Tomato |
A Nous La Liberte (1931) |
"All of the layers are brought together through Clair's clever use of sound and image." |
Michael Dequina |
Tomato 3/4 |
A Scanner Darkly (2006) |
"Linklater creates an eerie, mysterious, menacing hyperreality that engulfs the mind and senses." |
Michael Dequina |
Tomato 3/4 |
A.I. Artificial Intelligence (2001) |
"The most astounding effect of all is not mecha, but orga: Haley Joel Osment's transcendent performance." |
Michael Dequina |
Tomato 3.5/4 |
Aberdeen (2001) |
"Miraculously manages to sidestep easy manipulation." |
Michael Dequina |
Tomato 3/4 |
About a Boy (2002) |
"Will warm your heart without making you feel guilty about it." |
Michael Dequina |
Tomato 3.5/4 |
About Schmidt (2002) |
"A simple, silent, static shot of Nicholson's face is one of the most beautiful, powerful, indelible images of the 2002 movie year." |
Michael Dequina |
Tomato 4/4 |
The Abyss (1989) |
"What was once a well-made, well-acted mess is now a very poignant and satisfying sci-fi adventure." |
Michael Dequina |
Tomato 4/4 |
Adaptation (2002) |
"Thanks a lot, Charlie Kaufman. Thanks to you, I and millions of others can no longer use writer's block as a valid excuse for the sh*ttiness of our writing." |
Michael Dequina |
Tomato 3/5 |
The Addams Family (1991) |
No article available. |
Michael Dequina |
Tomato 3/4 |
Addicted to Love (1997) |
"Stalking does not sound like a viable basis for a romantic comedy, but director Griffin Dunne and screenwriter Robert Gordon have somehow made it work." |
Michael Dequina |
Tomato 3/5 |
Adventures in Babysitting (1987) |
No article available. |
Michael Dequina |
Tomato 3/4 |
The Adventures of Sebastian Cole (1999) |
"Given so many vapid young would-be stars foisted upon the public by the Hollywood machinery, it is a rare delight indeed to come across one with actual talent and potential." |
Michael Dequina |
Tomato 3/4 |
The Adventures of the Great Mouse Detective (1986) |
"An amiable little trifle that entertains during its scant running time." |
Michael Dequina |
Tomato 3/4 |
An Affair of Love (2000) |
"A refreshingly mature look at sexuality: these are people over 30 enjoying active sex lives and able to intelligently examine their actions and the consequences." |
Michael Dequina |
Tomato 3/5 |
An Affair to Remember (1957) |
No article available. |
Michael Dequina |
Tomato 3/4 |
Affliction (1997) |
"The powerful performances by Nolte and Coburn make the film well worth a look, even if they are part of a less-than-developed whole." |
Michael Dequina |
Tomato 4/5 |
After Hours (1985) |
No article available. |
Michael Dequina |
Tomato 4/4 |
The Age of Innocence (1993) |
"A moving and impassioned work from one of the foremost filmmakers today." |
Michael Dequina |
Tomato 3.5/4 |
Air Force One (1997) |
"An exciting, entertaining variation of the Die Hard formula where our kick-*** hero is none other than the President of the United States." |
Michael Dequina |
Tomato 5/5 |
Airplane! (1980) |
No article available. |
Michael Dequina |
Tomato 4/5 |
Akira (1988) |
No article available. |
Michael Dequina |
Tomato 4/4 |
Aladdin (1992) |
"Let it share its 'whole new world with you.'" |
Michael Dequina |
Tomato 3/4 |
Albino Alligator (1996) |
"Sleek, efficient thriller." |
Michael Dequina |
Tomato 3/4 |
Ali (2001) |
"Smith's towering performance can only be fully appreciated on a suitably large screen." |
Michael Dequina |
Tomato |
Alias - The Complete Fourth Season (2004) |
"While Alias looks to never break out beyond cult status, Buena Vista deserves major credit for consistently giving fans high-quality preservations of the series.
