Splat 2.5/4 |
S.W.A.T. (2003) |
"Neither dull nor particularly exciting ...no one is likely to hold this film up as his or her shining moment when it's time to put together a career retrospective." |
James Sanford |
Tomato |
S1m0ne (2002) |
"Clearly, Niccol is a writer-director who enjoys examining the blurry boundary between the real and the illusionary." |
James Sanford |
Tomato 4/5 |
Sabrina (1995) |
"Pleasing remake with a strong cast and a classy script" |
James Sanford |
Splat 2.5/4 |
Sahara (2005) |
"'National Treasure Lite'... a movie that would probably be perfect in-flight entertainment, or maybe even a decent video rental on a night when you're in an undemanding mood." |
James Sanford |
Splat |
Santa Claus Conquers the Martians (1964) |
"It's all about as heartwarming as a documentary about reconstructive bowel surgery, a procedure you may need should you choose to sit through all 82 minutes..." |
James Sanford |
Tomato |
The Santa Clause 2 (2002) |
"Those who stick with 'Clause 2' through its unpromising opening will be rewarded with a reasonably entertaining romantic comedy..." |
James Sanford |
Tomato |
Saraband (2005) |
"confessional outbursts are captured in lengthy takes, usually in mercilessly tight close-ups.... It's as if Bergman is taking X-rays of their souls." |
James Sanford |
Tomato 3/4 |
Sarah Silverman: Jesus is Magic (2005) |
"Whether you think it's awesome or awful, there's no denying that 'Jesus is Magic' is sheer Silverman, a portrait of the artist as a young maniac." |
James Sanford |
Splat 1/5 |
Satan's Cheerleaders (1977) |
""rah rah, sissboom blah!"" |
James Sanford |
Tomato |
Save the Last Dance (2001) |
"If "Dance" stumbles into a few too many subplots and a couple of cliched characters along the way, it also makes some strong points about contemporary attitudes toward the idea of interracial romances." |
James Sanford |
Tomato |
Saved! (2004) |
"In a role that represents the flip side of her sweet-natured heroine in 'A Walk to Remember,' Mandy Moore is a demented delight..." |
James Sanford |
Splat |
Saving Silverman (2001) |
"Peppered with naked senior citizens, trash-talking nuns and a bloody plastic surgery operation, "Silverman" will be best enjoyed by people who truly believe "gross" and "silly" are synonyms for "funny"..." |
James Sanford |
Splat 2/4 |
Scary Movie 4 (2006) |
"For every sharp one-liner or bright sight gag, there are five clunkers, including played-out references to Russell Crowe's phone-throwing incident and a lazy jab at Michael Jackson's fondness for little boys." |
James Sanford |
Tomato 3/5 |
Scenes From a Mall (1991) |
"Some funny moments, but it should have been a triumph" |
James Sanford |
Splat 2/5 |
Scent of a Woman (1992) |
"Volcanic Pacino performance, but the drama drags" |
James Sanford |
Tomato 3/5 |
School Daze (1987) |
"ambitious, messy, rowdy comedy-drama, which tosses together fraternity foolishness, campus activism, lusty romance and even a few musical numbers" |
James Sanford |
Splat 2.5/4 |
School for Scoundrels (2006) |
"ultimately neither fish nor fowl... the mean-spirited moments of 'School' are easily the movie's most convincing, leading one to wish that Phillips had emphasized the story's darker side." |
James Sanford |
Tomato 3.5/4 |
School of Rock (2003) |
"'School of Rock' is the best kind of crowd-pleaser, a high-concept comedy that doesn't play to the lowest common denominator." |
James Sanford |
Splat 2/4 |
Scooby Doo 2: Monsters Unleashed (2004) |
"it's safe to say the Oscar race ends here. If you're an easily pleased 8-year-old member of the Academy, that is." |
James Sanford |
Splat |
Scooby-Doo - The Movie (2002) |
"As with so many merchandised-to-the-max movies of this type, more time appears to have gone into recruiting the right bands for the playlist and the costuming of the stars than into the script, which has a handful of smart jokes and not much else." |
James Sanford |
Splat 2/4 |
Scoop (2006) |
"Occasionally Allen hits the right notes, but his comedies have become increasingly erratic in recent years and 'Scoop' is no exception: It strains to charm." |
James Sanford |
Tomato |
Scream 2 (1997) |
"what a clever plot it is, spiked by hip one-liners that knowingly poke fun at such targets as Sandra Bullock, sorority sisters and the sad state of sequels in general." |
James Sanford |
Tomato |
The Sea Inside (2004) |
"what could have been unrelieved morbid dreariness becomes, in the hands of Amenabar, a provocative and unexpectedly life-affirming story..." |
James Sanford |
Tomato |
Seabiscuit (2003) |
"Call it corny if you like -- and many will -- but Ross sees this biography ... as a chance to make a statement about the country's resilient spirit." |
James Sanford |
Tomato 3/5 |
The Secret of My Success (1987) |
"Quintessential 1980s comedy" |
James Sanford |
