Splat 1/4 |
The Pacifier (2005) |
"Sheer boredom, unless you're under the age of 7." |
Michael Dequina |
Tomato 3/4 |
Paid in Full (2002) |
"Harris and Phifer's chemistry lends the inevitable tragedies some genuine punch." |
Michael Dequina |
Splat 2/4 |
Palmetto (1998) |
"Shue, appearing uncomfortable and distracted and trying a bit too hard, comes off as more camp than vamp." |
Michael Dequina |
Tomato 3/4 |
Panic (2000) |
"A worthy film that's well worth seeking out." |
Michael Dequina |
Tomato 3/4 |
Panic Room (2002) |
"Style definitely wins over substance, and it's difficult to imagine the film being as enjoyable an entertainment if that were not the case." |
Michael Dequina |
Tomato 3/4 |
Paranormal Activity (2009) |
"Fun, creepy, unpretentious little haunted house rides like these are so hard to come by these days that slight overpraise is understandable." |
Michael Dequina |
Splat 2/4 |
Pariah (1998) |
"There are plenty jolting episodes of rage and violence, but in the end this pulpy potboiler is wrapped up in an unsatisfyingly tidy, coincidence-heavy bow." |
Michael Dequina |
Tomato 3/5 |
Passenger 57 (1992) |
No article available. |
Michael Dequina |
Splat 2/4 |
Passion of Mind (1999) |
"Click to read review" |
Michael Dequina |
Splat 1/4 |
Patch Adams (1998) |
"A sea of schmaltz that is even more insulting than it is nauseating." |
Michael Dequina |
Splat 2.5/4 |
Pathfinder (2007) |
"All basic interest, to say nothing of excitement, is sapped whenever the big, brutal battle sequences come to a halt and inane dialogue takes over." |
Michael Dequina |
Splat 0/4 |
The Patriot (1998) |
"Steven Seagal as a Montana doctor with a strange accent. Yes, it is as laughable as it sounds." |
Michael Dequina |
Tomato 3/5 |
Patriot Games (1992) |
No article available. |
Michael Dequina |
Splat 2/4 |
Paul Blart: Mall Cop (2009) |
"Never delivers the big laughs this star in this promising premise really should." |
Michael Dequina |
Splat 2/4 |
Pavilion of Women (2001) |
"The only importance anyone is likely to associate with this overblown melodrama is self-importance." |
Michael Dequina |
Splat 2.5/4 |
Pay It Forward (2000) |
"There is a clear-cut difference between 'Oscar bait' and 'Oscar worthy,' which Mimi Leder's sentimental crock of a drama illustrates all too well." |
Michael Dequina |
Splat 2.5/4 |
Payback (1999) |
"The thin story never generates any genuine excitement." |
Michael Dequina |
Tomato 3/4 |
The Peacemaker (1997) |
"A sturdy, entertaining popcorn movie." |
Michael Dequina |
Splat 2/4 |
Pearl Harbor (2001) |
"While sheer spectacle may be good enough for an ever-easy-to-please moviegoing public, it cannot be for Bay, who so clearly, desperately strove for so much more." |
Michael Dequina |
Splat 2.5/4 |
Pecker (1998) |
"Toss in running gags about the pubic hair on lesbian strippers, and what could possibly be wrong? In short, the film doesn't have much of a pecker." |
Michael Dequina |
Tomato 3/5 |
The Pelican Brief (1993) |
No article available. |
Michael Dequina |
Tomato 4/4 |
The People Vs. Larry Flynt (1996) |
"Funny, fascinating, and maybe just a little unsettling." |
Michael Dequina |
Tomato 3/4 |
Perfect Blue (1997) |
"With the freedom of animation comes a more effective blurring of fantasy and reality." |
Michael Dequina |
Splat 2.5/4 |
A Perfect Murder (1998) |
"As is the case with too many remakes, the slick new take falls short." |
Michael Dequina |
Splat 0/4 |
The Perfect Score (2004) |
"An even more lame-brained sitcom than that in which director Brian Robbins starred many eons ago." |
Michael Dequina |
Splat 1.5/4 |