" |
Michael Dequina |
Tomato 3/4 |
Alien Resurrection (1997) |
"A welcome return to [the series'] roots as a wild, reckless thrill ride." |
Michael Dequina |
Tomato 3/4 |
All About My Mother (1999) |
"Hits a number of the right emotional buttons, due in large part to Roth's extraordinary performance." |
Michael Dequina |
Tomato 3/4 |
All I Wanna Do (1998) |
"Any film as energetically performed, entertaining, and rousing... clearly has the potential to cross the demographic barriers--that is, if given the chance." |
Michael Dequina |
Tomato 3/4 |
All or Nothing (2002) |
"It's all quite tough going, but the actors make it difficult to look away." |
Michael Dequina |
Tomato |
All That Heaven Allows (1955) |
"Quite involving, overblown emotion and all, particularly due to Wyman's gentle sincerity." |
Michael Dequina |
Tomato 3/5 |
All the Vermeers in New York (1990) |
No article available. |
Michael Dequina |
Tomato 3.5/4 |
Almost Famous (2000) |
"May be almost great, but that's more than enough." |
Michael Dequina |
Tomato 4/4 |
Amadeus (1984) |
"A wonderful mix of sight and sound of humor and drama, of love and hate, of ugliness and beauty." |
Michael Dequina |
Tomato 4/4 |
Amadeus - Director's Cut (2002) |
"Such a wonderful mix of sight and sound, of humor and drama, of love and hate, of ugliness and beauty." |
Michael Dequina |
Tomato 4/4 |
Amelie (2001) |
"Cynics can scoff all they want, but why, when it's simply easier to just surrender to the magic?" |
Michael Dequina |
Tomato 3/4 |
The American Astronaut (2001) |
"McAbee deserves much credit for not letting the obvious financial limitations constrain his imagination." |
Michael Dequina |
Tomato 4/4 |
American Beauty (1999) |
"Wildly funny and unpredictable." |
Michael Dequina |
Tomato 4/5 |
American Graffiti (1973) |
No article available. |
Michael Dequina |
Tomato |
American History X (1998) |
"The incendiary X ... makes a lasting, thought-provoking impression.
" |
|
Tomato 3/4 |
American History X (1998) |
"For all its faults, still makes a lasting, thought-provoking impression." |
Michael Dequina |
Tomato 3/4 |
American Movie (1999) |
"A warm and funny tribute to the passion for film as well as the drive and determination of dreamers in general." |
Michael Dequina |
Tomato 3/4 |
American Pie (1999) |
"The whole point of the exercise [is] having a good time, and audiences are certain to have a blast." |
Michael Dequina |
Tomato 3/4 |
American Pie 2 (2001) |
"There's no shortage of overbaked sex gags--and laughs--in this follow-up." |
Michael Dequina |
Tomato 3.5/4 |
The American President (1995) |
"Glorious romantic comedy." |
Michael Dequina |
Tomato 3.5/4 |
American Psycho (2000) |
"Bale's achievement is in suggesting far more dimensions than his character would ever admit to having." |
Michael Dequina |
Tomato 4/5 |
An American Tail (1986) |
No article available. |
Michael Dequina |
Tomato 3/4 |
American Teen (2008) |
"Damn, I really do not miss high school." |
Michael Dequina |
Tomato 3.5/4 |
American Violet (2009) |
"Nicole. Beharie. Remember the name, for if her stunning lead turn is any indication, huge things are in the future." |
Michael Dequina |
Tomato 3/4 |
American Wedding (2003) |
"One last helping of good, dirty--and surprisingly sweet--fun." |
Michael Dequina |
Tomato 3/4 |
Amor Real (2005) |
"Spectacle can only take a serial so far, and Amor Real, for all its epic trappings, has an irresistible basic hook." |
Michael Dequina |
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