Tomato 3/5 |
All the Vermeers in New York (1990) |
No article available. |
Michael Dequina |
Tomato 3.5/4 |
Almost Famous (2000) |
"May be almost great, but that's more than enough." |
Michael Dequina |
Splat 0/4 |
Almost Heroes (1998) |
"A virtually laugh-free comedy that puts a sad end to the woefully lackluster screen career of a talented comic." |
Michael Dequina |
Splat 0/4 |
Alone in the Dark (2005) |
"Has just about everything a snarky bad movie lover could want--that is, except a guy and two robots sitting in the bottom right hand corner." |
Michael Dequina |
Splat 1.5/4 |
Along Came a Spider (2001) |
"Sinks the fledgling franchise to new depths--and quite possibly past the point of no return." |
Michael Dequina |
Splat 1.5/4 |
Along Came Polly (2004) |
"The blame for this remarkably stillborn romantic/gross-out comedy falls squarely on its writer/director, John Hamburg.
" |
Michael Dequina |
Splat 2.5/4 |
Alvin and the Chipmunks Meet Frankenstein (1999) |
"As much as I like the Chipmunks, while watching my sometimes flagging interest made it clear that I had pretty much outgrown them." |
Michael Dequina |
Tomato 4/4 |
Amadeus (1984) |
"A wonderful mix of sight and sound of humor and drama, of love and hate, of ugliness and beauty." |
Michael Dequina |
Tomato 4/4 |
Amadeus - Director's Cut (2002) |
"Such a wonderful mix of sight and sound, of humor and drama, of love and hate, of ugliness and beauty." |
Michael Dequina |
Tomato 4/4 |
Amelie (2001) |
"Cynics can scoff all they want, but why, when it's simply easier to just surrender to the magic?" |
Michael Dequina |
Splat 2/4 |
America's Sweethearts (2001) |
"Coming out the loser in the mess is Joe Roth, who shows that heading movie studios hasn't done any favors for whatever directorial ability he may have once had." |
Michael Dequina |
Tomato 3/4 |
The American Astronaut (2001) |
"McAbee deserves much credit for not letting the obvious financial limitations constrain his imagination." |
Michael Dequina |
Tomato 4/4 |
American Beauty (1999) |
"Wildly funny and unpredictable." |
Michael Dequina |
Tomato 4/5 |
American Graffiti (1973) |
No article available. |
Michael Dequina |
Tomato |
American History X (1998) |
"The incendiary X ... makes a lasting, thought-provoking impression.
" |
|
Tomato 3/4 |
American History X (1998) |
"For all its faults, still makes a lasting, thought-provoking impression." |
Michael Dequina |
Tomato 3/4 |
American Movie (1999) |
"A warm and funny tribute to the passion for film as well as the drive and determination of dreamers in general." |
Michael Dequina |
Splat 1.5/4 |
American Outlaws (2001) |
"So lifeless that it's enough to turn the Generation Y demographic off to the western genre completely." |
Michael Dequina |
Tomato 3/4 |
American Pie (1999) |
"The whole point of the exercise [is] having a good time, and audiences are certain to have a blast." |
Michael Dequina |
Tomato 3/4 |
American Pie 2 (2001) |
"There's no shortage of overbaked sex gags--and laughs--in this follow-up." |
Michael Dequina |
Splat 2/5 |
American Pop (1981) |
No article available. |
Michael Dequina |
Tomato 3.5/4 |
The American President (1995) |
"Glorious romantic comedy." |
Michael Dequina |
Tomato 3.5/4 |
American Psycho (2000) |
"Bale's achievement is in suggesting far more dimensions than his character would ever admit to having." |
Michael Dequina |
Tomato 4/5 |
An American Tail (1986) |
No article available. |
Michael Dequina |
Tomato 3/4 |
American Teen (2008) |
"Damn, I really do not miss high school." |
Michael Dequina |
Tomato 3.5/4 |
American Violet (2009) |
"Nicole. Beharie. Remember the name, for if her stunning lead turn is any indication, huge things are in the future." |
