Splat 2.5/4 |
K-19: The Widowmaker (2002) |
"Manages to find another way to become a big-budget Hollywood summer production that shamelessly panders to the lowest common denominator." |
Michael Dequina |
Splat 1.5/4 |
K-911 (1999) |
"Sitcom all the way." |
Michael Dequina |
Splat 1.5/4 |
K-Pax (2001) |
"Can't you just smell the pretension? Probably not, given the other ways in which this film stinks." |
Michael Dequina |
Tomato 3/4 |
Kaante (2002) |
"As seamless and effective a mix of Bombay and Hollywood genre conventions as they come." |
Michael Dequina |
Splat 2.5/4 |
Kabhi Alvida Naa Kehna (2006) |
"For a good part of his run time, Johar succeeds in crafting something genuinely absorbing and fairly uncompromising--which makes it all the more disappointing when he ultimately succumbs to his more formulaic candyfloss instincts." |
Michael Dequina |
Tomato 4/4 |
Kal Ho Naa Ho (2003) |
"A half-decade has passed, but the film has not lost any of its fresh energy and heartfelt poignance." |
Michael Dequina |
Tomato 4/4 |
Kal Ho Naa Ho (2003) |
"Not only helped redeem the year in Bollywood in my hopelessly tear-drenched eyes, but the year in cinema as a whole." |
Michael Dequina |
Splat 2/5 |
Kama Sutra: A Tale of Love (1997) |
No article available. |
Michael Dequina |
Splat 2/5 |
Kansas City (1996) |
No article available. |
Michael Dequina |
Splat 2/4 |
Kate and Leopold (2001) |
"Put Ryan and Jackman together, and they fail the simple Alka Seltzer chemistry test: plop, plop, fizzle, fizzle, and no, what a relief it isn't." |
Michael Dequina |
Splat 0/4 |
Kazaam (1996) |
"Prime MST3K material, ripe for the ripping." |
Michael Dequina |
Splat 1/4 |
Kehtaa Hai Dil Baar Baar (2002) |
"The chemistry never really comes to life, and neither does the comedy." |
Michael Dequina |
Splat 0.5/4 |
Keys to Tulsa (1997) |
"A messy mix of soap opera, film noir, black comedy, and social satire, none of which is done very well." |
Michael Dequina |
Splat 0/4 |
Khushi (2003) |
"The inexplicably popular Kareena Kapoor continues to unimpress with her lack of any discernible talent, acting or otherwise." |
Michael Dequina |
Splat 1.5/4 |
A Kid Called Danger (1999) |
"A fantasy that small children will likely eat up, but then young kids will eat just about anything they can put into their mouths." |
Michael Dequina |
Tomato 3.5/4 |
The Kid Stays in the Picture (2002) |
"Click to read review" |
Michael Dequina |
Tomato 3/4 |
Kids (1995) |
"A powerful piece of work, one not easily forgotten." |
Michael Dequina |
Tomato 3/4 |
Kidulthood (2004) |
"Despite being rather graphic and unflinching in its subject matter, there is a genuine humanity toward its characters." |
Michael Dequina |
Splat 2/5 |
Kikujiro (2000) |
No article available. |
Michael Dequina |
Tomato 4/4 |
The Killer (1989) |
"The best marriage of intense, exciting, bloody action with a strong, affecting story I have ever seen." |
Michael Dequina |
Splat 0/4 |
Killer Tongue (1996) |
"Sometimes you can know a stinker from its title, and, indeed, something by the name of Killer Tongue has 'crap' written all over it." |
Michael Dequina |
Splat 2/5 |
Killing Zoe (1994) |
No article available. |
Michael Dequina |
Tomato 3/5 |
Kindergarten Cop (1990) |
No article available. |
Michael Dequina |
Splat 0.5/4 |
The King and I (1999) |
"The most stupefyingly incompetent animated feature to reach the big screen in recent memory." |
Michael Dequina |
Tomato 5/5 |
The King of Comedy (1982) |
No article available. |
Michael Dequina |
Tomato 3.5/4 |
The King of Masks (1996) |
"This charming, '30s-set fable offers richer rewards than a jolt of adrenaline." |
Michael Dequina |
Tomato 3/4 |
The Kingdom (2007) |
"The real star is Berg, who with his fairly short list of directing credits has proven to be one of the more reliable and versatile talents working behind the camera today." |
Michael Dequina |
Splat 2/4 |
Kingdom Come (2001) |
"Something is amiss when gentleness is the most memorable element of the film that desperately wants to be a rollicking gutbuster." |
Michael Dequina |
Tomato 4/5 |
Kingpin (1996) |
No article available. |
Michael Dequina |
Splat 1.5/4 |
Kisna (2005) |
"By the film's end, all one is left with is cold, hollow, indulgent, pretentious theatrics." |
Michael Dequina |
Splat 1.5/4 |
Kiss of Death (1995) |
"Atmospheric yet ultimately hollow exercise in tedium." |
Michael Dequina |
Tomato 3/4 |
Kiss of the Dragon (2001) |
"The formulaic story cannot weigh down the high-flying, visceral excitement that the film offers in generous doses." |
Michael Dequina |
Splat 2.5/4 |
Kiss the Girls (1997) |
"There is a critical void in the middle--the villain." |
Michael Dequina |
Tomato 3/4 |
Kitchen Stories (2004) |
"The charm and chemistry of the two leads and subtle, wry moments of humor make for an endearing entertainment." |
Michael Dequina |
Splat 1/4 |
Knock Off (1998) |
"Tsui's visual razzle-dazzle borders on overkill, coming off as desperate attempts to shield the inanity of the entire enterprise." |
Michael Dequina |
Splat 1.5/4 |
Knockaround Guys (2002) |
"No less stale than the many derivative crime thrillers that flood the direct-to-video market." |
Michael Dequina |
Splat 1/4 |
Komodo (1999) |
"The first box blurb--'from the writer of Anaconda'--tells you what you need to know about the story." |
Michael Dequina |
Tomato 4/5 |
Koyaanisqatsi: Life Out of Balance (1983) |
No article available. |
Michael Dequina |
Tomato 4/5 |
Krush Groove (1985) |
No article available. |
Michael Dequina |
Splat 2/5 |
Kuffs (1992) |
No article available. |
Michael Dequina |
Tomato 3.5/4 |
Kundun (1997) |
"Scorsese's rich tableau of image and music bears a potent emotional weight." |
Michael Dequina |
Tomato 3.5/4 |
Kung Fu Hustle (2005) |
"Stephen Chow is a nut--and I mean it with the utmost affection." |
Michael Dequina |
Tomato |
Kung Fu Hustle (2005) |
"Absolutely insane comic tribute to classic martial arts films and stars." |
Michael Dequina |
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