Tomato 2.5/4 |
Nacho Libre (2006) |
"Silliness takes a Mexican holiday in Nacho Libre." |
Bob Strauss |
Splat 2.5/4 |
The Namesake (2007) |
"The Namesake, about a Bengali couple who raise their family in New York, is rich in particulars. Yet the emphasis in Mira Nair's film version of Jhumpa Lahiri's best-selling novel keeps falling on the generic." |
Bob Strauss |
Splat 2/4 |
Nancy Drew (2007) |
"The threadbare, uninteresting plot could be overlooked were it not for the lifelessness surrounding it. The filmmakers mix tones and eras without purpose or effect. The appealing Roberts struggles to carry the burden. Wholesomeness shouldn't be so hard." |
Glenn Whipp |
Tomato 3/4 |
Nanny McPhee (2006) |
"Working as both a fantasy of wish fulfillment for parents and a raucous, broad live-action cartoon for kids, Nanny McPhee is an above-average family film." |
Glenn Whipp |
Tomato 3/4 |
Napoleon Dynamite (2004) |
"Commitment to honesty, along with enough genuine laughs, gives Napoleon Dynamite an appealing humanity that will leave you smiling." |
Glenn Whipp |
- |
Naqoyqatsi (2002) |
Click here to see the review. |
|
Tomato 3.5/4 |
Narc (2002) |
"A live-wire film that never loses its ability to shock and amaze." |
Glenn Whipp |
Tomato 3/4 |
NASCAR: The Imax Experience (2004) |
"As IMAX fare goes, NASCAR 3D is an action-packed ride." |
Evan Henerson |
Splat 2/4 |
National Lampoon's Van Wilder (2002) |
"Adolescents will be adequately served by the movie's sophomoric blend of shenanigans and slapstick, although the more lascivious-minded might be disappointed in the relative modesty of a movie that sports a 'topless tutorial service.'" |
Glenn Whipp |
Tomato 3/4 |
National Treasure (2004) |
"None of this should work, but in the best Bruckheimer tradition, it does." |
Bob Strauss |
Tomato 2.5/4 |
National Treasure 2 : Book of Secrets (2007) |
"It's all diverting enough and holds your interest without ever getting too exciting." |
Bob Strauss |
Tomato 3/4 |
The Nativity Story (2006) |
"Nativity Story is a thoughtful addition to the Christmas movie canon. It tries to locate the spiritual in the everyday, and it has an open, welcoming heart. You don't have to buy anyone's creed to know that that's good." |
Bob Strauss |
Splat 2.5/4 |
Nearing Grace (2006) |
"The tone is psychological realism, as opposed to, say, American Pie-style burlesque. But the main emphasis is on sex and drugs anyway. In any case, it's not very illuminating." |
Bob Strauss |
Tomato 2.5/4 |
Ned Kelly (2004) |
"Jordan stages the action scenes with energy and aplomb; when his heroes dive headlong into mythology, they do it with gusto and plenty of ammunition." |
Glenn Whipp |
Tomato 3.5/4 |
Neil Young - Greendale (2004) |
"A low-fi movie masterpiece that vividly captures both the grim realities and hippie idealism in Young's absorbing song cycle." |
Glenn Whipp |
Tomato 4/4 |
Neil Young - Heart of Gold (2006) |
"A stirring and profoundly moving record of Young's first public performance of this batch of new songs. But it's more than that. It's a testament to Young's poetic lifetime of survival and a heartfelt public acknowledgment of [his] family and friends." |
Glenn Whipp |
Splat |
Never Back Down (2008) |
"A pulpy piece of formulaic genre entertainment that couches its nonviolent message in a series of over-the-top, sweaty smack-downs designed to please YouTube's Backyard Brawl Bunch." |
Glenn Whipp |
Tomato 3/4 |
Never Been Thawed (2006) |
"It's just hilarious enough to overcome its limitations -- and even, occasionally, make them part of its unforgiving worldview." |
Bob Strauss |
Splat 1.5/4 |
Never Die Alone (2004) |
Click here to see the review. |
|
Tomato 3/4 |
Neverland (2003) |
Click here to see the review. |
|
Splat 2/4 |
The New Guy (2002) |
"A Meatballs for the bare-midriff generation." |
Glenn Whipp |
Splat |
New in Town (2009) |
"So elementary it makes most after-school specials look sophisticated." |
Bob Strauss |
Splat 1.5/4 |
New Suit (2002) |
"[A] disingenuous satire that attempts to entertain with a mockingly cynical eye at the naive dreamers and tired veterans of the Hollywood rat race." |
Martin S. Gonzalez |
Splat |
The New World (2005) |
"All in all, it's probably Malick's least satisfying film of the four he has made." |
Glenn Whipp |
Splat 2.5/4 |
New York Doll (2005) |
"It's hard to imagine much of an audience for this film outside of the limited ranks of Dolls fans, or those who swoon over any whiff of celebrity ruin and retrieval, regardless of how conventional." |
Bob Strauss |
Tomato 2.5/4 |
New York Minute (2004) |
"It's an idiotic and utterly bogus confection, as it must be, but at least it has a pleasing level of pacing (it scoots along without screeching) and some minor-key subversive flashes." |
