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A Nous La Liberte (1931) |
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"All of the layers are brought together through Clair's clever use of sound and image." | |
Michael Dequina | |
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3/4 |
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A Scanner Darkly (2006) |
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"Linklater creates an eerie, mysterious, menacing hyperreality that engulfs the mind and senses." | |
Michael Dequina | |
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3/4 |
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A.I. Artificial Intelligence (2001) |
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"The most astounding effect of all is not mecha, but orga: Haley Joel Osment's transcendent performance." | |
Michael Dequina | |
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3.5/4 |
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Aberdeen (2001) |
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"Miraculously manages to sidestep easy manipulation." | |
Michael Dequina | |
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3/4 |
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About a Boy (2002) |
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"Will warm your heart without making you feel guilty about it." | |
Michael Dequina | |
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1/4 |
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Absence of the Good (1999) |
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"The title says it all." | |
Michael Dequina | |
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2.5/4 |
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Absolute Power (1997) |
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"For all the suspense the film does generate, the fairly flat climax is a disappointing payoff." | |
Michael Dequina | |
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4/4 |
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The Abyss (1989) |
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"What was once a well-made, well-acted mess is now a very poignant and satisfying sci-fi adventure." | |
Michael Dequina | |
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0.5/4 |
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Ace Ventura: Pet Detective (1994) |
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"If you've seen the first minute, you've seen it all." | |
Michael Dequina | |
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0/4 |
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Ace Ventura: When Nature Calls (1995) |
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"Painful to sit through." | |
Michael Dequina | |
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2/5 |
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Action Jackson (1988) |
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No article available. | |
Michael Dequina | |
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2/4 |
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Adam Sandler's Eight Crazy Nights (2002) |
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"Sentimentality and secretions, with a generous helping of blatant product placement, do not make for the most graceful of holiday entertainments." | |
Michael Dequina | |
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4/4 |
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Adaptation (2002) |
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Click here to see the review. | |
Michael Dequina | |
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3/5 |
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The Addams Family (1991) |
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No article available. | |
Michael Dequina | |
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3/4 |
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Addicted to Love (1997) |
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"Stalking does not sound like a viable basis for a romantic comedy, but director Griffin Dunne and screenwriter Robert Gordon have somehow made it work." | |
Michael Dequina | |
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3/5 |
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Adventures in Babysitting (1987) |
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No article available. | |
Michael Dequina | |
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2.5/4 |
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The Adventures Of Elmo In Grouchland (1999) |
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"Strictly for those who are currently watching the PBS series: that is, the preschool/kindergarten audience." | |
Michael Dequina | |
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3/4 |
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The Adventures of Sebastian Cole (1999) |
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"Given so many vapid young would-be stars foisted upon the public by the Hollywood machinery, it is a rare delight indeed to come across one with actual talent and potential." | |
Michael Dequina | |
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3/4 |
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The Adventures of the Great Mouse Detective (1986) |
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"An amiable little trifle that entertains during its scant running time." | |
Michael Dequina | |
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3/4 |
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An Affair of Love (2000) |
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"A refreshingly mature look at sexuality: these are people over 30 enjoying active sex lives and able to intelligently examine their actions and the consequences." | |
Michael Dequina | |
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3/5 |
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An Affair to Remember (1957) |
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No article available. | |
Michael Dequina | |
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3/4 |
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Affliction (1997) |
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"The powerful performances by Nolte and Coburn make the film well worth a look, even if they are part of a less-than-developed whole." | |
Michael Dequina | |
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4/5 |
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After Hours (1985) |
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No article available. | |
Michael Dequina | |
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2/4 |
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Afterglow (1997) |
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"Alan Rudolph's romantic roundelay sounds a lot more interesting than it plays." | |
Michael Dequina | |
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4/4 |
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The Age of Innocence (1993) |
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"A moving and impassioned work from one of the foremost filmmakers today." | |
Michael Dequina | |
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1/4 |
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Agnes Browne (1999) |
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"What can one say about a film whose idea of comedy is having the two women sit around discussing whether or not they've had an 'organism' or not?" | |
Michael Dequina | |
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3.5/4 |
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Air Force One (1997) |
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"An exciting, entertaining variation of the Die Hard formula where our kick-*** hero is none other than the President of the United States." | |
Michael Dequina | |
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5/5 |
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Airplane! (1980) |
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No article available. | |
Michael Dequina | |
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4/5 |
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Akira (1988) |
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No article available. | |
Michael Dequina | |
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4/4 |
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Aladdin (1992) |
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"Let it share its 'whole new world with you.'" | |
Michael Dequina | |
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2/4 |
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Aladdin and the King of Thieves (1996) |
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"Isn't involving enough to sustain interest when the Genie is offscreen." | |
Michael Dequina | |
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3/4 |
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Albino Alligator (1996) |
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"Sleek, efficient thriller." | |
Michael Dequina | |
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3/4 |
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Ali (2001) |
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"Smith's towering performance can only be fully appreciated on a suitably large screen." | |
Michael Dequina | |
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Alias - The Complete Fourth Season (2004-2005) |
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"While Alias looks to never break out beyond cult status, Buena Vista deserves major credit for consistently giving fans high-quality preservations of the series.
