Tomato 3/4 |
Hairspray (2007) |
"Hairspray mixes aerosol-light social commentary with its affectionate Cinderella story and adds just enough wink-wink naughtiness to keep the earnest melodrama at bay." |
Glenn Whipp |
Splat 1.5/4 |
Half Past Dead (2002) |
"There is an almost poignant dimension to the way that every major stunt Seagal's character ... performs is shot from behind, as if it could fool us into thinking that we're not watching a double." |
Bob Strauss |
Tomato |
Halloween (2007) |
"Halloween has everything you could want in an updated slasher movie, as long as you're not a homicidally slavish purist." |
Bob Strauss |
Splat |
Hamlet (2000) |
"You'll probably wish this 21st-century Hamlet will make his moves sooner than most previous incarnations, if only to cut short the droning." |
Bob Strauss |
Tomato 3/4 |
Hamlet 2 (2008) |
"Shakespeare might well have loved the ironic way that that character trait plays out." |
Bob Strauss |
Tomato 3/4 |
The Hammer (2008) |
"Adam Carrola makes for a pretty agreeable leading man in The Hammer, a movie tailor-made to the comic strengths of the radio/TV personality." |
Glenn Whipp |
Splat 2.5/4 |
Hancock (2008) |
"Drunk superhero comedy turns into ... something else, not all that successfully." |
Bob Strauss |
Splat |
Hanging Up (2000) |
"Rarely gets far enough beyond the foibles stage to make you want to spend time with them, let alone share their life issues." |
Bob Strauss |
Tomato |
Hannah Montana & Miley Cyrus: Best of Both Worlds Concert (2008) |
"Cyrus' fans will receive this material as Moses received those tablets from Mount Sinai." |
David Kronke |
Splat |
Hannibal (2001) |
"Falls far short of creating the mesmerizing menace of its justly celebrated predecessor." |
Glenn Whipp |
Splat 1/4 |
Hannibal Rising (2007) |
"What's left is a plodding revenge story, memorable only for the way it strips the last vestiges of interest from what was once a fascinating character." |
Glenn Whipp |
Tomato 3/4 |
The Happening (2008) |
"It's creepy, silly fun. And if it came from anyone else, it would be recognized as such. One thing is certain: The man hasn't lost his ability to entertain." |
Glenn Whipp |
Tomato 3/4 |
Happily Ever After (1993) |
Click here to see the review. |
|
Splat 2/4 |
Happily N'Ever After (2007) |
"It may satisfy the under-6 crowd with its bright colors and talking animals. But it's not much fun for the rest of the family." |
Bob Strauss |
Tomato 3/4 |
Happy Endings (2005) |
"There is a contrived aspect to a lot of the action. But Roos' insights into parenting, friendship and, of course, love, more than make up for the sometimes forced path that leads to them." |
Bob Strauss |
Tomato 3/4 |
Happy Feet (2006) |
"If this digital dance party doesn't make your feet move just a little, you're not a sentient being." |
Bob Strauss |
Tomato 3.5/4 |
Happy-Go-Lucky (2008) |
"Happy-Go-Lucky doesn't condemn the optimistic way Poppy approaches life. It's wondering why there aren't more people like her." |
Glenn Whipp |
Splat |
Hard Candy (2005) |
"The film's greatest flaw is its conception of its 14-year-old heroine (?) as an avenging angel of death, complete with otherworldly confidence and poise, devoid of the kind vulnerability that would mark a girl of this age." |
Glenn Whipp |
Tomato 3/4 |
The Hard Word (2003) |
"A smart, frisky bauble, as funny as it is entertaining without resorting to elaborate red herrings or hoaxes." |
Evan Henerson |
Splat 2.5/4 |
Harold & Kumar Go To White Castle (2004) |
"While not as outlandishly contrived as director Danny Leiner's Dude, Where's My Car? H&K is about as barely funny and just as hard to believe." |
Bob Strauss |
Tomato 3/4 |
Harrison's Flowers (2002) |
"This harrowing journey into combat hell vividly captures the chaotic insanity and personal tragedies that are all too abundant when human hatred spews forth unchecked." |
Glenn Whipp |
Tomato 3/4 |
Harry Potter and the Chamber of Secrets (2002) |
"Although very much like the first movie based on J.K. Rowling's phenomenal fantasy best sellers, this second go-round possesses a quite pleasing, headlong thrust and a likably delinquent attitude." |
Bob Strauss |
Splat 2.5/4 |
Harry Potter and the Goblet of Fire (2005) |
"In Harry's world, it turns out that the everyday struggles of adolescence are scarier than anything a dark lord -- even one raised from the dead -- can muster. But then, any teenager could tell you that." |
Glenn Whipp |
Tomato 3/4 |
Harry Potter and the Order of the Phoenix (2007) |
"Unremittingly bleak, occasionally brilliant." |
Glenn Whipp |
Tomato 3/4 |