Tomato 3/4 |
Secret Window (2004) |
"It's hard not to get drawn in as director David Koepp steadily ratchets up the tension and Depp piles on the weird little flourishes. ...warped fun" |
James Sanford |
Tomato 3/5 |
See You in the Morning (1989) |
"Not-bad domestic drama" |
James Sanford |
Splat |
Seed of Chucky (2004) |
"certainly earns a few bonus points for chutzpah, as well as for sheer, unadulterated weirdness." |
James Sanford |
Splat 2/5 |
The Sender (1982) |
"Clever idea, not-so-great execution" |
James Sanford |
Tomato |
Serendipity (2001) |
"In some ways, "Serendipity" could be the movie Tom Hanks and Meg Ryan forgot to make 10 years ago. Not since "Sleepless in Seattle" has there been so much onscreen discussion about soulmates and the mystical power of fate." |
James Sanford |
Tomato |
Serenity (2005) |
"an action-packed thriller with a sense of humor, several ingenious ideas and a few startling scares... full of genre-bending fun and pop-culture trivia..." |
James Sanford |
Splat 2/4 |
Sergeant Pepper's Lonely Hearts Club Band (1978) |
"Sitting through what passes for a story here is like trying to make a meal out of a can of vanilla frosting. ...The comments on the test screening scorecards must have been priceless." |
James Sanford |
Splat 2/5 |
The Serpent and the Rainbow (1987) |
"Craven tries something different, with mixed results" |
James Sanford |
Tomato 4/5 |
Seven Faces of Dr. Lao (1963) |
"a delightful, imaginative curio" |
James Sanford |
Tomato 3.5/4 |
Sexy Beast (2001) |
"a chilly comedy of the darkest kind, set in a world where sentences are punctuated with profanities, weapons sometimes fall apart at unfortunate moments and people say things like 'You've got very nice eyes... Are they real?'" |
James Sanford |
Tomato |
Shaft (2000) |
"a surprisingly successful update of what many regard as the best of the "blaxploitation" films of the early 1970s. It owes most of its success to Jackson, who hasn't had such a meaty role since "Pulp Fiction"..." |
James Sanford |
Splat 2/4 |
The Shaggy Dog (2006) |
"at least it's not as excruciating as the commercials make it look. How's that for a glowing recommendation?" |
James Sanford |
Splat |
Shall We Dance? (2004) |
"a mostly faithful remake of the 1996 Japanese film of the same name. That movie was enchanting; this one is innocuous." |
James Sanford |
Tomato |
Shallow Hal (2001) |
"although the ad campaign makes it appear the movie is an outrageous attack on the obese, in truth "Hal" saves its sharpest jabs for the small-minded and mean-spirited." |
James Sanford |
Tomato |
Shanghai Knights (2003) |
"a delight from the first scene to the last, a sequel that handily beats its predecessor" |
James Sanford |
Tomato |
Shanghai Noon (2000) |
"somehow manages to stay reasonably sunny and lighthearted without resorting to the condescending who-cares-it's-just-a-movie attitude that sunk Mel Gibson's 'Maverick' a few years back." |
James Sanford |
Splat 2/4 |
Shark Tale (2004) |
"...all shiny surfaces, bright colors and corny jokes, backed up by a percolating, vaguely irritating soundtrack of pop-rap...
" |
James Sanford |
Tomato 3.5/4 |
Shaun of the Dead (2004) |
"a terrific horror movie send-up... even filmgoers who normally shy away from shockers will probably have a good time..." |
James Sanford |
Tomato |
She (1935) |
"Thrillingly scored by Max Steiner and featuring backdrops you won't believe, the movie climaxes with a dazzling ceremony in the Hall of Kings, featuring hundreds of extras performing some of the most bizarre choreography ever filmed." |
James Sanford |
Splat |
She's The Man (2006) |
"Given the amount of time Bynes spends mugging and overselling her lines, a more accurate title would have been 'She's the Ham.'
" |
James Sanford |
Tomato |
The Shining (1980) |
"one of those rare thrillers that actually benefits from repeated viewings, although the movie is so unnerving many viewers have never made it all the way through even once." |
James Sanford |
Splat |
The Shipping News (2001) |
"Nearly everyone we meet has a cute name (Billy Pretty, B.B. Nutbeem, etc.), an extensive backstory and his/her personal set of adorable eccentricities. It's enough to give folksy types a bad name." |
James Sanford |
Tomato 2.5/4 |
Shooter (2007) |
"the perfect movie for guys who still daydream about re-enacting 'Combat' and 'The A-Team' episodes in the backyard. But it's also a thriller with an undeniable political message...'Burn, baby, burn.'" |
James Sanford |
Tomato |
Shopgirl (2005) |
"threatens to turn into the latest update of 'Pretty Woman' (but) an inescapable undercurrent of sadness flows through the movie and through its characters, which gives 'Shopgirl' a wistful, often downright bluesy tone." |
James Sanford |
Splat 1/5 |
Short Circuit 2 (1988) |
"Low-wattage sequel" |
James Sanford |