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Michael Dequina | |
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1.5/4 |
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Alien 3 (1992) |
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"The advertisements promise '3 times the suspense. 3 times the danger. 3 times the terror.' The only thing Alien3 has triple of is the word 'f--k.'" | |
Michael Dequina | |
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3/4 |
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Alien Resurrection (1997) |
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"A welcome return to [the series'] roots as a wild, reckless thrill ride." | |
Michael Dequina | |
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1.5/4 |
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Alien vs. Predator (2004) |
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"The once-promising project was doomed to disaster, going back to the very moment Paul W.S. Anderson was awarded directing and screenwriting duties." | |
Michael Dequina | |
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2/4 |
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All About the Benjamins (2002) |
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"One of those films that seems tailor made to air on pay cable to offer some modest amusements when one has nothing else to watch." | |
Michael Dequina | |
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3/4 |
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All I Wanna Do (1998) |
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"Any film as energetically performed, entertaining, and rousing... clearly has the potential to cross the demographic barriers--that is, if given the chance." | |
Michael Dequina | |
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2/4 |
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All Or Nothing (2001) |
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"If this sounds like boilerplate urban drama to you, you wouldn't be mistaken." | |
Michael Dequina | |
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4/5 |
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All That Heaven Allows (1955) |
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No article available. | |
Michael Dequina | |
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2/4 |
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All the Pretty Horses (2000) |
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"A hollow shell--the frame of a story that either hasn't had a chance to fully gestate or a more full-bodied beast that was ultimately stripped down to the bare essentials." | |
Michael Dequina | |
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3/5 |
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All the Vermeers in New York (1990) |
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No article available. | |
Michael Dequina | |
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3.5/4 |
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Almost Famous (2000) |
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"May be almost great, but that's more than enough." | |
Michael Dequina | |
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0/4 |
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Almost Heroes (1998) |
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"A virtually laugh-free comedy that puts a sad end to the woefully lackluster screen career of a talented comic." | |
Michael Dequina | |
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0/4 |
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Alone in the Dark (2005) |
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"Has just about everything a snarky bad movie lover could want--that is, except a guy and two robots sitting in the bottom right hand corner." | |
Michael Dequina | |
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1.5/4 |
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Along Came a Spider (2001) |
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"Sinks the fledgling franchise to new depths--and quite possibly past the point of no return." | |
Michael Dequina | |
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1.5/4 |
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Along Came Polly (2004) |
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"The blame for this remarkably stillborn romantic/gross-out comedy falls squarely on its writer/director, John Hamburg.
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Michael Dequina | |
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4/4 |
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Amadeus (1984) |
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"A wonderful mix of sight and sound of humor and drama, of love and hate, of ugliness and beauty." | |
Michael Dequina | |
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4/4 |
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Amadeus - Director's Cut (2002) |
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"Such a wonderful mix of sight and sound, of humor and drama, of love and hate, of ugliness and beauty." | |
Michael Dequina | |
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