Tomato |
Analyze This (1998) |
"Director Harold Ramis keeps the gangsters real and funny at the same time." |
Bob Fenster |
Splat 3/5 |
Anchorman: The Legend of Ron Burgundy (2004) |
"For every gag that works, there's one that doesn't, and the story is too thin to keep us engaged otherwise." |
Bill Muller |
Splat 3/5 |
Andrew Lloyd Webber's The Phantom of the Opera (2004) |
"Butler doesn't have the necessary screen presence, and without a good Phantom, the movie fails to capture the imagination." |
Bill Muller |
Tomato 3/5 |
Andy Goldsworthy - Rivers and Tides: Working With Time (2003) |
"[Goldsworthy's] art is meant to be evanescent, like the nature he reveres. We are privileged to see it documented by the filmmaker's camera." |
Richard Nilsen |
Splat 2.5/5 |
Angel-A (2007) |
"... a visually sumptuous, dramatically inert fable ..." |
Robert W. Butler |
Tomato 3/5 |
Angels & Demons (2009) |
"Credit where it's due: Director Ron Howard, also back from Da Vinci, keeps things moving fast enough -- the clock is ticking, after all -- that you don't linger over the implausibility of the story." |
Bill Goodykoontz |
Tomato 3/5 |
Anger Management (2003) |
"While it includes some funny scenes, one senses that the Nicholson-Sandler pairing could have achieved much more." |
Bill Muller |
Splat 2/5 |
Annapolis (2006) |
"Actually, the lyrics to In the Navy are more sophisticated than Annapolis, which was assembled by the handy-dandy Disney make-a-movie kit and is loaded with parts borrowed from other films." |
Bill Muller |
Splat 2.5/4 |
The Ant Bully (2006) |
"The Ant Bully, in trying to match Antz or A Bug's Life, just digs itself into a big hole." |
Bill Muller |
Tomato 3/5 |
Antwone Fisher (2002) |
"Denzel Washington gives a sensitive yet powerful performance as a Navy psychiatrist, and newcomer Derek Luke is a pleasant surprise as the title character." |
Bill Muller |
Tomato |
Antz (1998) |
"Antz crawling with detail, humor, Woody Allen style." |
Bob Fenster |
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Anything But Love (2003) |
Click here to see the review. |
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Splat 3/5 |
Anything Else (2003) |
"Although Ricci holds up her side of the story, Biggs doesn't quite have the screen presence to pull off the other role." |
Bill Muller |
Tomato 3.5/5 |
Apocalypto (2006) |
"Although it's a pretty good bet that much of the audience won't be beguiled by Gibson's end-of-the-world metaphors, no one can deny he made an entertaining movie." |
Bill Muller |
Tomato 4/5 |
Appaloosa (2008) |
"Ambition is a great quality in a filmmaker, especially when it's realized. Yet there is something to be said for just telling a story, and with Appaloosa, Harris does a fine job of it." |
Bill Goodykoontz |
Tomato 1/5 |
Appearance of A Man (2009) |
"A ufologist's variant of The Da Vinci Code, except without all the action and faux scholarship." |
Kerry Lengel |
Tomato 3/5 |
Apres Vous (2005) |
"A light, entertaining comedy with little, if any, redeeming value, other than a few good laughs." |
Richard Nilsen |
Tomato |
Apt Pupil (1998) |
"A tense, psychological study of evil!" |
Bob Fenster |
Splat 1/5 |
Aqua Teen Hunger Force Colon Movie Film For Theatres (2007) |
"If you're not among the Aqua Teen hard core, the aggressive dumbness wears out its welcome about five minutes after the lights go down." |
Randy Cordova |
Tomato 3.5/4 |
Aquamarine (2006) |
"Think of Aquamarine as an eventful day at the marine park, with plenty of bubble gum to go around." |
Kathy Cano Murillo |
Tomato 3/5 |
Arctic Tale (2007) |
"The best thing about Arctic Tale is the vivid underwater cinematography, shot with such urgency and vibrancy that one might suspect a little CGI assistance has been employed." |
Kerry Lengel |
Splat 1/5 |
Are We Done Yet? (2007) |
"This is the kind of movie that gives family films a bad name." |
Randy Cordova |
Splat 2/5 |
Are We There Yet? (2005) |
"If your requirements for good comedy begin and end with a swift kick to the groin, Are We There Yet? is the movie for you." |
Bill Muller |
Tomato 4/5 |
The Aristocrats (2005) |
"Let me reiterate. This movie is really, really dirty." |
Bill Muller |
Splat 1.5/5 |
Arizona Summer (2006) |
"Instead of giving the audience a feel-good vibe, it leaves a sticky residue of artificially flavored fluff." |
Kathy Cano Murillo |
Tomato 3.5/5 |
Around the Bend (2004) |
"This movie is too precious by half, but the smooth, unhurried performances of Caine and Walken (along with the sturdy work of Josh Lucas) allow plenty of room for forgiveness." |
Bill Muller |
Splat 2/5 |
Around the World in 80 Days (2004) |