Bob Strauss |
Tomato 2.5/4 |
Next (2007) |
"Next is a series of artfully choreographed linked pursuits with Moore convincing as the hard-nosed leader of the pursuit team." |
Evan Henerson |
Splat |
The Next Best Thing (2000) |
"The screenplay by Thomas Ropelewski is such a ridiculous hodgepodge of cliches with stale political correctness that Meryl Streep would have a difficult time making it work." |
Glenn Whipp |
Tomato 3/4 |
Nicholas Nickleby (2002) |
"Douglas McGrath's Nicholas Nickleby does Dickens as it should be done cinematically." |
Glenn Whipp |
Tomato 3/4 |
Nick and Norah's Infinite Playlist (2008) |
"Nothing great, but enough laughs and moments of genuine emotion to give it a pass." |
Bob Strauss |
Splat 2.5/4 |
Nicotina (2004) |
"It leaves you with the spectacle of badly mutilated bodies and an unpleasant taste of too much hipster irony -- that was truly hip a decade ago when Tarantino did it right." |
Bob Strauss |
Splat .5/4 |
Night at the Museum (2006) |
"All the exhibits come to life after dark. That's about it. Aimed at kids." |
Bob Strauss |
Splat 2.5/4 |
The Night Listener (2006) |
"Although it may not satisfactorily work all of its many ideas out, The Night Listener does thoughtfully explore the myriad games people play -- on themselves as well as others -- in the universal search for gratifying affection." |
Bob Strauss |
Tomato 3/4 |
Night Watch (2005) |
"All kinds of shape-shifters and vengeful-lover ghouls are on the loose. Add that to typically chaotic Moscow traffic, and you've got a nonstop fright fest." |
Bob Strauss |
Splat |
Nights in Rodanthe (2008) |
"Richard Gere and Diane Lane engage themselves fully with the flimsy material, making their one-note characters engaging, sympathetic and always perfectly coiffed, even in the face of gale-force winds." |
Glenn Whipp |
Splat 2/4 |
Nim's Island (2008) |
"I'm not sure what's more depressing: seeing potential tween megastar Abigail Breslin underused or watching Jodie Foster clutching a Progresso soup can for dear life and smacking head-first into a tree." |
Evan Henerson |
Tomato 2.5/4 |
Nine Lives (2005) |
"Taken together, the tales don't add up to much, but some of the individual pieces are sensitive and keenly perceptive, containing fine work by a stellar roster of actresses." |
Glenn Whipp |
Tomato 3/4 |
Nine Queens (2002) |
"A well-acted thriller with perhaps a few too many twists, but satisfyingly clever in the long run." |
Bob Strauss |
Splat |
The Ninth Gate (1999) |
"Arcane puzzles, dopey chases, silly rituals and unsatisfactory explanations." |
Bob Strauss |
Tomato |
No Country for Old Men (2007) |
"It's grim, unforgiving and probably unforgettable -- in some ways you'll want to remember, and in others you may wish you couldn't." |
Bob Strauss |
Tomato |
No Man's Land (2001) |
"No Man's Land instantly lands on the short list of great films about the absurdity of war." |
Bob Strauss |
Splat 2.5/4 |
No Reservations (2007) |
"Nice as all this good food looks, we can't smell it, taste it or feel its textures in a movie, which usually leaves me hungry for something more substantial to sink my teeth into." |
Bob Strauss |
Tomato 2.5/4 |
No Turning Back (2001) |
"Can be heavy-handed at times and the quality of the acting is all over the map. But the dilemmas depicted are real and they feel real, which gives the film a hard-edged poignancy." |
Glenn Whipp |
Tomato 3/4 |
Nobody Knows (2005) |
"Nobody Knows has a haunting quality that is all the more effective for its deceptively everyday appearance." |
Bob Strauss |
Splat 2.5/4 |
Noel (2004) |
"Despite the impressive cast, acting quality isn't especially high." |
Bob Strauss |
Tomato 3/4 |
Noi (2004) |
"Strictly ironic yet surprisingly touching portrait of a lost, latter-day Viking who wouldn't know what to do with a rudder even if he could find one." |
Bob Strauss |
Splat 1.5/4 |
Norbit (2007) |
"The Nutty Professor was a comic tour de force; Norbit smells faintly of desperation." |
Nathaniel Bell |
Splat 2/4 |
North Country (2005) |
"Director Niki Caro Whale Rider and screenwriter Michael Seitzman have crafted an old-fashioned story about sexual harassment that delivers the obvious message....without a shred of nuance or subtlety." |
Glenn Whipp |
Tomato 3/4 |
Northfork (2003) |
"It's an austerely beautiful, contemplative film that has too many ideas for its own good. Enough of those notions are interesting enough to compensate for the film's many meanderings into artsy cutesiness." |
Bob Strauss |
Splat 2.5/4 |
The Notebook (2004) |
"Men hardly need to be warned that this is basically just Titanic without anything cool like a ship sinking or Kate Winslet posing for art." |
Bob Strauss |