Harry Potter and the Prisoner of Azkaban (2004) |
"Scarier, funnier, filmed with real style." |
Bob Strauss |
Tomato |
Harry Potter and the Sorcerer's Stone (2001) |
"Seem like Star Wars on broomsticks." |
Bob Strauss |
Splat |
Harry Potter and the Sorcerer's Stone (2001) |
"Rowling's glorious contribution to the world with the 'Harry Potter' series was in exciting a young generation to the pleasures of reading. What Columbus has managed is to get that same generation to accept blandly workmanlike, outsize Hollywood product." |
David Kronke |
Tomato 3/4 |
Harsh Times (2006) |
Click here to see the review. |
|
Tomato 3/4 |
Hart's War (2002) |
"It's a pleasure to finally see a film directed by Gregory Hoblit that really reflects the multiplane storytelling expertise he developed working on such television series as Hill Street Blues, L.A. Law and NYPD Blue." |
|
Splat 2/4 |
The Haunted Mansion (2003) |
"It's true that last summer's hit Pirates of the Caribbean is one tough act to follow, but The Haunted Mansion falls short even without such comparisons." |
Valerie Kuklenski |
Splat 2/4 |
Haven (2006) |
"Too bad Flowers couldn't have put the two stories he's telling together as well as he did the shooting schedule." |
Bob Strauss |
Tomato 3/4 |
He Loves Me, He Loves Me Not (2003) |
"Colombani deceives and manipulates viewers with a veteran's verve, but we never feel cheated." |
Bob Strauss |
Tomato 3/4 |
He's Just Not That Into You (2009) |
"It's a different kind of commercial romcom, and more serious toward its material than most. No life-changer, but worth a date night at least." |
Bob Strauss |
Splat 2/4 |
Head of State (2003) |
"Unfocused collection of softball social satire and barely connected skits." |
Bob Strauss |
Tomato 3.5/4 |
Head-On (2005) |
"Akin's great strength is that he's much more interested in the individual demons that drive people into walls, regardless of how they're raised." |
Bob Strauss |
Tomato 3/4 |
Heading South (2006) |
"While its main characters are admirably humanized, this is nevertheless a movie about economic exploitation. It's a very sexual work, but it is far more political at its core." |
Bob Strauss |
Splat 1.5/4 |
The Heart is Deceitful Above All Things (2006) |
"I don't know if the movie follows the book closely, but if it does, you kind of have to wonder how Leroy or Albert or whoever it was made such a splash in the first place." |
Bob Strauss |
Tomato |
The Heartbreak Kid (2007) |
"This one's all about the big, unbelievable guffaws, of which the movie delivers about a dozen. Some may still call it heresy, but it's nothing to get heartbroken over." |
Bob Strauss |
Tomato |
Heartbreakers (2001) |
"Call it a guilty pleasure. But it's a pleasure nonetheless." |
Glenn Whipp |
Splat |
Hearts in Atlantis (2001) |
"Atlantis certainly provides a pleasant diversion. Those who could use a nice, two-hour snooze will also be rewarded." |
Bob Strauss |
Splat 2/4 |
Heaven (2002) |
"A love story that is supposed to be about redemption, but is really about why dead men should tell no tales." |
Glenn Whipp |
Tomato |
Hedwig and the Angry Inch (2001) |
"The movie's rich swirl of sounds, outlooks and attitudes truly incorporates something for everyone." |
Bob Strauss |
Splat 2/4 |
Heights (2005) |
"Here's a movie so laboriously devised that it feels compelled to have one character exclaim: 'Six degrees of separation! More like two when it comes to New York!'" |
Glenn Whipp |
Splat |
Heist (2001) |
"Heist is a phoned-in job." |
Glenn Whipp |
Splat 1.5/4 |
Hell Ride (2008) |
"It's a biker film, a spaghetti Western, a soft-core porno, a slice of macho poetry. It's also not very good." |
Bob Strauss |
Splat 2.5/4 |
Hellbent (2005) |
"Etheredge-Ouzts stages the stalkings and slashings effectively enough, but too much of the movie is devoted to suspenseless cruising." |
Bob Strauss |
Tomato 3/4 |
Hellboy (2004) |
"Del Toro's wittiest, most visually diverse feature to date." |
Bob Strauss |
Tomato 3/4 |
Hellboy II: The Golden Army (2008) |
"The summer's been loaded with superhero movies, some better and some worse than Hellboy II, but none is as exuberantly creative, nor as unconventionally committed to being so many things other than a live-action comic book." |
Bob Strauss |
Tomato |
Herbie: Fully Loaded (2005) |
"This would be a standard baby-sitter of a movie without one hypernatural flame-haired element." |
Bob Strauss |
Splat |
Here on Earth (2000) |
"The filmmakers cobbled together so many predictable set pieces and plot developments that you don't even need to see the movie to know what happens." |
Glenn Whipp |