Tomato 3/5 |
V: The Complete TV Series (1984) |
No article available. |
Michael Dequina |
Tomato 4/5 |
V: The Final Battle (1984) |
No article available. |
Michael Dequina |
Tomato 3.5/4 |
Va Savoir (2001) |
"An enchanting entertainment that offers a number of laughs while dispensing an equal number of romantic truths." |
Michael Dequina |
Splat 0/4 |
Valentine (2001) |
"Just when the slasher genre had mercifully been left for dead, along comes this abysmally wasteful exercise to drain it of whatever life it has left." |
Michael Dequina |
Tomato 3/4 |
Valkyrie (2008) |
"The top priority of Bryan Singer's film is not to be a history lesson or character study but to simply be an absorbing adult suspense film." |
Michael Dequina |
Splat 2/4 |
Vampire in Brooklyn (1995) |
"Never funny enough to pass muster as a comedy and never scary enough (if at all) to make it as a horror movie." |
Michael Dequina |
Splat 1.5/4 |
Vampires (1998) |
"The laughable dialogue and lack of plot isn't as problematic as the uninteresting and unlikable characters." |
Michael Dequina |
Splat 1.5/4 |
Vanilla Sky (2001) |
"Imitation can indeed be the sincerest form of flattery by being so bad in comparison." |
Michael Dequina |
Tomato 3.5/4 |
The Vanishing (1988) |
"A potent, haunting, and impressively nuanced thriller." |
Michael Dequina |
Splat 2/5 |
The Vanishing (1993) |
No article available. |
Michael Dequina |
Splat 1/4 |
Varsity Blues (1998) |
"Anyone who misses the heyday of the afterschool special will certainly enjoy this banal tale of self-fulfillment, juiced up with enough alcohol and sleaze to earn an R rating." |
Michael Dequina |
Splat 2/4 |
Vatel (2000) |
"Period costume dramas are always expected to offer opulent pageantry, but in the case of Vatel, that's all there is." |
Michael Dequina |
Splat 2/4 |
The Velocity of Gary (1999) |
"Never quite develops three-way erotic charge it should have." |
Michael Dequina |
Splat 2/4 |
Velocity Trap (1997) |
"Click to read review" |
Michael Dequina |
Splat 2.5/4 |
Velvet Goldmine (1998) |
"A strange but ceaselessly fascinating barrage of music and imagery with nothing in the center to hold it all together." |
Michael Dequina |
Splat 1.5/4 |
Vertical Limit (2000) |
"O'Donnell's lazy, inexpressive performance here should prove to the suits once and for all that this walking, talking rice cake incarnate does not have what it takes to become a major star." |
Michael Dequina |
Tomato 4/4 |
Vertigo (1958) |
"Hitchcock's twisty, suspenseful tale is far more involving and memorable than most recent Hollywood thrillers." |
Michael Dequina |
Tomato 4/4 |
Very Bad Things (1998) |
"Shameless, eager-to-shock energy, with a crafty script and a flawless ensemble cast to match, make this beyond-black comedy a very good thing indeed." |
Michael Dequina |
Splat 2.5/4 |
A Very Brady Sequel (1996) |
"Breezy fun, but probably only a safe moviegoing bet for camp connoisseurs, Brady maniacs, and fans of the first film." |
Michael Dequina |
Splat 2.5/4 |
The Very Thought of You (1998) |
"I would have liked to see Potter and Fiennes in a more straightforward love story without all the mechanical silliness." |
Michael Dequina |
Splat |
Vibrations (1995) |
"With Anamika's love and a pair of robotic hands, techno-playing T.J. becomes a rave club superstar as a robot named Cyberstorm. No, this plotline is no joke." |
Michael Dequina |
Splat 2.5/4 |
Vicky Cristina Barcelona (2008) |
"I want to know how delivering punch lines in halting English while playing a shrieking harpy is in any way Oscar-worthy." |
Michael Dequina |
- |
The Virgin Suicides (1999) |
"Interview with Kirsten Dunst" |
Michael Dequina |
Splat 2.5/4 |
The Virgin Suicides (1999) |
"There are a lot of good individual elements on display, yet they never quite gel into something that completely satisfies." |
Michael Dequina |
Splat 1.5/4 |
Virtual Sexuality (1999) |
"Apparently the British can make teen comedies as idiotic as those from the States." |
Michael Dequina |
Tomato 3/4 |
Virtuosity (1995) |
"Shallow stuff, but the solid visual effects, decent stunts, and the work of Washington and Crowe make it watchable." |
Michael Dequina |
Splat 0/4 |
Virus (1998) |
"Curtis's earnest performance would be better suited for a more intelligent, exciting script, one where "What the hell was that?' and 'What the hell is going on?' don't make up 95% of the dialogue." |
Michael Dequina |
Tomato 3/4 |
The Visit (2000) |
"More important than the technical precision of the actors' turns is the rapport they all share--which ultimately lends this story of a family its authentic, immediate poignancy." |
Michael Dequina |
Splat 2.5/4 |
Voices From A Locked Room (1999) |
"Despite an impressive performance by Northam, this is a movie-of-the-week with explicit sex and nudity (I think I've just convinced a number of people to rent this thing)." |
Michael Dequina |
Splat 2/4 |
Volcano (1997) |
"[The characters] aren't people; they're mere objects to stick in front of the flowing lava." |
Michael Dequina |
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