Perfect Stranger (2007) |
"Columbia seems to be on a one-studio mission to revive that very '90s of film genres, the erotic thriller--or are they determined to kill it off for good, considering such poor efforts as this listless Halle Berry vehicle?" |
Michael Dequina |
Tomato 4/4 |
A Perfect World (1993) |
"Moving and totally absorbing." |
Michael Dequina |
Splat 2/4 |
Permanent Midnight (1998) |
"Comes off as manufactured and synthetic as most Hollywood product." |
Michael Dequina |
Tomato 5/5 |
A Personal Journey with Martin Scorsese Through American Movies (1995) |
No article available. |
Michael Dequina |
Tomato 4/5 |
Peter Pan (1953) |
No article available. |
Michael Dequina |
Splat 1.5/4 |
The Phantom (1996) |
"It's hard to have fun with comic book antics that are so forced." |
Michael Dequina |
Tomato 3.5/4 |
The Phantom Lover (1995) |
"Yu's sumptuous blend of the impassioned performances, the lush photography, and the haunting melodies of the score and songs resonates with beautifully wrenching romantic longing." |
Michael Dequina |
Splat 1/4 |
Phantom of the Opera (1998) |
"Missing is one decent scare and, worst of all, the passion that this classic gothic romance is known for." |
Michael Dequina |
Tomato 3/5 |
Phantom of the Paradise (1974) |
No article available. |
Michael Dequina |
Tomato 3/4 |
Phenomenon (1996) |
"A slight but agreeable blend of comedy, drama, and whimsy." |
Michael Dequina |
Tomato |
Philadelphia (1993) |
"Manages to be humorous and moving without being too preachy or heavy-handed." |
Michael Dequina |
Tomato 3/4 |
Phoebe In Wonderland (2009) |
"The whimsical and outlandish flights of fantasy are what initially grab the attention, but the greatest virtues are the authentic performances by the cast." |
Michael Dequina |
Tomato 3.5/4 |
Pi (1997) |
"The intent is to create a living nightmare of psychological horror, and Aronofsky succeeds most unsettlingly." |
Michael Dequina |
Tomato 3/4 |
The Pianist (2002) |
"While the film itself may not live up to the advance hype, Brody exceeds expectations." |
Michael Dequina |
Tomato 3/5 |
Picture Perfect (1997) |
No article available. |
Michael Dequina |
Tomato 3/4 |
The Pillow Book (1997) |
"Never less than mesmerizing, even when you're not exactly sure what exactly Greenaway is trying to say." |
Michael Dequina |
Tomato 4/5 |
Pillow Talk (1959) |
No article available. |
Michael Dequina |
Splat 2/4 |
Piņero (2001) |
"Bratt's fast-talking, all-attitude interpretation is showboating without soul--which can be said of the entire movie." |
Michael Dequina |
Splat 1.5/4 |
The Pink Panther 2 (2009) |
"Wasteful, unneeded sequel to Shawn Levy's already unnecessary 2006 remake/series reboot." |
Michael Dequina |
Tomato 5/5 |
Pinocchio (1940) |
No article available. |
Michael Dequina |
Splat 0/4 |
Pinocchio (2002) |
"Head-slapping, what-the-f*ck-is-this-for-real? trippiness." |
Michael Dequina |
Splat 2/4 |
Pirates of Silicon Valley (1999) |
"Those wanting to know the true story behind the creation of computer giants Apple and Microsoft better look elsewhere." |
Michael Dequina |
Tomato 3/4 |
Pirates of the Caribbean: Dead Man's Chest (2006) |
"A rollicking ride that keeps the audience coming back for more." |
Michael Dequina |
Tomato 3/4 |
Pirates of the Caribbean: The Curse of the Black Pearl (2003) |
"Depp's highly strange, oddly magnetic, and irresistibly entertaining performance energizes the overextended, two-hour-plus proceedings." |
Michael Dequina |
Splat 2/4 |
Pitch Black (2000) |
"Nothing here breaks any new ground." |
Michael Dequina |
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