Tomato 3/4 |
Rachel Getting Married (2008) |
"In Rachel Getting Married, Jonathan Demme takes what could have been another routine trip to dysfunction junction and turns it into a truthful and revelatory celebration of humanity." |
Glenn Whipp |
Tomato 3/4 |
Racing Stripes (2005) |
"The movie has its charm." |
Evan Henerson |
Splat 2/4 |
Radio (2003) |
"It makes you want to scream: 'OK, I GET IT!!! IT'S GOOD TO TREAT PEOPLE WITH KINDNESS! NOW PLEASE, IN THE NAME OF GOD, TURN OFF THE SAPPY MUSIC!'" |
Glenn Whipp |
Tomato 2.5/4 |
Rails & Ties (2007) |
"Rails & Ties essentially remains a TV movie weepie, but it's a high-end one." |
Bob Strauss |
Splat 1.5/4 |
Raise Your Voice (2004) |
Click here to see the review. |
|
Splat |
Raising Flagg (2007) |
"Feels like a TV movie." |
Evan Henerson |
Splat 2.5/4 |
Raising Helen (2004) |
"The movie possesses all the cloying cuteness and soft-edged drama that we've come to expect from pro's pro Marshall." |
Glenn Whipp |
Tomato 3.5/4 |
Raising Victor Vargas (2003) |
"What's so wonderful about director Peter Sollett's assured debut feature is the authentic way he captures what it's like to be young." |
Glenn Whipp |
Tomato 3/4 |
Ram Dass Fierce Grace (2002) |
"Whether or not Ram Dass proves as clear and reliable an authority on that as he was about inner consciousness, Fierce Grace reassures us that he will once again be an honest and loving one." |
Bob Strauss |
Splat 2/4 |
Rambo (2008) |
"The man hasn't turned into Hostel director Eli Roth, but for all the rape, torture and blood-letting on display in Rambo, it wouldn't be far off the mark to call [Stallone] Roth's spiritual godfather." |
Glenn Whipp |
Splat |
Random Hearts (1999) |
"The movie's deliberate pace, along with some rather strained attempts to build romance out of disaster, winds up sabotaging its aims." |
Glenn Whipp |
Tomato |
Rat Race (2001) |
"It takes awhile for Rat Race to get in gear, but once it does you've got a pretty high-performance joke machine." |
Bob Strauss |
Tomato 3.5/4 |
Ratatouille (2007) |
"A breathlessly scampering slapstick delight." |
Bob Strauss |
Splat 2.5/4 |
Ray (2004) |
"The movie -- two hours and 25 minutes long and, by the end, you feel every minute of it -- completely falls apart in the third act." |
Glenn Whipp |
Tomato 3.5/4 |
Read My Lips (2002) |
"Anything but a feel-good movie in its particulars, Read My Lips nonetheless communicates a liberating message as refreshing as it is peculiar." |
Bob Strauss |
Splat 2.5/4 |
The Reader (2008) |
"The Reader isn't an act of moral imbecility like The Boy in the Striped Pajamas, but it's pretty questionable all the way through." |
Bob Strauss |
- |
The Real Cancun (2003) |
Click here to see the review. |
|
Tomato 3/4 |
The Real Dirt on Farmer John (2007) |
"Yes, John Peterson is a flake, but he's a likable oddball, a rebel you can get behind." |
Glenn Whipp |
Tomato 3/4 |
Real Women Have Curves (2002) |
"This is more than just a big-screen sitcom, which is more than can be said for some fat indie hits." |
Bob Strauss |
Splat 1.5/4 |
The Reaping (2007) |
"Amidst such mayhem, there isn't much for a two time Oscar winner like Swank to do with herself, except reach out soulfully to the girl who may be the Antichrist." |
Evan Henerson |
Splat 1/4 |
Rebound (2005) |
Click here to see the review. |
|
Tomato |
Recess: School's Out (2001) |
"Paul and Joe (they like to be on a first-name basis with their audience) have created a look that is as basic and down-to-earth as their characters." |
Valerie Kuklenski |
Splat 2.5/4 |
The Reckoning (2004) |
"Everything in this film is spelled out to the point of tedium." |
Glenn Whipp |
Tomato 3/4 |
Reconstruction (2004) |
"As heart-rendingly immediate as it is intellectually sophisticated." |
Bob Strauss |
Splat 2.5/4 |
The Recruit (2003) |
"Repeatedly rewritten to within an inch of its life and showing it." |
Bob Strauss |
Splat 2.5/4 |
Red (2008) |
"A movie that's completely out of its tree." |
Bob Strauss |
Tomato 3/4 |
Red Dragon (2002) |
"Workmanlike, maybe, but still a film with all the elements that made the other three great, scary times at the movies." |
Bob Strauss |
Tomato 3/4 |
Red Eye (2005) |