"Except for little kids and relatives of the cast, there's not much appeal to this numbing remake." |
Bill Muller |
Tomato 3/5 |
Art School Confidential (2006) |
"It's pleasant enough, features fine acting in smaller parts, rises occasionally to laughs or plot, but its ambitions and its accomplishments are modest." |
Richard Nilsen |
Splat 2/5 |
Arthur and the Invisibles (2007) |
"There's no time to sort out the players or the story as things rush ahead at an overwrought pace. Huge amounts of backstory are just plopped down in front of us, so fast and furiously that it makes little sense." |
Bill Muller |
Splat 2/5 |
The Aryan Couple (2004) |
"Pure sentimental melodrama, with not a moment's reflection on any issue larger than the fate of our heroes." |
Richard Nilsen |
Splat 1.5/4 |
Ask the Dust (2005) |
"What's surprising about the new film's vapid emptiness is that Towne also wrote the screenplay. And the writing is the film's central problem." |
Richard Nilsen |
Tomato 4/5 |
The Assassination of Richard Nixon (2004) |
"This ranks as another excellent performance from Penn." |
Bill Muller |
Splat 3/5 |
Assassination Tango (2003) |
"If this sounds like an awkward combination, it is." |
Bill Muller |
Tomato 3.5/5 |
Assault on Precinct 13 (2005) |
"
Though Richet stretches believability near the end, action-movie fans should assault theaters for an entertaining stay at Precinct 13." |
Bill Muller |
Tomato 3.5/5 |
Astro Boy (2009) |
"Tenma wisely powers the boy's heart with positive energy, something that spreads to the movie as well." |
Bill Goodykoontz |
Splat 2.5/5 |
The Astronaut Farmer (2007) |
"It's impossible to take The Astronaut Farmer seriously on a literal or dramatic level if the ending's never in doubt. In the back of our minds, we have an idea where things will end up, so most of the movie is a waiting game." |
Bill Muller |
Tomato 3.5/5 |
Asylum (2005) |
"The makers of Asylum pretend they're making an art movie, and although the film has the trappings, the story is mostly Hollywood." |
Bill Muller |
Splat 2/5 |
At Last (2005) |
"Tedious and utterly lacking in dramatic tension." |
Kerry Lengel |
Tomato 3.5/5 |
ATL (2006) |
"Despite an occasional whiff of cheese, it's mostly a fresh, funny, coming-of-age story that feels authentic." |
Kerry Lengel |
Tomato 4.5/5 |
Atonement (2007) |
"Part highbrow British drawing-room drama, part gritty war film, all entertainment almost all the time, Atonement is a masterful study of both the hurtful and redemptive effects of imagination." |
Bill Goodykoontz |
Splat 2/5 |
August Rush (2007) |
"Director Kirsten Sheridan's new film is August Rush. But she might as well have named it Oliver! 2: Electric Boogaloo." |
Suzanne Condie Lambert |
Tomato |
Austin Powers in Goldmember (2002) |
"The result plays like a series of skits, but the gags are so funny that it works anyway." |
Bill Muller |
Tomato |
Austin Powers: The Spy Who Shagged Me (1999) |
"The sequel is funnier than the original because it has more silliness, more smut and more 'yeah, babies.'" |
Bob Fenster |
Tomato 4/5 |
Australia (2008) |
"If Luhrmann takes too long to tell the tale, it is at least a tale worth telling, shining a light on racism and mistreatment, folding it neatly into a crowded film that entertains us for most of the way." |
Bill Goodykoontz |
Splat |
Auto Focus (2002) |
"Although Kinnear looks the part, he's never able to capture Crane's intangible charm, a peculiar mix of leering slickness and affable class clown." |
Bill Muller |
Tomato 3/5 |
Avatar (2009) |
"If only Cameron, who also wrote the script, had spent as much time on the story as he did the effects he uses to tell it." |
Bill Goodykoontz |
Tomato 4/5 |
Avenue Montaigne (2007) |
"When it all wraps up as neatly as the treacliest Hollywood film, we don't feel cheated, but rather enjoy the satisfaction of a story resolved, and we're happy for each of the people we have spent our hour with." |
Richard Nilsen |
Tomato 4.5/5 |
The Aviator (2004) |
"Other Scorsese films have carried more passion, but none has so brilliantly captured a lost era, or a lost American icon." |
Bill Muller |
Tomato 5/5 |
Away From Her (2007) |
"In Away From Her, four of the best actors in the world turn material worthy of their talents into the best movie of the year so far. The result is moving the way the best-written literature can be, telling us something about ourselves." |
Richard Nilsen |
Tomato 3.5/5 |
Away We Go (2009) |
"Mendes, working from a script by husband-and-wife hipsters Dave Eggers and Vendela Vida, ends things in a vaguely haunting way without really resolving them, which is a good thing." |
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