy, almost impenetrable jungles of Laos and Thailand..." |
James Sanford |
Tomato 4/5 |
The Return of Martin Guerre (1984) |
"Fascinating tale; inspiration for "Sommersby"" |
James Sanford |
Tomato |
Return to Never Land (2002) |
"Disney aficionados will notice distinct parallels between this story and the 1971 musical "Bedknobs and Broomsticks," which also dealt with British children rediscovering the power of fantasy during wartime." |
James Sanford |
Tomato |
Return to Oz (1985) |
"moody non-musical sequel to 'The Wizard of Oz' bombed at the box office and was faulted by most critics as being too weird and scary for kids." |
James Sanford |
Tomato |
Revenge of the Nerds (1984) |
"Compared to most of today's gross-out extravaganzas... this exceedingly upbeat saga seems almost wholesome." |
James Sanford |
Splat 0/5 |
Revolution (1985) |
"star-spangled silliness, and one of the biggest debacles of the 1980s" |
James Sanford |
Splat |
Rhinestone (1984) |
"Stallone has managed to squeeze himself into nearly every scene, banishing Parton to the sidelines, where she comes off like a weary hostess waiting for an obnoxious drunken guest to pass out so she can put the lampshade back where it belongs..." |
James Sanford |
Splat |
Ride (1998) |
"Former music-video auteur Millicent Shelton penned the script, which, if you cut out all the obscenities and flatulence jokes, could comfortably fit on the back of her business card." |
James Sanford |
Splat 1/5 |
Riding in Cars with Boys (2001) |
"It's an embarrassment, a misguided tearjerker that will only make you cry if you spent good money to see it." |
James Sanford |
Tomato 3/5 |
The Right Stuff (1983) |
"even though the total is less than the sum of its parts, it's pretty impressive nevertheless" |
James Sanford |
Splat |
The Ring (2002) |
"the phone rings and a voice tells you you've got seven days left to live. Then you get another phone call warning you that if the video isn't back at Blockbuster before midnight, you're going to face frightening late fees. O.K., not really." |
James Sanford |
Splat 1.5/4 |
The Ring Two (2005) |
"barely so-so... demonstrates that after only two movies this series is already flirting with self-parody." |
James Sanford |
Splat .5/4 |
Ringmaster (1998) |
"those hoping for inside dirt will instead be rewarded with a fictitious, shoddy piece of claptrap that has nothing to say about Springer..." |
James Sanford |
Tomato 4/5 |
RKO 281 - The Battle Over "Citizen Kane" (1999) |
"entertaining; Schreiber is excellent" |
James Sanford |
Tomato |
The Road to El Dorado (2000) |
"enjoyable adventure, with a delightful beginning and an exciting finale making up for a somewhat muddled middle." |
James Sanford |
Tomato |
Road to Perdition (2002) |
"...the kind of intricately designed movie that will undoubtedly yield more details and messages on a second or third viewing." |
James Sanford |
Tomato |
Road Trip (2000) |
"a veritable barrage of potshots at overweight lovers, blind people, clueless sorority sisters, African-American fraternity brothers, unctuous teaching assistants, snarky motel desk clerks, smarmy restaurant workers, innocent white mice and drug-addled sen" |
James Sanford |
Tomato 4/5 |
Rob Roy (1995) |
"Splendid performances, smashing action" |
James Sanford |
Tomato 3/5 |
Robocop (1987) |
"ultraviolent sci-fi that meets its goals" |
James Sanford |