Michael Dequina |
Splat 0/5 |
American Virgin (2000) |
No article available. |
Michael Dequina |
Tomato 3/4 |
American Wedding (2003) |
"One last helping of good, dirty--and surprisingly sweet--fun." |
Michael Dequina |
Splat 2/5 |
American Women (2000) |
No article available. |
Michael Dequina |
Splat 2/4 |
Amistad (1997) |
"A true Amistad movie should be a highly emotional tale about the courage and will of the Africans themselves not the American-centered courtroom drama that Spielberg has made." |
Michael Dequina |
Splat 2/5 |
The Amityville Horror (1979) |
No article available. |
Michael Dequina |
Splat 2/4 |
Among Giants (1998) |
"There is little Griffiths or Postlethwaite can do to fill out Beaufoy's underwritten, uninvolving script." |
Michael Dequina |
Tomato 3/4 |
Amor Real (2005) |
"Spectacle can only take a serial so far, and Amor Real, for all its epic trappings, has an irresistible basic hook." |
Michael Dequina |
Tomato 3.5/4 |
Amores Perros (2001) |
"Inarritu and his cast are able to make the audience care for these deeply flawed characters and share their often intertwined feelings of pleasure and pain." |
Michael Dequina |
Tomato 3/4 |
Amour Infinity: A Brooklyn Love Story (2001) |
"The emotions it elicits are true and wholly earned." |
Michael Dequina |
Splat 2/5 |
The Amy Fisher Story (1993) |
No article available. |
Michael Dequina |
Splat 0/4 |
Anaconda (1997) |
"can best be summed up by a line delivered midway by Lopez without the slightest bit of irony: 'This film was supposed to be my big break, and now it's turned into a disaster.'" |
Michael Dequina |
Splat 2/4 |
Analyze That (2002) |
"The end credit outtake reel feels like a desperate bid to rescue the dud ending and make the moviegoers leave with a smile." |
Michael Dequina |
Tomato 3/4 |
Analyze This (1998) |
"In its first two acts, Harold Ramis's comedy uproariously mines its premise for all its comedic worth." |
Michael Dequina |
Tomato 3/4 |
Anastasia (1997) |
"The style is more live-action Broadway and MGM, with background characters forming a full-on dance chorus, spontaneously breaking into heavily choreographed moves." |
Michael Dequina |
Tomato 3.5/4 |
Andrew Lloyd Webber's The Phantom of the Opera (2004) |
"Conjures up this unexplainable spell that leaves audiences sad, sentimental, swooning, smiling--in some way transported and moved." |
Michael Dequina |
Tomato 3/4 |
Angela's Ashes (1999) |
"Sometimes humorous and wholly inspiring tale." |
Michael Dequina |
Splat 1.5/4 |
Anger Management (2003) |
"Nicholson wears his devilish grin from his first scene to last, and one has to assume that's his reaction to the enormous size of his paycheck and not the material." |
Michael Dequina |
Splat 1.5/4 |
The Animal (2001) |
"The premise is a single-note joke that is hardly sturdy enough to support a 90-minute feature." |
Michael Dequina |
Tomato 3.5/4 |
Animaniacs - Wakko's Wish (1999) |
"Few films bearing the 'family' label truly hold appeal to all ages, but this is one glorious example where the classification rings true." |
Michael Dequina |
Tomato 3/5 |
Animatrix (2003) |
No article available. |
Michael Dequina |
Tomato 3/5 |
Animatrix (2003) |
No article available. |
Michael Dequina |
Tomato 3/4 |
Anna and the King (1999) |
"Beautiful pageantry, smart political intrigue, and a convincing rapport between leads." |
Michael Dequina |
Splat 2/5 |
Annie (1982) |
No article available. |
Michael Dequina |
Splat 2/4 |
The Anniversary Party (2001) |
"Such an array of acting talent is trapped in such a mess of a movie." |
Michael Dequina |
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