"Wes Craven's airplane thriller strips down the mechanics of suspense to bare basics." |
Bob Strauss |
Tomato 3.5/4 |
Red Lights (2004) |
"Kahn has a marvelous command of the material, showing a fine facility for the elements of the genre." |
Glenn Whipp |
Splat |
Red Planet (2000) |
"Dumb, uninvolving movie." |
Bob Strauss |
Tomato 3/4 |
Red Road (2007) |
"Scary and utterly original." |
Bob Strauss |
Splat |
Red Roses and Petrol (2008) |
"With her static camera, director and co-writer Tamar Simon Hoffs has done little to move it out of its staginess." |
Rob Lowman |
Tomato |
Redbelt (2008) |
"Cerebral as it often may get, Redbelt is the work of a true fan. It's brought out some of the best in him, and he's returned the favor to the genre." |
Bob Strauss |
Tomato 3/4 |
Reel Paradise (2005) |
"Movie love in all of its absurd, sometimes hilarious and deeply heartfelt mutations is a big part of Reel Paradise." |
Bob Strauss |
Tomato |
Refusenik (2008) |
"[Director] Bialis chronicles all this with perhaps too much thoroughness. But, given the nature of the subject, you get the sense that she doesn't want to leave out any voice, no matter if they add little in the way of new information." |
Glenn Whipp |
Splat 2.5/4 |
Reign of Fire (2002) |
"In their efforts to make an unsilly movie about dragons, the Reign of Fire brain trust went rather too far. What they've come up with is a grim, enjoyment-impaired, postapocalyptic trudge." |
Bob Strauss |
Tomato 3.5/4 |
Reign Over Me (2007) |
"Reign Over Me unfolds with a naturalness that emphasizes uncertainty while maintaining the conviction that one can get through the worst by taking comfort in friends and finding connection with family." |
Glenn Whipp |
Splat |
Reindeer Games (2000) |
"Every plot complication is so implausible that, after a while, you stop paying attention and start wondering just how big an idiot the filmmakers mistook you for." |
Bob Strauss |
Splat |
Religulous (2008) |
"Thought is absent in Religulous, as is imagination. The movie is Maher's monument to Maher, as ugly and hateful as anything he decries in the film." |
Glenn Whipp |
Splat 2.5/4 |
Remember Me, My Love (2004) |
"The movie is being sold as a romance with the tag line: 'Some loves are never forgotten.' But the only love evident here is self-love, and the overall feel is disturbingly soulless." |
Glenn Whipp |
Splat |
Remember the Titans (2000) |
"If nothing else, deserves some kind of trophy for most bogus 'true story' ever filmed." |
Bob Strauss |
Splat 2/4 |
Renaissance (2006) |
"Artistic as it undeniably is, the two-tone effect grows tedious fast. And since it's coupled with a mystery story that's humdrum from the start, boredom multiplies." |
Bob Strauss |
Splat 2.5/4 |
Rendition (2007) |
"In trying to respect every character's point of view, Hood doesn't reveal enough about any of them to make us truly care." |
Bob Strauss |
Splat 2.5/4 |
Reno 911!: Miami (2007) |
"The film is just a loosely connected set of skits in which incompetent, narcissistic Nevada cops prove just as inept and self-absorbed in Florida." |
Bob Strauss |
Splat 2.5/4 |
Rent (2005) |
"If you have any appreciation for the art of the movie musical, Rent is pretty much a washout." |
Bob Strauss |
Splat |
The Replacements (2000) |
"The Replacements tries to set some kind of record for regurgitating sports movie cliches faster than any film that's run before." |
Bob Strauss |
Tomato 2.5/4 |
Repo! The Genetic Opera (2008) |
"Not for all tastes, Repo! The Genetic Opera can boast a lot of imagination and some evident talent." |
Bob Strauss |
Tomato 3.5/4 |
Reprise (2008) |
"The movie also contains many moments of joy and humor, folded into a fantastic, shifting structure that keeps the film wildly alive. It's an impressive first film." |
Glenn Whipp |
Tomato 3/4 |
Requiem (2006) |
"What cannot be debated is the strength of Huller's naturalistic lead performance, a frighteninglyn intense turn that brings to mind Emily Watson's work in Breaking the Waves." |
Glenn Whipp |
Tomato |
Requiem for a Dream (2000) |
"Virtually the cinematic equivalent of a powerful drug rush and subsequent, crashing withdrawal." |
Bob Strauss |